Easily one of the most influential architects thriving around the edges of dance & electronic music today, Joe Goddard seems to carry a certain gravitas whenever his name is attached to anything. Known by most casuals as one of the chief patrons behind almighty indie-tronica troupe Hot Chip, and co-founder of Greco-Roman Records (the same label which helmed debut releases from the likes of Disclosure, Roosevelt & TEED), Goddard has also quietly carved out quite the tastemaking assemblage of admirers over the course of 20 years worth of high profile remix work as a solo artist. Goddard’s latest single to come from the aforementioned Greco-Roman camp, “Lose Your Love”, received its visual counterpart today, and quite honestly, it’s one of the more polished and funnier music videos we’ve seen over the year.
Latest Alternative/Rock Posts
Fake A Smile
“Fake A Smile” by Nisus Cede and XHVIL is the 27th installment in the expansive Single Series from New York City’s eclectic Onamazu label. The Onamazu Single Series established a pattern for dark wave anthems and raw electronic experimentalism of the highest quality, but “Fake A Smile” is a more acoustic, sensitive offering that smacks more of Coldplay than Nine Inch Nails.
Netherlands native and Onamazu affiliate Nisus Cede, whose name is Latin for “attempted murder”, combines a most musical mind with a set of production chops that betray his very modest SoundCloud profile. The drum machine percussion he’s put together on “Fake A Smile” could easily be mistaken for the real thing – full of variation, fills, and crisp cymbals. The acoustic timbre of the drums pairs perfectly with the guitar and vocals tracked by Cede’s associate XVHIL, all of which is arranged along with a twangy stand-up bassline. “Fake A Smile” feels like new ground for the growing New York City collective Onamazu, which seems to be diversifying it’s offering with every new release. Hopefully the label’s future includes more of these unique, melancholic pop stylings from the Netherlands.
Something You Feel
Something we are really feeling is “Something You Feel,” the new single from Nashville’s Charge The Atlantic. It’s a whole bunch of things that we have come to love, mashed up in one composition, executed to perfection by some magnificently talented musicians.
“Something You Feel” has a bit of everything, taking cues from styles like indie, jazz, alternative, pop and more. It’s not easy to take from so many places and make one cohesive song, but Charge The Atlantic did just that without skipping a beat. Every single second of this song is enjoyable, but more than that, it is a ride you are going to want to take over and over again. It’s peaks and valleys are equally engaging, despite their difference in energy. This push and pull is just one of the many reasons why “Something You Feel” is one of our favorite tunes this month. Get your copy today on iTunes.
Unless this is the first time you’ve trekked through the hallowed grounds of TMN, you’ve no doubt ran into at least a song or two from L.A. based producer Josh Legg and his solo remix project turned nationally touring live act Goldroom. He, and the rest of Goldroom’s live iteration just recently wrapped an expansive, 30 date live co-headlining tour with fellow TMN regulars Autograf, and before quite a memorable show in Boulder, CO, we had a chance to catch up with Josh on the heels of Goldroom’s debut long-player West of the West, and ended up having one of the more in-depth conversations regarding music we’ve had in some time. Enjoy our interview with Goldroom below.
The Music Ninja (TMN): Alright… Matthew Bloss of The Music Ninja here with Josh Legg, the mastermind behind the Goldroom acclaim. First off, thanks so much for taking the time before your show to sit down with us. Firstly, you just recently released your first full length LP under the Goldroom name, West of the West, which we’ve had the chance to listen to a couple times and I really, really enjoyed it. After talking to friends around the music industry who know you, and from following your social media accounts, this was something that has been years in the making. Can you speak a little more to that? How long has West of the West, been coming together, and how does it feel now that it’s finally out?
Josh Legg (JL): Yeah, I mean there was a moment in time, probably in 2013, right after we started to tour with the live band for the first time, that it was just really clear that at some point if things went the right way that at some point I was going to need to put a record out. And I’ve always lived my life, sort of through albums of other people’s. So, I started thinking about it right then… I was thinking about the first Goldroom record as early as January of 2013, so I’ve kind of been writing for it for three years now. But, I don’t know, it’s weird… You were saying earlier, that you guys have been paying attention for along time. But, if I walk into a radio station or something like that, I’m going to talk about it (West of the West) like it’s my first statement, but in a lot of ways it feels like my sophomore record because the Embrace EP took me all around the world twice, and I got to play Coachella this year, and I released that independently… and that EP did all of this. It’s a seven song EP, and for a lot of purposes it worked as my debut full-length record, so this is actually closer to my sophomore record from sort of a traditional perspective. But, I wasn’t thinking about that EP in the same way that I was thinking about West of the West. I wasn’t thinking like, “Hey, would I be proud of this if I died?” But, I have been thinking about that with this record. I wanted this record to be so good that, when I die, I’m going to be like “I have this at least. At least I did this, and I’m proud of it.” hahaha. And, I don’t know, as things went a long, I started to feel more and more strongly about certain things about the way producers in my world were making records. And I was getting more and more discouraged with the fact that it was just this endless cycle of people throwing acapellas to each other, and getting random features and finsing out that the artists, that you think that you love didn’t even write the song that you loved. And, I want a glimpse into people’s hearts I guess. And so, the only thing that I promised with this record is that for better or for worse, it would really be me.
Read the rest of our interview with Josh Legg after the jump!
This week we give thanks to all the things we are grateful for. And there are SO MANY THINGS, we don’t even know where begin! So, we’ll start with the easy one. Today & everyday, we are grateful for talented indie artists who put their music out into the world so the less musically inclined can create things like the Indie Dojo. Thank you for making our job an easy one. We more than appreciate you!
Amongst the long list of things that influence music, location is arguably one of the most prominent. Your inner circle of friends is where you first started to discover your own musical taste, eagerly trying to introduce each other to something the other hadn’t heard. From there, you could analyze trends from the actual city that surrounds you. Punk in Salt Lake City. Techno in Detroit. Hip-Hop in the Twin Cities. Beyond that, though, even the actual geographical surroundings play a role in shaping musical tastes. The sandy beaches of California inspire surf rock acts regularly, while the jetting Red Rocks of Morrison, Colorado give way to jam bands and electro funk acts by the droves.
Matthew & Me certainly have a dog in the fight with the aforementioned argument, finding themselves musically inspired by the expansive landscape of South Devon. Far away from the mainstream offerings of cultural centers like Leeds and London, vocalist/songwriter Matthew Board and drummer Lucy Fawcett were able to craft their own sound. And, it’s one that more and more are falling head-over-heels for.
Today, we’re bringing you the first, full look at their debut EP, Starpoint. Since “Silver,” “Figure,” and “Joy,” are already floating around the blogoshpere, we’ll give the spotlight to the only unreleased tune in the bunch. “Cravings” follows suit with what fans have come to know and love from this inventive duo. There’s a strong focus on Board’s hauntingly beautiful vocals, per usual, which call on associations of other iconic leads, like Alex Trimble from Two Door Cinema Club. Differing from the other selections, the instrumentals in “Cravings” are more subdued, for the most part, slowly building with light percussion, soaring strings, and calming guitars. Emotively crafted, it evokes an intense experience, keeping you locked in throughout the entire five-minute ride.
This collection officially drops on November 18th via Beatnik Creative. If you’re a vinyl enthusiast, we strongly recommend adding this to your personal collection.
First off, f*** yes. Now that we got that out of the way, we get to tell you about something special that is just beginning: Shiny Wet Machine. Comprised of punk’s glitter princess Sizzy Rocket and TheKickdrums, this new venture is something that should not be taken lightly.
Not only are they a new band, but they have a new single, released on Sizzy’s new label Diet Punk. All of this has been launched via “Stun Gun” and it is stunning. From the very start we’re thrown into a guitar riff that is about as catchy as it gets. From their Sizzy jumps in with her sultry voice. “Stun Gun” is straight punk rock; it has that intimate, local feel to it, but this is no garage rock crap. Shiny Wet Machine is all legit and they’re here to let you know that punk isn’t dead. “Stun Gun” is currently available on iTunes if you want to get it for yourself. Before you do, all we can say is: get ready to rock.