British post-punk dance champions Klaxons have released “Atom To Atom,” the next track off their new album Love Frequency. Serving as the band’s third album, their first since 2010’s Surfing The Void, Love Frequency will feature collaborations with artists across the electronic spectrum including LCD Soundsystem’s James Murphy, Chemical Brothers’ Tom Rowlands, producer Erol Alkan and more. “Atom To Atom” sees Klaxons pushing their sound further into the realm of electronic/house music. Pulsing, bass-driven beats build on top of dance-ready synth before erupting into a sea of psychedelic electronica. Talking about the new album, bassist Jamie Reynolds stated: “We have arrived. On the first two albums, we were taking off and this one is us flying. We are there.”
Music does something for our souls. Something magical, something memorable, something we all can’t live without. Which is why we are happy to bring you a plethora of songs on the daily. We are happy making you happy with something that makes us all happy. Happiness! Yay!
St Paul & The Broken Bones
Dead Things PT II
Dont Let Go (En Vogue Cover)
Brooklyn producer Jeremy Malvin, better known as Chrome Sparks, has released the first track off his upcoming EP Goddess. Having already released a series of EPs, the most recent being 2013’s Sparks, Malvin takes his latest title track through the cosmos and up into the heavens. Ethereal waves of electronic exploration build on a foundation of celestial synthscapes and astral beats that can only be described as sublime.
Goddess is available to pre-order on iTunes here.
Cosmo Sheldrake is a 24 year old producer from London. And a bloody good one at that. Solar is the B-Side to Cosmo’s debut single ‘The Moss’ and it’s about as bizarre as it is incredible – and believe you me, this song is off the incredible scale.
For me a lot of the reason I love this track so much is the weird and wonderful methods used to produce the otherworldly sounds you’re hearing. Sheldrake actually used the Sun as an instrument here. Thats right – the Sun.
In a technique known as ‘Stellar Seismology’, Cosmo used recordings of the Sun, manipulating the sounds to create something that is truly unique. I can safely say I’ve never heard any song before that was composed using the sounds of celestial bodies. It even seems bizarre that we’re talking about the Sun having a sound. But nope – there are producers out there so talented they can use something as seemingly ridiculous as space noise as an instrument. Go figure.
Compared to the Sun the other aspects of this song seem outright mundane. Which is silly considering that Solar also features field recordings of Ecuadorian flutes and the singing of the Aka Pygmy Tribes of Central America.
But that’s not all, to top it all off Cosmo recites a verse from ‘I Woke Up At The Dawn Of Day’ (a William Blake poem) in a bleak and ghostly tone that makes the hairs on the back of neck stand up. I love this song because when you take its individual components, there just seems to be no way it should come together at all. But it does, and it’s fantastic. Enjoy.
As we prep ourselves for the craziness that is Coachella, we’re lost in a sea of interview questions, meeting coordination, and planning out both our poolside and after hours jams. Thankfully we have a new track to throw into the mix that seamlessly blends into either of those carefully selected playlists.
Culminating in a swirling blend of rock, reggae, electronica and punk influences, Brooklyn based Inky Jack has concocted a peculiar and overwhelmingly addictive sound with their song, “Freedom.” Blurring the lines between genres effortlessly, this tune carries a strong message through its lyrics. Coming via lead singer Kwame, these words are displayed through a truly one-of-a-kind vocal tone that is both refined and a little rough around the edges. He’s able to hit high notes in a soulful manner, calling on associations of CeeLo and Tunde Adebimpe from TV On the Radio.
Dipesh Sinha and Kwame Bulter (aka Inky Jack) have set quite the trajectory early on in their career. Their sound casts a wide net by the immense amount of genres it so fluently flirts with.
Make sure to keep an eye out for their EP, Infrared, which will be out later this year. Beyond that, don’t be surprised when you see this name on some major festivals next year. That time is drawing near for this stellar duo.
It’s not often you hear the phrases ‘genre hybrid’ and ‘that went well’ united in an utterance. With his project Colours, Aussie born and London based producer Tom Crandles, may have issued a new era.
Shoe-gazy and hazy, new track ‘You Can’t See Me’ lacks the introspection of My Bloody Valentine, but is in possession of its woozy and dulcet mannerisms. Translucent yet focused, a melodic drive and grungy guitars, deftly navigate their way through an industrial soundscape. Exquisite synth sections and the dreamy-psych vocal simmer down a hooky euphoria and polish off perfection, with a wonderfully effortless vibe.
Double A-side digital single ‘You Can’t See Me’, is released on the 8th of April.
Lana Del Rey
Meet Me In The Pale Moonlight
If you’re feeling trepidation at the possibility of enduring summertime sadness next season, we have some timely good news for you. A late 70s-inspired number written by the “Young & Beautiful” artist, Lana Del Rey, was released yesterday. According to her tweet to Prefix Magazine, “Meet Me in the Pale Moonlight” was written 4 years ago, which suggests that it won’t be featured on her forthcoming album, Ultraviolence. However, in her reply, she also reveals the title of her next single, named “West Coast”.
There’s less than a month before her album release -set to come out May 1st. So why not sway a little, and allow the moonlit night set in with the picturesque lyrics of the tune below.