Author Archives: Weston Pagano

[Alternative/Rock] Berlin Bar Hounds – Le Rambles

Berlin Bar Hounds
Le Rambles

I know what you’re thinking, but no, this is not a new secret side-project by The National’s Matt Berninger, but rather one created by Jinja Safari drummer, Jacob Borg.

Contrary to what their name suggests, Berlin Bar Hounds are based in Sydney, Australia, from where they have released their debut single, “Le Rambles.” Showcasing a baritone that flows like underground currents and laments love and loss, this track pulses equal parts brooding and smooth.

Hopefully a sign of a full-length album to come, “Le Rambles” has made Berlin Bar Hounds one to look out for.

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[Alternative/Rock] Spoon – Do You

After a four-year hiatus, Austin-based indie rock mainstays Spoon are back and as spry as ever with the first official single off their forthcoming eighth record, They Want My Soul.

“Do You” is classic Spoon, with Britt Daniel’s pleading vocals calling out over intertwining guitar and piano along with the type of softened, echoing “do-do-dos” only the best instant sing-alongs are made of. Despite the ferocious intensity of the three-eyed lion in the artwork, the track is actually quite warm and inviting, and you can almost feel the audiences clapping in time already.

Written immediately after Daniel’s side-project Divine Fits concluded touring last year, They Want My Soul is scheduled to become the Texas outfit’s first LP on new label Loma Vista upon its release on August 5th, though there’s still plenty of summer left to bounce along to this song in the meantime.

“Do You” is available for purchase on iTunes, or better, through the band’s new Vinyl Gratification program.

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Q and A with Dale Earnhardt Jr Jr [TMN EXCLUSIVE]

DSC_3947-ExposureJRJR2

Following the release of their second album, The Speed Of Things, Detroit born and bred indie pop duo Dale Earnhardt Jr. Jr. have begun making a name for themselves for something beyond, well, their name. Quirky yet accessible, polished but never bland, Daniel Zott and Joshua Epstein have found the sweet spot between pop sensibilities and uniqueness, expanding their electronically-tinged hooks and dynamism just enough to keep things interesting without abandoning their comfort zone, deftly outmaneuvering any possibility of failing prey to the dreaded sophomore slump. The Speed Of Things changes gears often, shifting between exuberant choruses, love poem sensitivity, introspective melancholy and conversational assertions, but never stops moving forward through the swirling melodies and smooth vocals.

Joshua Epstein

Joshua Epstein

Dale Earnhardt Jr. Jr. recently packed Chicago’s own Metro with a sold out crowd, their largest ever outside of their hometown. Epstein’s colorful world map jacket and Zott’s curly hair tied into a ponytail on the side of his head were framed by flashing J’s and R’s sidestage as they opened up the set with “Hiding,” singing into a disembodied phone receiver and thrusting fists in the air with every “Hey!” The solitary incandescent bulbs attached to each mic stand illuminated intermittently, seemingly signaling new ideas realized mid-lyric, while each half of the duo dutifully took their turn leaping into the crowd to lend credibility to their synth-infused single “If You Didn’t See Me (Then You Weren’t On The Dancefloor).”

TMN: Congratulations on what was your biggest ever show outside of Detroit to date! How does it feel?

It’s an amazing feeling to have people in another city show up at all, so to have a record crowd made it even more special.

TMN: How have you been enjoying the tour so far?

​It’s been the most successful and most fun. That’s a good combination.

TMN: You brought your dog Potato on stage during the show. What’s it like bringing him along? How does he like it so far?

​It’s actually Josh’s dog, but yes, he’s been incredibly well behaved. He brings a lot of joy to the bus and helps us keep things in perspective.

TMN: I understand you recently did a benefit concert to raise money for a sick child. Can you tell us a little bit about this? How much of a responsibility do you feel artists have to give back to their communities in ways like this?

​Alex is a kid who recently discovered he had brain cancer. His family got nailed with a huge bill and we were just trying to help out. It was a really fun day with him and his family. Being in a band is full of self-centered moments. You spend most of your time trying to make people care about you. So, it was good to spend a day thinking about someone else.

TMN: So I have to ask, what’s the story behind the name?

​We wanted a name that wouldn’t restrict our sound. It’s so outrageous that it gives us freedom to sound like anything we want.

TMN: Will your children carry on the legacy as Dale Earnhardt Jr. Jr. Jr.?

​Never.

TMN: Is Dale himself a fan?

​He is. He says so in a video on tumblr via fox sports.

TMN: I understand you started the band rather casually without many expectations. Do you believe art is always best created with spontaneity? Is your process more calculated now that you’ve found success?

​There’s a good mix of both. In order to finish any good idea you need to have vision and execution which is more calculated, but spontaneity is good for coming up with ideas and changes.

TMN: You both seem to split frontman duties 50/50 more or less. How does this work? Is your songwriting process the same?

​We are finding our roles more and more as we grow together. We never plan for it to be perfectly split, but it does seem to balance out.

TMN: Many people consider indie pop to be a bit of a contradiction yet you guys blend the two worlds perfectly. Do you consider yourselves to be more of one or the other? How do you find balance?

​We are just trying to make pop music in the old sense of the word. We’d like to make a popular song that has some substance to it.

TMN: How has the Motown style popular in your native Detroit and the presence of legends such as Jack White influenced your music?

​Greatly. There is pride that comes from being from Detroit. You respect the history and feel responsible for the future. Makes us work hard at writing good songs.

TMN: You recently made a hip hop mixtape, can you tell us a little about that? What inspired such a side project?

​It has been a dream for a while. We really like making beats and producing other people’s tracks. It was a way for us to let people know what we can do.

TMN: I heard Paul Simon worked on your new album in some capacity, what was that like?

​It was wild to get his thoughts. He didn’t just have general thoughts either. He gave some recording tips that really worked well for War Zone.

TMN: What’s next for Dale Earnhardt Jr. Jr.?

​I need some lunch.

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Photos by Andrea Calvetti

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[Folk] Anand Wilder & Maxwell Kardon – Wedding Day

Anand Wilder and Maxwell Kardon
Wedding Day

Talk about an all-star cast: Yeasayer co-founder and multi-instrumentalist Anand Wilder and longtime friend and composer Maxwell Kardon have announced the completion of a new musical featuring fellow bandmates Ira Wolf Tuton and Chris Keating, James Richardson (MGMT), Christopher Powell and Ryan Kattner (Man Man), Rostam Batmanglij (Vampire Weekend), K Ishibashi (Kishi Bashi, of Montreal), Haley Dekle (Dirty Projectors), and more.

According to the press release, Break Line The Musical “harkens back to rock concept albums of the early 70′s,” exploring “the classic arc of lost love, betrayal, and pride,” and is based on “a labor conflict in a Western Pennsylvania coal town” that the duo’s fathers had discovered in “an old folk song taught in Quaker schools in the 1950s.”

Conceived six years ago, Wilder’s project began to take shape in between Yeasayer albums and is reminiscent of his band’s debut LP, with a lighter, springier version of All Hour Cymbals’ freakier folksy vibe. Taking inspiration from The Kinks and The Byrds, the musical puts a contemporary twist on a classic art form.

Ahead of Break Line’s release this July 15th on Secretly Canadian (July 14th, rest of the world via Mute), Wilder and Kardon have given us a small taste of what’s to come with ‘Wedding Day,’ a sleepy track that begins with children’s laughter and reversed guitar strums before Wilder’s croons raise the tempo into full-blown folk-pop festivity.

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Candy Says – Not Kings [TMN ALBUM PREMIERE]

Opening with handclaps and a frantic chorus of “got to get out before my heart explodes” throughout title track ‘Not Kings,’ Oxford-based newcomers Candy Says have burst onto the scene with their self-released debut. Possibly the most endearing pop duo to come out of the UK since Slow Club, Juju Sophie and Ben Walker create a similar sort of homemade sound that twists and turns, impossible to pin down.

As sweet as their name suggests but with an edge, Candy Says effortlessly meander between synth-driven melodies and acoustic rhythms. Their unique brand of chic charm is charged with bold claims of being “the Lord’s mistake,” but if that’s the case then ‘Not Kings’ is a mistake worth making.

Stand-out track ‘Favourite Flavour’ continues the sugary motif with an injection of that classic Brit-pop brand of sexuality (complete with a kiss) and an infectious round of Na-na-nas that will remain in your head long after the record stops spinning. Only the over-eager lullaby ‘Melt Into The Sun’ borders on saccharine with its declarations of like and sing-along counting.

‘C’est Pas Comme Ca’ and ‘Hummingbird,’ sprinkled with sultry and bilingual whispers, increase the intimacy, romantically drawing in listeners like sirens before unleashing the Kevin Barnes-esque barrage of stream-of-consciousness ramblings and electronic dance beats of ‘Dreamers.’ Towards the end of the album the tone shifts again with ‘Cool Sensation,’ a fuzzier track not unlike Phantogram at their sleepiest.

Overall, Candy Says launch a solid freshman effort in ‘Not Kings,’ proving DIY creativity and energy trump outside resources. They may not be royalty, but they’re certainly on the rise.

Tour Dates:

May 28 – The Waiting Room – London, UK
May 29 – Truck Store – Oxford, UK

’Not Kings’
’Favourite Flavour’
’C’est Pas Comme Ca’
’Lord’s Mistake’
’Hummingbird’
’Dreamers’
’Chad’
’Dead On Arrival’
’Understand The Night’
’Cool Sensation’
’Camilla’
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[Alternative/Rock] French Style Furs – Album Preview/Video

The newest addition to the long list of supergroup side-projects forming in recent years is here: LA-based French Style Furs, made up of Nathan Willett and Matt Maust of Cold War Kids and We Barbarians’ Nathan Warkentin, has announced Is Exotic Bait, a debut LP due out July 8th on Frenchkiss Records.

Named after a storefront in Brooklyn and cultivated in spontaneity, French Style Furs pulses with the kind of creative urgency that comes with writing and recording in between shows, with Willett’s signature howls, barks, and wails giving restless life to lyrics inspired by Trappist monk and mystic Thomas Merton’s poetry.

As he does with Cold War Kids, Maust doubles as graphic designer and videographer, and has created a moving collage lyric video for ‘Solitary Life.’ The track itself opens with a bass groove of his (you can almost see him jerkily swaying on stage as you hear it) before swinging horns, Haley Dekle (Dirty Projectors) vocalizations, and even some cowbell are layered on.

In preparation for the album release, French Style Furs are doing a free residency at The Satellite as well as a few dates in New York:

6/2 – The Satellite – Los Angeles, CA
6/9 – The Satellite – Los Angeles, CA
6/16 – The Satellite – Los Angeles, CA
6/23 – The Satellite – Los Angeles, CA
7/7 – Mercury Lounge – New York, NY
7/9 – Rough Trade – New York, NY

’All The Way Down’
(World In My) Bloodstream’
’Solitary Life’
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