Author Archives: Clayton Warwick

[Artist Residency] um.. drops “Music We Like” on Spotify

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For our next portion of um..’s Residency, we’re shining a spotlight on their recently released Spotify playlist, which is aptly titled “Music We Like.” If you’re expecting to hear a handful of only experimental, industrial, and heavy bass tracks, you’re in for quite the surprise. The collection definitely has some of those scattered throughout, but also includes some RnB, mainstream rap, jazz, and even some classical.

We asked them to talk to us about a few of their selections, which they, of course, responded in a way we would only expect from Ben and Dylan.

Tennyson – For You : This song is good to listen to when you’re good for listening to this song.

X&G – Whiplash ft. Josh Pan : This song is tight. When you listen you can tell it’s tight.

Rae Sremmurd – No Flex Zone : When you’re trying to get in the zone but you can’t flex. That’s how you know.

Howard Shore – Concerning Hobbits : 5/7 perfect song. I shore hope he doesn’t like jokes about oranges.

Caspa – Well Ard ft. The Others : If you real and you know it raise your fist. Put it down now, you real.

After you’re done checking this out, head over to SoundCloud and peep their latest release.

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[Giveaway] Wolfgang Gartner – Beta Nightclub – 5/26

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It’s been quite some time since we’ve been able to indulge in an evening of electro house with the legendary Wolfgang Gartner. Undoubtedly one of our favorite performers, he’s been tucked away from the limelight, taking a break from the industry and working on his stunning 2nd EP, 10 Ways To Steal Home Plate.

With that new album comes a collection of shows across the US, including our hometown favorite, Beta Nightclub. As you already know, we’re often down on 19th and Blake quite often, so we’ve teamed up with Beta and Wolfgang’s team to offer up a chance to win two tickets to his show on May 26th.

Entering is pretty damn simple. Just hook up a few follows through our contest app below.


Win 2 Tickets to Wolfgang Gartner @ Beta Nightclub (Contest on Hive.co)

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Elephant Revival discusses Petals, Red Rocks, and Green Chile [TMN EXCLUSIVE INTERVIEW]

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Red Rocks season is in full swing, highlighting some of the best and most entertaining acts anyone would care to see. We’ve already made it up for a few notable shows, but the best outdoor venue in America still has so much in store, including a showing from Colorado-based folk outfit Elephant Revival.

We’re planning on being in those legendary stands this Sunday, but before we head out there, we thought it would be great to get to know this homegrown band a little bit better. So, we fired off a few choice questions to Daniel Rodriguez, who sings, and plays bass, banjo, and guitar.

TMN: Thanks for taking some time to sit down with us ahead of your first ever headlining show at Red Rocks. Let’s talk about that for a second. As a Colorado-based band, what does this mean to you guys?

ER: It truly is a great honor to be headlining Red Rocks. As a Colorado-based band, it means that the people who have been with us since the beginning can share in this experience with us. To have this world-class and incredibly epic venue in our backyard is a true gift. To be connected as we are to the Colorado music community—coming up through the jams and small venues, to now headlining Red Rocks—sure means a lot!

TMN: This performance closes out a pretty hefty tour in support of your recently released album, Petals. How has the reception been so far?

ER: The reception of our new material and all of the new sounds has been great. It's funny because when Bonnie picks up the cello, Charlie gets on the pedal steel, and I get on a drum, our fans become exposed to a sound that we have never produced live before. On tour, we found a balance of playing material off of our past records as well as off the new record. Intertwining both really helped people to welcome in the new. Mostly, I think people are mesmerized by how many instruments Bonnie can play. And then she sings, and how could that ever not be well received?

TMN: The album is phenomenal, by the way. The procession from start-to- finish was beautifully crafted. Did you write the album with a solid storyline in mind, or is this more so a collection of songs arranged in a specific order?

ER: Many folks have pointed out that they feel this is a conceptual album—that each song is one part of a larger story that the whole album tells. I'm shocked to realize that it does seem like a conceptualized album, because that's not what we set out to do. We just picked the songs that we and our producer were most excited about. Though it wasn't a conscious thing, perhaps it is a mystical thing that it came out sounding so cohesive.

Continue reading

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[Secret Ninja Pass] This Week at Beta 5/19 – 5/22

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As we continue along into 2016, we’re excited to bring you more opportunities to check out our favorite club. As you probably already know, we’ve been hooking you up with free entry to Beta for over three years now. We know you’ve had some epic times, catching some of the most legendary talent EDM has to offer, and we’re on board to keep this thing going. So, we’re once again giving you an opportunity to check out the best night club in North America for free. What all do you have to do to get in? It’s pretty damn easy. Just follow these steps:

– Head to the front door and enter the club before 11 pm on Thursday, Friday, and Saturday. Get there before 5:00PM on Sunday.
– Show this post to the cashier (Valid for 21+ only).
– The deal is valid for Thursday, Friday, Saturday, and Sunday nights.

See you on the dance floor.

Fedde Le Grand - 5/19

’Ida Corr – Let Me Think About It (Fedde Le Grand Remix)’
Downlink & Dieselboy - 5/13
’Excision, Downlink, & Space Laces – Wasteland (Barely Alive Remix)’
’Dieselboy, Downlink, Mark The Beast, Mayhem – Carcosa’
Manufactured Superstars - 5/14
’Great Escape feat Danni Rouge’
Audiofly - 5/15
’Audiofly & Maher Daniel – Love’s Inside’
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Frances Luke Accord – Fluke [TMN ALBUM PREMIERE]

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There’s something about the warming temperatures hinting at the edges of summer that beckon us to go out and track down some of the most endearing indie folk tunes we can find. Maybe it’s the thought of mountain adventures, adorned with a backpack weighed down with the essentials. Maybe it’s fondly recalling late-night, lakeside campfire memories where the only things that matter are a circle of good friends and a bottle of quality whiskey. Whatever it is, it always happens around this time of year, and thankfully, Frances Luke Accord is here to satisfy that itch.

Made up of Brian Powers and Nicholas Gunty, this Windy City duo has an Americana-rich charm that’s simply irresistible, especially when both members pair up for one of their pitch-perfect vocal harmonies. At times, their modern folk interpretations remind us of Iron & Wine, at times they call on nostalgic associations of Simon & Garfunkle, and we also can’t help but shake hearing Hunter Hunted, especially with those harmonies we mentioned earlier.

We have to start by covering one of the most interesting origin stories we’ve heard, which comes from one of the oldest songs in the group’s repertoire. “Nowhere To Be found” was actually originally recorded in Kkindu Village, Uganda during their senior year at the University of Nortre Dame. When Powers and Gunty were putting together the Fluke, they revisited it once more and decided to include it.

We decided to re-record it for Fluke because we wanted an optimistic voice (both sonically and narratively speaking) to contrast the more sober corners of the album. We feel that this version also reflects our growth as performers and producers since our first release.

Beyond that, it’s honestly difficult to highlight other songs to talk about for one simple reason – they’re all so damn good. Take “Tangled In Your Web,” which takes a slight departure from other offerings, showcasing their ability to hone in on classic rock sensibilities. While the essence of their sound is still very much in tact, the calculated guitar riffs give it an edge that other tracks don’t have. Conversely, tracks like “Who Do You Run From” showcase the frolicking, playful folk nature that’s perfect for that soon-to-be sunshiney weather.

As a collective experience, it’s truly one that’s worthy of a start-to-finish session. With that in mind, we won’t keep you from it any longer.

’Who Do You Run From’
’Something Moving’
’Stones I’ve Thrown’
’Tangled In Your Web’
’David’
’The Nightline (ft. Katie Van Dusen)’
’Egoeye’
’Nowhere To Be Found’
’On The Road’
’In The Snow’
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JOME – Cinnamon [TMN PREMIERE]

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JOME
Cinnamon

Los Angeles-based JOME may have just emerged into the scene, but he’s already made a sizeable dent with only one release under his belt. Just last month, this newcomer dropped his debut offering, “Brushstroke,” which was very well received by tastemaker blogs and music nerds alike, giving everyone a quick glance at what’s in store.

I wanted to make something tangible, something of substance. A song you can wrap your hands around and hold, feel it’s weight. Creating the song was like an excavation. I was interested in digging up textures and rhythms that fit together like bones. To me, “Brushstroke” is about how quickly things can change.

Today’s offering is only the second release from this talented singer/songwriter, and it’s sure to absolutely encapsulate you for the entire duration. Set to the backdrop of melodic guitar and piano that effortlessly lap across you, soft claps, and ethereal synths, “Cinnamon” slowly builds into a well-crafted, lush, and cinematic soundscape. Accompanying that backdrop is the hero of the track, which is, of course, JOME’s positively spellbinding voice.

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Noa May – Soul Trap [TMN PREMIERE]

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Noa May
Soul Trap

Noa May is anything but conventional which only adds to our building affection for her unique offerings. “Soul Trap” certainly highlights that ability, showcasing something that so delightfully goes against the grain, yet ropes listeners in with the ease of a well-crafted pop hit.

Take a few moments to really drink this one in. Noa has such a well-defined vocal tone and cadence. So often, you’ll hear song after song with a voice that could be any number of artists. It’s safe to say that you’ll never confuse her’s with another. Couple those distinctive vocals with some bizarre, fluttering synths, an admittedly creepy bassline, and calculated spatterings of guitar work, and you have one hell of a tasty, twisted tune.

Once you’re done searching for the repeat button, head over to Facebook and throw Noa May a like. We’re guessing you’d like to keep tabs on her after imbibing in “Soul Trap.”

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