[Electro/Trap] Night Crime and D!RTY AUD!O – P.A.E

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House - EDM.com
P.A.E by Night Crime & D!RTY AUD!O

LA based duo Night Crime and D!RTY AUD!O recently put their heads together to make a monster electro trap heater entitled ‘P.A.E’. Out now on Cr2 Records. P.A.E (Pimpin’ Aint Easy) intertwines a solid bouncy lead, trap swagger and a big room rhythm that will please big room and festival fanatics alike. An infectious intro bumps into a festival trap drop that’s totally fitting from these LA producers. While the tune bends genres, it does so tastefully, giving each adequate room to breathe. The hook transitions perfectly between styles which gives the track a feeling of consistency and completion. This sort of continuity can make or break any cross-genre effort, but thankfully Night Crime and D!RTY AUD!O have succeeded in making it work to its fullest. For a track that fully emphasizes the LA style, look no further than P.A.E keeping it fun (and gangster).

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[Secret Ninja Pass] This Week at Beta 4/10

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Alright, ninjas. We’ve been hooking you up with free entry to Beta over the past year. We know you’ve have some epic times, catching some of the most legendary talent EDM has to offer, and we’re on board to keep this thing going. So, we’re once again giving you an opportunity to check out the best night club in North America for free. What all do you have to do to get in? It’s pretty damn easy. Just follow these steps:

- Head to the front door and enter the club before 11 pm
- Show this post to the cashier (Valid for 21+ only)

That’s it! Sounds too good to be true, right? Well, it’s not. Head to Beta and see for yourself.

Deorro- April 10th
Steve Aoki, Diplo & Deorro
Freak (Feat. Steve Bays)

Sigma- April 11th
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Nobody to Love (clip)

Damian Lazarus - April 12th
RBL007
RISE BEFORE ZOD
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[House] Gorgon City – Here For You ft. Laura Welsh

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Gorgon City
Here For You ft Laura Welsh

The almighty UK duo of Foamo and RackNRuin, who at this point are tenfold more recognizable as their stage moniker Gorgon City, have been displaying that rare crossover ability; receiving praise from both mainstream and underground media sources, and for completely great reason. Their last few singles have struck a resonant chord around the world, and their newest production entry  “Here For You”, which features a rousing vocal contribution from Laura Welsh, plays like sultry whisper across a shared pillow. Much like some of their crossover contemporaries Route 94 and Duke Dumont, a gripping sense of educated house production is encased within Gorgon City’s beautiful sound, but it is pulled off with such a pop bravado their listeners have no choice but to fall head first into their tunes regardless of preferred music style. For our friends out in Indio this week for Coachella, which is about half the staff here at TMN, you’ll be able to catch them live tomorrow and we recommend you don’t miss that one. If the breakout sets of Coachella past are any indication, we’ll be in the midst of Gorgon City mania stateside by this time next year. We can’t wait for it either. “Here For You” is out soon on Black Butter Records. Be on the lookout.

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[Electro/Pop/Indie] Little Dragon – Paris

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Little Dragon
Paris

If you’re bummed that the Heartbleed virus stole all of your passwords, then listen to this new track that Little Dragon dropped yesterday. Premiering as Zane Lowe’s “Hottest Record” on BBC Radio 1, “Paris” is the latest track off the Swedish electro-pop group’s upcoming LP Nabuma Rubberband. Waves of neo-soul melodies fade in and out of airy, electronic beats as frontwoman Yukimi Nagano croons in the background (even throwing some French lyrics in the mix). Nabuma Rubberband is out May 13 via Loma Vista.

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[TMN Resident Artist] Elephante on when his love of music started, remixes, and Cinnamon Toast Crunch

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The Chainsmokers
#SELFIE (Elephante Remix)

I got to sit down with our wonderful resident artist Elephante and pick his brain a bit about his musical background, all these crazy remixes he produces, and how his music dream only really became a reality a little over a year ago.

TMN: This month we have the pleasure of having Elephante as our resident artist. Tim, thank you so much for joining the ninja family this month!

E: Thank you for having me! It’s an honor :)

TMN: Let’s start at the beginning when you were just a young kid from Ann Arbor, Michigan. Tell us when you began taking music lessons and how that progressed from your early age all the way through college?

E: Well I started taking piano lessons when I was 8, but according to my mom, I was super into Fantasia when I was a baby, and would sit 3 feet in front of the TV and watch it on repeat, so I guess Mickey Mouse and that broom thing were sorta my first teachers. Took some guitar lessons in high school, but was mostly self-taught, pretty much through learning all of “Room for Squares” by John Mayer. Seriously that album is amazing. Anyway, I dabbled with hip-hop and messed around with Fruity Loops, but got mostly into writing my own stuff and singing. Loved like Jimi Hendrix and [Eric] Clapton, so it was like blues influenced pop stuff.

TMN: Was there a time you wanted to quit playing music? You know kids, they go through phases and also get busier the older they get, some activities have to give usually. Was music ever part of that or was that an activity you wouldn’t let go of?

E: There was a little bit in high school, but it was more from wanting to be one of the “cool kids” and not from falling out of love with music. Luckily I never committed fully to being a Mean Girl, and didn’t have to give it up. Plus, I figured John Mayer was getting tons of girls, so playing music was probably okay.

TMN: You said that in high school you performed blues influenced acoustic pop songs. Talk to us about where you would perform and how it was being a music kid in high school. Were you involved in your school music programs or were you more a solo music kid who did his own thing?

E: I never really did the school programs like band or orchestra, partly because I was more interested in making my own music and partly because I was terrified of other people thinking I sucked. I did play a few coffeehouse and bar shows, and got the courage to beg my friends to come see, which I am eternally grateful for, because honestly I probably wasn’t that good.

TMN: And you graduated from Harvard a few years back, did you go there for anything musically related? If not, what did you study at school?

E: I did, which I find harder and harder to believe as time goes on. Like, I really went to class and took tests and stuff? I’d get OWNED if I had to do that now. I did do as much music stuff as possible, minored in Music, ran the campus studio, was in a band, interned at a recording studio in Boston, etc.

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[House/Garage] Sylent Efx – Thumpin’ [TMN Premiere]

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Sylent EFX
Thumpin' (Original Mix)

Finding and exposing new artists steeped in talent before anyone else is part of the bloodline pumping through TMN. Our latest discovery comes from young House prodigy Sylent Efx, all of 18 years old, with his brand new tune “Thumpin’”. To try and pin “Thumpin’” down into one classification or genre of music would be doing a great disservice to the mature and thought out structures employed within Sylent Efx’s music. Elements surface throughout the track from classic house, garage, hip-hop, future and even some basic pop framework for a resulting tune that is just as much a careful composition as it is hooky, addictive dance groove. Not to mention the vocal loop pulled from the Clipse single, “When the Last Time”  fits onto the wunderkind’s crafty instrumentation as perfectly as a sequined Mike Jackson glove. We’re not the only ones to have taken notice either as Sylent Efx has had quite the busy last couple of months playing alongside names like Cassian and Touch Sensitive, as well as a recent headlining slot in the Lounge at Rolling Stone’s most recent #1 Nightclub in America and a venue our Ninjas should be very familiar with, Beta Nightclub in Denver. We don’t anticipate this young man’s music remaining much of a secret for long, especially behind support from Jerome LOL, option4 and Vanilla Ace, so jump ahead of the curve and snag a digital copy of “Thumpin’” through Night Supply Records before it invades your club floors around the world.

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[Exclusive Interview] TMN Sits Down With option4, Keepers. and Need & Necessity at Snowball

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Elizabeth Rose
The Good Life (option4 Remix)
Keepers
Hello (Original Mix)
Lemme See (Original Mix) **FREE DOWNLOAD**

This past weekend at Snowball Music Festival, we were treated to a wonderful palate of eclectic artists, all in the heart of Denver Broncos territory at Sports Authority Field. From major acts like Busta Rhymes, Pretty Lights, Yeasayer, Twin Shadow, RÜFÜS DU SOL, Griz, Knife Party and MiMOSA to the amazingly well represented house tent with names including MK, J. Phlip, Graff, Justin Jay, Maxxi Soundsystem and The Juan Mclean; it was safe to say our tastes for all different genres of music were well satiated. We also had the chance to catch up with some of our absolute favorite up and coming house artists option4, as well as the duos of Keepers. and Need & Necessity round-table style in their home city to talk about their burgeoning record label Night Supply, their drinks of choice, spirit animals, Miley Cyrus and a whole lot more. And who better than these three entities to give us a little insight into the climate of dance music in their own state? Check out the full transcript below.

The Music Ninja (TMN): Alright, The Music Ninja here at Snowball Music Festival with option4, Keepers. and Need & Necessity. First things first, I know we can be a bit intimidating so how about a round of Fireball shots? [five minute pause from interview] Okay, let’s get the ball rolling!

TMN: Now, we’re obviously here in your guys’ back yard of Denver. A lot of people don’t realize this, but all of you have been throwing and curating proper house music events in the city for over three years as TheHundred and have built relationships with most every dance artist on the festival. With this year being so heavy on house music, what has it been like to see your collective work begin to take a bit of a hold through more mainstream outlets like a Snowball Music Festival? Let’s start with option4.

option4: Man it’s been awesome to see so many people that might not normally be into this style of music fully support and accept it. For example, last night MK was killer, J. Phlip was killer and all those people choosing to be in the house tent as opposed to some of the other stages. That was something that felt very tangible, very real. It was kind of a weird stage to begin with because nobody could really hear the music outside of the tent and it was a little bit tucked away, but that thing was still absolutely packed.  It seemed like there were a lot of people there for that style of music, so it was nice to see house music have a real footing at an American festival.

Read the rest of our interview with option4, Keepers. and Need & Necessity after the jump!

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