Author Archives: Zoe Yarborough

[Remix] Atlas Genius – Symptoms (Wild Cub Remix)

Nashville’s Wild Cub take on “Symptoms”, an Atlas Genius track so spicy and danceable, it almost didn’t need remixing. But Wild Cub’s “intricate melodic pop” (as Nashville Cream calls it) blends brilliantly with the Australian rockers’ dynamic guitar and bouncing rhythm. I love what happens around 2:15, when the soft piano builds up to a jolting drop a minute later. The occasional bass-heavy synths sound like Digitalism got ahold of this track, too.

You can check out the original here.

’Atlas Genius – Symptoms (Wild Cub Remix)’
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[Indie Rock] Tame Impala – Lonerism (Album Review)

Upon first hearing of this new band called Tame Impala a few years ago, I scoffed at the formulaic indie/alt rock name (ironic adjective + obscure animal… think about it). But soon after pressing play, I bit my tongue. As a follow-up to their impressive debut Innerspeaker, Lonerism is that sequel you have to check out because you loved the first one so much. The Australian psych-rock trio’s sophomore album is now streamable and soon downloadable.

Tame Impala carries over the — to borrow the band’s own invented word — “lonerism” attitude embedded in the lyrics of Innerspeaker (hear “Solitude is Bliss”), still transcending whatever negative connotation is associated with solitude. The overlapping synth and panting in the opener “Be Above It” diverges momentarily from the group’s expected thick guitar and loopy verses. Every piece that follows is on point, from the simple staccato piano in “Apocalypse Dream,” to the pulsating bass line of “Feels Like We Only Go Backwards,” to the chunky bar chords and heavy, wordless chorus in “Elephant”.

’Apocalypse Dreams’

’Elephant’

The raw guitar beneath trailing vocals from frontman Kevin Parker creates an unmistakable sound that is eerily like…dare I say…The Beatles. Tame Impala themselves admit their sound is one “equally informed by The Beatles as it is by beat poetry”. I hear, even more so in this second album, a sense of being lost in the music and the process of creating it. Like recording this album was some sort of ongoing collection of diary entries that both rebukes and lauds creative isolation.

Lonerism is out for the US of A on October 9th via Modular Recordings. Stream it in full on NPR here.

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[Chill] Astronauts, etc. – Supermelodic Pulp EP

Supermelodic Pulp is the five-song debut EP from Astronauts, etc. Contrary the plurality of the name, Astronauts, etc. is the solo project of UC Berkeley grad Anthony Ferraro. Each piece of the EP is rooted in a different reverberating, instrumental lick. Ferraro wrote, recorded, and mixed each song, layering the pulsing beats with his own harmonizing vocals. While “You can Tell” and “Mystery Colors” have gotten the most play and attention (and for good reason), I feel the EP’s kick-off track “Airborne” is the paragon. Think Neon Indian with simplified vocals mixed with Washed Out‘s dreamy, rolling beats. The EP dropped earlier in the month, and you can get it for $5 here.

’Astronauts, etc. – Airborne’

’Astronauts, etc. – Mystery Colors’

’Astronauts, etc. – Labyrinth’

’Astronauts, etc. – You Can Yell’

’Astronauts, etc. – Foreign Sounds’
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[Indie] MS MR – Bones

MS MR have made their musical splash in an interesting way — totally mysteriously and totally through Tumblr. Anyone who’s scrolled through the anonymous duo’s blog can attest to the creepiness and uncertainty that surrounds both their identity and their music. The group (supposedly composed of two parts: a miss and a mister) have released one song a week to culminate in the unveiling of their first EP, Candy Bar Creep Show. “Bones” is the follow-up to “Hurricane” and tackles the same alarming, inquisitive themes. This “Ms.”‘s voice is impressively crisp yet haunting, controlled yet unruly. While this unclaimed voice has been compared to everyone from Florence Welch to Adele, it is proving truly unique, making us eager for the entire EP to somehow rise from the unmarked grave in which it seems to be hiding.

Check out MS MR on Tumblr (where you can also hear a Charli XCX remix of “Bones”!) and get ready for Candy Bar Creep Show to drop via that social medium on September 17th.

’Ms Mr – Bones’
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[Electronic] Star Slinger – Take This Up

Manchester-based DJ Darren Williams, AKA Star Slinger, brings the heat again. This new single marks the release of yet another flavor of Star Slinger’s diverse repertoire of sounds. It’s not a reworking of an existing song, but one entirely mixed himself. Added to the typical chopped-up R&B vocal bites are some highs and lows of electro synths sure to get your feet moving. This track reminds me a lot of Kill Paris‘ “I Do Love You” (definitely worth a listen.)

Compare this to another Star Slinger tune that is a little smoother, but equally as catchy: H-Town‘s “They Like it Slow (Star Slinger Refix)”. We hope Darren Williams has some more tricks up his sleeve.

’Star Slinger – Take This Up’
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[Remix] Gotye – Eyes Wide Open (Yeasayer Remix)

Right alongside the release of their new album, Fragrant World, Yeasayer leaves their mark on the latest Gotye craze, “Eyes Wide Open.” The Brooklyn-based trio slows down and mellows out the original by adding a smooth percussive track and chopping up the vocals. Is this remix another stroke of musical genius by the currently spotlight-soaked group? Or is it a still-recognizable tune that can now be played in every posh restaurant lounge around the world? You decide. If you were dubious of the overplayed track before, maybe you’ll like this version more!

’Gotye – Eyes Wide Open (Yeasayer Remix)’
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[Indie Rock] Wild Nothing – Nocturne (Album Review)

THE WAIT IS OVER! After a two-year lull, Wild Nothing has unveiled a new chapter of their musical repertoire. Nocturne is an eleven-song follow up to the wildly acclaimed debut gem Gemini. Wild Nothing is the dream pop vision of Virginia-grown frontman Jack Tatum, who previously played in the bands Jack and the Whale and Facepaint in the college town of Blacksburg. Since Wild Nothing was born in the summer of 2009, Tatum has left the rolling hills of the Shenandoah Valley for New York.

The album is a strong sophomoric effort for Tatum and his young musical endeavor. It is at the same time mellow and catchy; steady and experimental; pensive and exciting. Tatum said in an interview with Dazed Digital magazine that “Nocturne” is not only his favorite song on the album, but is also representative of an underlying theme “which is kind of this nighttime, drowsy, lack of sleep delirious type feeling.” I don’t think the title track is the best song on the album, but the simple guitar licks, stretchy vocals, and intoxicating harmonies come together beautifully. To me, “Nocturne” is a combination of the band’s biggest hit from Gemini, “Chinatown”, and the sound of those French guys, Phoenix.

’Wild Nothing – Shadow’

’Wild Nothing – Nocturne’

The rest of the review after the jump… Continue reading

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