Seattle based Throw Me the Statue covers “Sharpshooters” off the upcoming BOAT LP “Pretend to be Brave.” out February 2013. The subtle simplicity and experimental nature that breaths around the minimal instrumentation just makes this track a joy to listen to. Check out more of Throw Me the Statue off their official site.
Sharpshooters (Throw Me the Statue)
Lately there have been a ton of “Swimming Pools” remixes floating around, but this one is quite unique. BMB, which stands for Beat-Maker-Beat is from Saint-Petersburg, Russia and features a dreamy Experimental sound design. He tweaks Kendrick‘s hit in all the right ways with subtle vocal edits and ambient synth work. Best of all he gives this one to us for free. Cheers.
Also make sure to check out these other two massive remixes of “Swimming Pools”: Bird Peterson Remix and At Dawn We Rage Fest Edit.
Swimming pools (BMB SPACEKID remix)
Probably the most intriguing collaboration on Long.Live.A$AP, “Wild For The Night” represents a departure from the rapper’s traditional syrup-driven rhymes. With young artists like A$AP Rocky continuing to show an eager willingness to experiment with their sound, it was inevitable that a combination like this would happen. Contrary to what you might expect, the electronic elements of the production actually don’t overwhelm the listener at all. This might be due to the fact that Skrillex opts to use more crashing synths versus the roaring womps we’re used to hearing from him. Then again, Sonny has proven that he does have some versatility in the past. With all that being said, this brand new Rocky track accomplishes exactly what the title suggests, meaning this won’t be the last time you’ll be hearing this one. Make sure to pre-order A$AP Rocky’s debut album, Long.Live.A$AP, in stores January 15th.
Wild For The Night Feat. Skrillex.mp3
“Young Boys” is a rich, breathtaking track from the very first tambourine rattle to the very last low hum. Led by the ethereal vocals of Icelandic artist Sin Fang (who is also the genius behind indie folk band Seabear), its tones are cool and weightless. But it’s nothing to shiver about — the chanting choruses give off a contagiously warm and inviting vibe — as though we are being called to gather around a crackling bonfire with friends. Much of the song’s ambiance can also be attributed to its producer, Alex Somers, who has previously worked with artists like Sigur Rós & Jónsi. Download it below!
Sin Fang’s new album, Flowers, is out February 1st via Morr Music.
Our good music PR friends over at Danger Village were awesomely kind enough to make and share with us their End of Year Mix. Over 90 minutes long, it boasts 24 excellent tracks that span a variety of genres; from Frank Ocean‘s silky croon and High High‘s lush dream-pop, to Japandroids‘ post-punk raucous and Mt. Wolf‘s unique folktronica, there’s a little bit of everything for everyone. DV had this to say about the collection:
“This is a mix of songs we loved this year from around the globe. 2012 will be remembered as the year that we fell in love with R&B and Australian music. It’s been a fantastic year for music and we look forward to seeing what 2013 will bring!”
End of Year Mix 2012
MØ – “Pilgrim”
Rhye – “Open”
Chad Valley – “Fall 4 U (feat. Glasser)”
Usher – “Climax”
St. Lucia – “September”
Burial – “Kindred”
Foals – “Inhaler”
Frank Ocean – “Thinkin Bout You”
Beach House – “Myth”
Miguel – “Adorn”
CHVRCHES – “The Mother We Share”
Mt. Wolf – “Life Size Ghosts”
Saint Lou Lou – “Maybe You”
Goldroom – “Sweetness Alive (feat. SLL)”
Alpine – “Hands”
Japandroids – “The House That Heaven Built”
AlunaGeorge – “Your Drums, Your Love”
Chromatics – “Into The Black”
High Highs – “Once Around The House”
Arrange – “Cure”
Catcall – “Satellites”
Icona Pop – “I Love It”
Diplo – “Express Yourself (feat. Nicky da B)”
How to Dress Well – “& It Was U”
Sometimes it’s the songs that seem to have the least to say that really make the most difference. “Hey Now” by English three-piece, London Grammar, is just one of those songs. While the phrase “hey now,” is relatively simple, the context it’s used in can be varied greatly. That mixed bag of emotions is captured nearly effortlessly through the singer’s cadence and fluttering instrumental on this soulful melody. London Grammar’s sound can easily be described as a cross between The xx and Jessie Ware, however, it’s not fair to quite box them in like that, as they’ve already proven with this track alone that they can hold their own amongst the top musical groups out there.
Florida-based seventeen year old production protege, XXYYXX, has been in heavy rotation for this ninja over the last few months. His experimental style often fuses ethereal vocal samples (think Clams Casino) with trap-esque 808-percussion for an incredibly relaxing, at times disorienting, feel. On his latest effort he chops up some classic Beyonce, from the Destiny’s Child days ,with his own assortment of complex drum patterns. The result is a trippy, manic and brief rendition of the original that captures the young artist’s unique sound, which I like to refer to as “cloud trap.” Check the remix, titled “AMAZEME,” below!
P.S. If you’re digging this as much as we are, make sure to check XXYYXX’s Bandcamp and SoundCloud pages where you can grab a bunch of his music for free.