[TMN PREMIERE] Double Cream – Tripoli (Michael Woods ReMaster)

Double Cream
Tripoli (Michael Woods ReMaster)

After our trip to Miami, we developed an even deeper affinity for Michael Woods. We’ve seen him grace the decks before, and we’ve always been impressed. We’ve heard release after release of his, and always been impressed. However, getting to sit down and talk with Michael at length outside of his party with Chris Lake in Miami made us appreciate him as an artist even more.

With that being said, we were ecstatic when we were asked to premiere a preview of “Tripoli.” Newcomers Double Cream are making their debut on Michael’s label, Diffused Music, with this tune. The infectious and energetic festival anthem was remastered by Michael, and features gorgeous synths and massive drops. One listen through, and you’ll be dancing your way into the weekend.

“Tripoli” is out May 13th via Diffused. Mark your calendar.

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[TMN Resident Artist] 6 tracks with Bass Kleph notes

Sad to say this is no April fools joke as another month comes to a close and April begins we have to say goodbye to another amazing artist. Bass Kleph has kept our ears entertained and our music love growing this past month and we hate to see him go but we love to see what he has in store for the next year. Cheers mate for amazing month! And of course he couldn’t just leave us with five songs that he is digging right now, no, BK threw in an extra song as we roll along into April. Have a listen and enjoy the sound that is Bass Kleph.

’Armin van Buuren & W&W – D# Fat’
’Avicii vs Nicky Romero – I Could Be The One (John Christian Remix)’
’Michael Woods – Last Day On Earth (GTA Remix)’
’The Twins “Coming Home” (Bass Kleph Remix)’

(Unreleased) If They Could See Us Now (Bass Kleph Remix) – Reecey Boi & Naylo ft Ron E Jones
(Unreleased) Could This Be Love – Bass Kleph & Kathrin Deboer

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[TMN EXCLUSIVE] Michael Woods Interview

Michael Woods Podcast 028 Miami Special

There’s a handful of producers who embody how much fun the EDM scene really is. One of those people is long-time house music favorite, Michael Woods. This tall drink of water has been around the game for longer than most think. For example, most of you wouldn’t remember his track “Warrior,” which came out some time in 2000, but Michael has a list longer than our arm of hits like that from the past decade and beyond.

Our last day in Miami we were lucky enough to head over and catch Michael’s set at the Lake Woods Pool Party on Collins Drive. After watching him throw down with the likes of Chris Lake and TJR, we finally had a chance to talk business. Well, we thought it was going to be all business, but with him, it was pretty much all fun. Check out what he had to say about Teisto’s Jager machine, crowds in Chile and his superstitions:

TMN: First of let’s talk about what it is like to be in here for WMC, obviously the largest weeks in electronic dance music. What does it feel like to be here? Is this something you look forward to every year?

MW: You know what, I DJ worldwide, there are many big events worldwide, but Miami is probably one of the bigger ones. It’s one that I do look forward to. However, it’s kind of like a double edged sword because I know I’m going to be completely fucked out of my face [laughs] and there is going to be a lot of recuperation afterwards. Last year I was here for 3 days and did 2 shows and my God! It took me a week to get over it. This year I’m here for a week and I have like eight shows, so I am trying to pace myself.

TMN: Doing some Jager? We do read your facebook updates.

MW: Oh my god, I hate Jager. The only time I drink Jager is when I am with Tiesto and Max Vangeli, and I hate those fuckers. Never again!

Tiesto has got its own personal Jagermeister dispenser machine, which serves at exactly 12 degrees centigrade. He is always trying to throw them down my throat. Now I know better and know now to do it.

TMN: So let’s touch on your past a little bit, you and your sister are both accomplished musicians, is that something encouraged by your family or is that something you naturally got into it?

MW: No, it’s from my family. My dad is a piano teacher, so from an early age, when I was 4 years old, my dad had us sit down on the piano. He then sent us off to music school and from the age of 4-5 we went to Saturday school where we would do a lot of piano as well. I did all my grades, from grade 1 to grade 8 on the piano. Then, as a result of getting into music school, I picked up other instruments like the guitar, the drums, and the trumpet. Music is quite natural in our family and to now do it professionally it’s really cool because I’m doing something that I love doing and something I have been doing from day one.

TMN: What would be your favorite instrument to play outside of playing the keyboard?

MW: The triangle! [Laughs] You know what I actually do enjoy playing the guitar, but I am not as good as I am playing the piano. Playing the keyboard is like speaking English; its natural to me.

TMN: How do you deal with traveling the world, producing music and also being the founder of Diffused? What is your balance like on a day to day?

MW: Drinking a lot of Patron! [Laughs]. You know, that is probably the most difficult thing to do, is trying to balance everything. There are only 24 hours a day, and so much you can do. Lucky, I have got a really cool management company like Three Six Zero who looks after Deadmau5, Calvin Harris etc. Within that company they look after my label. I have a management team that looks after the label and works with me so I do have got a good team around me that helps me out. Basically, all I have to do is make sure I am producing good records but outside of that I have people that help me out.

TMN: We have to give a shout out to Rising Digital and James Bevan and Seb…all those guys.

MW: Yes absolutely! I love those guys. Seb is really cool, he helps me out a lot.

TMN: You’ve traveled all over the world, what are some of your favorite cities to play at?

MW: I will say Philadelphia is actually pretty cool, there was a really good vibe there.

One of the most recent cities I went to, that I wasn’t expecting to tour was in South America: Santiago, Chile. Oh my God! It was insane! I got onto the stage but I wasn’t looking up, I was trying to keep my head done and as soon as I looked up I saw 10,000 pairs of arms in the air. It was crazy, they were literally jumping up and down for 2 hours. Chile was ridiculous.

TMN: Different cities have different understanding of dance music, do you find that the crowds differ from place to place? The energy, the vibe? The feel?

MW: A little bit. Like I said about Chile – that was probably the craziest I’ve seen a crowd. Generally, the crowds around the world seem to be pretty vibrant and have a lot of energy. I don’t notice too much of a difference. A place that I would say is not as crazy is actually, believe it or not, Miami. Personally, I feel like it’s a lot about people caring about their appearance, so it’s a bit more calm. No one wants to be too crazy and the same goes for Vegas. They seem a bit more reserved. Cities like Philadelphia and New York they like to get fucking crazy. They don’t seem to care so much about what people think but they just care more about the music. Continue reading

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