If you’ve been keen to our site for the past few years, you’ll know we have a handful of artists that we religiously cover. The process is almost automatic once we see that they’ve released a new tune. We frantically head to our keyboards, eager to quickly convey our swooning adoration. Still Parade, aka Niklas Kramer, is one of those acts, and today is one of those days.
“07:41” was released less than a day ago, and it brings us all of the cozy, embracing, feel-good nature we’ve come to know and love from this heavenly-voiced act. However, in comparison to his Fields EP, this song, and his last, differ from the wonderfully lazy, ethereal progression we first came to know. Today’s song, in particular, is heavily rooted in a style that calls on associations from 70’s pop, bringing listeners in with a light and playful funk. That aside, the hazy yet calming nature is still very much apparent throughout other elements, giving Still Parade fans both a taste of something new and of what they already love. When asked about the meaning behind the tune, Kramer had this to say.
07:41 is about this weird feeling when you’re new somewhere. you feel like a stranger and no one really seems to care about you. But there’s also the chance to build up something new. It’s the point when you just don’t know what’s going to happen. Can’t be quite scary and exciting at the same time.
This tune will be released as limited hand-cut 7Inch by the UK label Art Is Hard Records, and we certainly hope we can get our hands on a copy.
In our latest deep-dig session through the cavernous recesses of SoundCloud, we happily stumbled across an extremely charming folk tune. It’s the first we’ve heard from Jack the Fox, but it certainly won’t be the last.
“Brother” has an ultimately classic feel, one so many people are familiar with – subtle fingerpicking, powerful lyrics, and an welcoming allure. While we would have been perfectly content with just that structure, this Melbourne-based duo brings in an intricate breakdown towards the end of the song, which throws listeners for a delightfully inventive loop.
These two only have one song out, and you’re currently listening to it. So, make sure to follow them on SoundCloud to keep up with new releases.
We keep inching our way closer to the end of the year, wondering how the hell we got here so fast. Guess time flies when your ears have a brand new Indie Dojo to listen to every week.
’Travelers – Something I Said’
’Private Island – Enough’
’The Lowlifes – Sugar River’
’Oliver Riot – Ivory Black’
’Dancing Years – Learn To Kiss’
’Cloves – Everybody’s Son’
Monday is over, Tuesday is here and so is a brand new Indie Dojo. Oh happy, happy days!
’House of Spirituals – Too Many Days’
’Jarbird – Such Is The House’
’Social Skills – It’s Invisible’
’Hidden Charms – Long Way Down’
’These Your Children – Set A Fire’
’Common Man – Alligator King’
It’s possible to be embarrassed with our certain music choices at times. We all have that one song or many that we jam on full blast when we are alone in our car. You know the one. You know you do. But really, why do we care what other people think of our choices in music? If we like it, we like it. If it moves us, it moves us. We should be proud of what makes our musical soul dance. So jam on, ninja! No matter how cheesy or just plain bad it is. A ninja should have no shame in their musical game.
’George Taylor UK – Give It Up’
’Side Saddle – Should’ve Gotten Done’
’Mcclain Sullivan – Happy Anniversary (explicit)’
’Many Rooms – Hollow Body’
’Growling Tongue – Are You For Real’
Eventually (Tame Impala Cover)
As we peek around the corner into the weekend’s loving embrace, we’re always on the hunt for those perfect songs to carry us into a grand adventure. Luckily for us, Australian-based indie artist Pepa Knight recently released this glowing folk cover of Tame Impala’s “Eventually.”
Self-labeled as bonfire-n-chill version, “Eventually” is dialed back, leaving behind the crunchy distortion, intense synths, and soaring strings found in the original version. Yet, the calming nature of the lyrics and vocal presentation are carried over into Knight’s version, paying an artful homage to Tame Impala’s work.
With articulate layers of finger picking and playful flute work layered underneath Knight’s enchanting vocals, it’s hard not to picture this playing in your car as you head on a quick weekend road trip, or in the company of friends, hanging around a crackling bonfire, as he so adeptly put it.