[Electro-Pop] Bad Wave – Lookout

badwave
Bad Wave
Look Out

It’s quite the known fact here at TMN that we cover a multitude of music genres. As a result, we try to make things a little easier for our readers by marking our posts with a genre tag. Sometimes though, it just doesn’t feel right pigeon-holing a tune into a specific niche when it could easily be listed under four or more. Such was the case when we came across the duo of Tucker Tota and Patrick Hart, or simply: Bad Wave. “Look Out” is the debut single from the L.A. based pair, and with its slick and rambunctious synth arrangements immediately has us conjuring up comparisons to the gritty dance and synth pop from DFA Records staples Holy Ghost! to vocal work paying ode to Phoenix’s Thomas Mars. Not a bad connection to draw for a first single at all. Furthermore, this one caught the attention of one of our favorite rising labels, Ghost Beach’s Crazy Heart Records (now also home to Karl Kling & Dart Party), which has only stoked our flame for Bad Wave’s eclectic take on pop. Let this one steer your disposition towards the sunnier side.

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[Hip-Hop] GoldLink & Falcons – Vroom

Vroom single
GoldLink & Falcons
Vroom

After a meteoric rise in 2014 and co-sign from Rick Rubin, D.C. artist GoldLink is poised for stardom and, today, we get his first release of the year, a phenomenal collaboration with LA-based producer Falcons. On “Vroom,” Falcons crafts a silky smooth instrumental that fits perfectly into Link’s self-described “future bounce” style allowing the innovative emcee to navigate lyrically in only ways he knows how. A Missy Elliott vocal sample serves as a pleasant surprise blending in perfectly perhaps because, in some ways, this song mirrors the bounce on the classic Missy beats crafted by Timbaland. ”Vroom” proves a testament to GL’s originality, which has allowed him to be arguably the most successful artist yet in combining dance music with hip-hop. After an official announcement on VSCO of his partnership with Rick Rubin, we could not be more excited for what 2015 has in store for GoldLink. In the meantime, this uniquely infectious jam will be in heavy rotation–listen for yourself and grab a free download above.

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Game it up with Grandtheft at The 1UP 2/26 [TMN EXCLUSIVE GIVEAWAY]

grandtheft
Grandtheft & Lambo
Butterscotch

We’ve said it time and time again: if you haven’t caught a show at The 1UP on Colfax in Denver, CO, you’re missing out. This old porn store turned arcade (not that kind of arcade) is bringing in some of the best names in music, and they’re doing so with a dialed-in live venue, a bevy of classic arcade games, and more than affordable mixed drinks and brews.

We have the pleasure of working with these fine folks, along with Denver promoters Awesome Factory, to bring you a night full of bass, booze, and some epic NBA JAM matches. Coming on Feb 26th, you’ll be able to enjoy all of those things, but you also have a chance to enjoy those with the headliner himself.

That’s right – we’re giving away an awesome meet and green with Grandtheft that includes 2 tickets to the show, 2 drinks (beer for 21+, red bulls for 18+), a roll of quarters, and 15 minutes of gaming.

Entering is too easy. Just follow the steps below. We’ll pick a winner at 5PM Mountain Time on Monday the 23rd!

1) “Like” us (The Music Ninja) on facebook here:

2) “Like” Grandtheft on facebook:

3) Finish this sentence in our comment section below. “I want to see Grandtheft at the 1UP because ______”

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[Dance-Pop] Great Good Fine Ok – Too Much To Handle (Penguin Prison Remix)

ggfo
Great Good Fine Ok
Too Much To Handle (Penguin Prison Remix)

It’s been a little over a week since Brooklyn’s fastest rising synth-pop sons Great Good Fine OK released their latest single “Too Much To Handle”, along with the news of a coinciding EP, cleverly compressed down to be named 2M2H. And, while we’ve simultaneously been tracking the rumblings out of the Penguin Prison studio, it was quite serendipitous that GGFO’s first installment in what will no doubt be a long line of remix attempts comes from Chris Glover’s dancefloor marked pop project. While a large chunk of the Penguin Prison sound has been forged behind hammer-sized 80′s synth-pop progressions, his latest offering is shot directly out of the club cannon. Featuring the kind of rolling drums which have permeated the UK ‘club-house’ scene for the last few years, and Jon Sandler’s lush falsetto; Penguin Prison offers us an alternately more brooding, less inspiriting lens through which to consume GGFO’s sterling original tune. And what a sultry lens that is. Be on the lookout for more official remixes on this one, as well as Great Good Fine OK’s 2M2H EP due out March 16th via Sony Music. Until then, stream Penguin Prison’s “Too Much To Handle” remix above.

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[Nu-Disco] That’s Nice ft. Josh Moriarty – Holiday (Keljet Remix)

That's Nice ft. Josh Moriarty - Holiday (Keljet Remix)
That's Nice (Official)
Holiday ft. Josh Moriarty (Keljet Remix)

What’s not to love about a feel-good tune dressed up in an indie dance outfit? The funky original by Mario Rdz a.k.a That’s Nice is getting remixed by Dutch producer Keljet., who spiced it up with a heavy disco vibe that works wonders. The vocals by Miami Horror’s lead singer Josh Mariarty are almost the perfect complement to the joyful instrumental by giving it a casual and summery approach and further accentuating the indie elements of the track. It’s one of those tunes where you’d absolutely fall in love with after the first listen.

This might just be your next favorite jam. If you want to get through the mid-week struggle, listen to this song and let it bring a smile to your face. Make sure to support these talented artists, as we’re beyond excited to see where their music is going.

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[Synth Pop] Memoryy – Eternal Sunshine

Memoryy Art - Feb 15, 2015
Memoryy
Eternal Sunshine

We all need a little sparkly synth pop in our lives at some point, and Memoryy is dishing it out in spades with “Eternal Sunshine.” Bubbly harmonies, truncated chord stabs, and wonky synths trickle throughout the buoyant tune with an indie mindset in the vein of Passion Pit. Memoryy’s polished sound is easy on the ears, calling on all types of influence from alternative and indie circles, and even sprinkling a tiny bit of subtle tropical elements into the mix as well. “Eternal Sunshine” is just the midweek pick me up we all need with the cold really starting to settle in, so pop this on and think of sunnier times to get through these next frigid few weeks. Big thanks to Sunken Sounds for the heads up on Memoryy, and grab the free download of “Eternal Sunshine” here.

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Mosaics Talk their Musical Vision, Influences and San Francisco [TMN Exclusive Interview/Event Preview]

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We’re really excited to be teaming up with the Make It Funky SF collective to put on a series of showcases in California highlighting local talent. Launching this Saturday, February 21st at El Rio in San Francisco, the first installment will feature experimental indie band Feed Me Jack and the folky, electronic vibes of Mosaics with support from acoustic soul duo, The Kakaroaches making for an eclectic mix of styles. As part of the series, we’ll be catching up with some of the performers to shed light on up ‘n coming musicians. RSVP at the link below. 

M o s a i c s
GLAM

The emergence of electronic music has created a fascinating rippling effect across genres as more and more artists find creative ways to combine musicianship with the seemingly limitless capabilities of modern studio technology. San Francisco band, Mosaics, have perhaps one of the most novel fusions we’ve heard yet using unconventional, percussive acoustic guitar to create samples that can be manipulated, arranged and layered with unique vocals into brooding, experimental compositions. Their debut LP, Of Colors, helps establish their forward-thinking sound proving refreshingly original without losing accessibility or catchiness. We had a chance to catch up with Mosaics band members Devon Kelts (guitar, vocals), Tyler Hill (production, keys), Grady Lee (vocals, guitar, bass) and Westin Joy (drum machine, bass) about their collective vision, musical influences and experiences as musicians in SF. Get to know Mosaics below and come out to see them this weekend at our first ever Music Ninja show in the Bay Area!

RSVP: Make It Funky & Music Ninja Present: Feed Me Jack, Mosaics and The Kakaroaches

 

TMN: Can you tell us a bit about how you all first met?

Devon: Tyler and I went to Loyola Marymount down in Los Angeles to study music and composition. We were best friends from college and decided to move up to San Francisco to try to make it as musicians. We did a couple musical projects that were kind of just our own thing but we didn’t really put out anything. Mosaics was the final iteration of those projects where we felt like we had a sound that was something we could stand behind. We needed a passionate musician and strong vocalist to get our LP Of Colors finished so we brought on Grady. It ended up working out really well and he made some really strong contributions in helping us finish the record. Then we needed someone to help us play live—Wes and I were already friends and he was pretty excited about the opportunity so we brought him in. He already has experience with production and has similar musical tastes so it worked out quite nicely.

TMN: Your music falls at this really interesting intersection of folk/acoustic, experimental and electronic. Can you talk a bit about the vision behind Mosaics?

Tyler: I think that the vision essentially started with Devon and I painting sonic landscapes on the computer. We wanted to create a sound that could be considered pop but still is drawing all of this original material in from things we’ve created. When we did our first EP, we had a concept where all the songs heard were coming from the guitar. So, basically we made an album all from samples created from hitting the guitar for drums, creating pads out of the guitar using production techniques and obviously writing melodies with lyrics. Our goal is to make something that is very authentic and artistic, but can still have that pop catchiness and drive.

Devon: We wanted to unite things. Often times really unique ways of playing the acoustic guitar are kept in a purist category. Meaning that they just play the instrument and nothing else. It’s very seldom that you see people with unique approaches to acoustic guitar uniting with the world of electronic production. Our goal was to find a way to unite the two in a tasteful manner and maybe, in that unification, to create something that’s new and novel.
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