PRFFTT & Svyable
Interlude (PRFFTT & Svyable Remix)
After what may have been the craziest weekend in the history of weekends, we think it’s time to take things down a notch and collect ourselves since Coachella did us all dirty – literally and figuratively speaking. Now that we are back to the Monday grind, we thought it would be nice to give your ears something incredibly soothing to vibe to for the rest of the day by up and comers, PRFFTT & Svyable.
PRFFTT & Svyable are no strangers to the remix world; whether it be Blink-182 or Taylor Swift, these two know how to take a song and give it an entirely different meaning all while making you want to dance for hours on end. Today, they have decided to bring out a different, more emotive side of their production with a stunning rendition of “Interlude” by London Grammar. What is wonderful about this remix is that it’s not what you are expecting, and by that we mean it’s not dance music.
Right from the start, we transcend into an ethereal state of euphoria. The harmonious harp and soft piano melodies delicately lead up to a percussion of blissful beats and serendipitous synths that are overwhelming to the senses. PRFFTT & Svyable take this song and add a new element of life to it to which the sequences of notes make us that much more musically satisfied. These two flawlessly use Hannah Reid‘s vocals, which progress from mild to intense as the lyrics build with power and depth. It’s almost as if this song was recorded in the BBC 1 Live Radio studio, because it does not sound like a couple of computers put this together.
This remix of “Interlude” is undeniably going to change the game for producers out there because much of our generation has seemed to have forgotten the raw beauty of how instruments sound. We have been in need of something new, something organic, and something that doesn’t revolve around a ‘drop’ – and this, ninjas, is what we’ve desperately waiting for.
So if you’re taking this day off to recover from Coachella or just from going too hard over the weekend, then this remix is the ultimate cure for all of the aches and pains. Let this masterpiece consume you for the next 4 minutes and be sure to keep PRFFTT & Svyable on your radars next time around because their eclecticism is about to change up the game. Also – did we mention it’s a free download?! Get your feel on today.
If you’re bummed that the Heartbleed virus stole all of your passwords, then listen to this new track that Little Dragon dropped yesterday. Premiering as Zane Lowe’s “Hottest Record” on BBC Radio 1, “Paris” is the latest track off the Swedish electro-pop group’s upcoming LP Nabuma Rubberband. Waves of neo-soul melodies fade in and out of airy, electronic beats as frontwoman Yukimi Nagano croons in the background (even throwing some French lyrics in the mix). Nabuma Rubberband is out May 13 via Loma Vista.
The beautiful and talented Zella Day released her album 7″ on Monday, made up of her two stunning songs “1965″ and “Sweet Ophelia.” That same day, Zella released the video for “Sweet Ophelia.” We were lucky enough to chat with the Arizona native about her inspirations, her new release, and the enchanting new video.
TMN: Zella, we all would just like to say how much we love your music and your sound. Can you talk to us about how living in the West inspired and continues to inspire your music?
ZD: I grew up in such an ethereal place. I was raised breathing in the fresh mountain air that in some ways I incorporate into my music. There was a lot of open space and a lot of natural beauty that allowed me to express myself freely. There wasn’t much of a music scene in Pinetop so I was kind of left to my own devices; the songs I began writing were original and unaffected.
TMN: And obviously congrats on your debut 7″ release, always super exciting! Tell us what you are most excited about with this big release.
ZD: Thankzzzzzz . I’m excited that so many people are hearing my music. That’s the whole point. I’ve been making music for what feels like a long time and its invigorating that people get to experience it for themselves. These first releases get me one step closer to playing in front of more and more people which is what I live for.
TMN: On top of that, you also released the video for ‘Sweet Ophelia’ today, again, congratulations! This song is already such a powerhouse, how did you decide where to take the feel and flow of the music video?
ZD: I wanted the video to be simple yet trancelike, I wanted it to look like what the song sounds like. There are a couple scenes in the video that are symbolic and speak truth as to what the song is about; the video is purposeful. I was nervous that the whole 3 minutes was based on my performance because I haven’t really performed like that in front of a camera before. My take on the whole thing was unrehearsed and authentic, so what you are seeing in the video is pure emotion. Theres a vulnerability portrayed in my disposition that I believe the song possesses as well.
British post-punk dance champions Klaxons have released “Atom To Atom,” the next track off their new album Love Frequency. Serving as the band’s third album, their first since 2010’s Surfing The Void, Love Frequency will feature collaborations with artists across the electronic spectrum including LCD Soundsystem’s James Murphy, Chemical Brothers’ Tom Rowlands, producer Erol Alkan and more. “Atom To Atom” sees Klaxons pushing their sound further into the realm of electronic/house music. Pulsing, bass-driven beats build on top of dance-ready synth before erupting into a sea of psychedelic electronica. Talking about the new album, bassist Jamie Reynolds stated: “We have arrived. On the first two albums, we were taking off and this one is us flying. We are there.”
Music does something for our souls. Something magical, something memorable, something we all can’t live without. Which is why we are happy to bring you a plethora of songs on the daily. We are happy making you happy with something that makes us all happy. Happiness! Yay!
St Paul & The Broken Bones
Dead Things PT II
Dont Let Go (En Vogue Cover)
Brooklyn producer Jeremy Malvin, better known as Chrome Sparks, has released the first track off his upcoming EP Goddess. Having already released a series of EPs, the most recent being 2013’s Sparks, Malvin takes his latest title track through the cosmos and up into the heavens. Ethereal waves of electronic exploration build on a foundation of celestial synthscapes and astral beats that can only be described as sublime.
Goddess is available to pre-order on iTunes here.
Cosmo Sheldrake is a 24 year old producer from London. And a bloody good one at that. Solar is the B-Side to Cosmo’s debut single ‘The Moss’ and it’s about as bizarre as it is incredible – and believe you me, this song is off the incredible scale.
For me a lot of the reason I love this track so much is the weird and wonderful methods used to produce the otherworldly sounds you’re hearing. Sheldrake actually used the Sun as an instrument here. Thats right – the Sun.
In a technique known as ‘Stellar Seismology’, Cosmo used recordings of the Sun, manipulating the sounds to create something that is truly unique. I can safely say I’ve never heard any song before that was composed using the sounds of celestial bodies. It even seems bizarre that we’re talking about the Sun having a sound. But nope – there are producers out there so talented they can use something as seemingly ridiculous as space noise as an instrument. Go figure.
Compared to the Sun the other aspects of this song seem outright mundane. Which is silly considering that Solar also features field recordings of Ecuadorian flutes and the singing of the Aka Pygmy Tribes of Central America.
But that’s not all, to top it all off Cosmo recites a verse from ‘I Woke Up At The Dawn Of Day’ (a William Blake poem) in a bleak and ghostly tone that makes the hairs on the back of neck stand up. I love this song because when you take its individual components, there just seems to be no way it should come together at all. But it does, and it’s fantastic. Enjoy.