Burial feat. Pusha T
It’s the beginning of a new month and with that comes great excitement especially because it’s March. And yes some of us are probably a little bit excited for all that basketball playing going on but with each new month comes a new resident of the month, that’s getting a three pointer at the buzzer to win the whole game excitement right there.
This month a group comes to us, well, three artists who decided after producing tons of amazing music for other artists that they best start doing some producing of their own music. And so, YOGI was born, the latest addition to OWSLA, consisting of I/O, Blake, and of course, Yogi. The three London lads started experimenting with mixing different genres of music back in 2009 and because of that closeness these boys already have an undeniably unique and strong sound. After their huge remix of Zedd’s ‘Stay The Night’ last year, the boys leaked their all instrumental track ‘Christian Bale’, a song off their debut EP due out this May. The full tracklist is still hush hush but today the boys premiered the lead single off of the EP ‘Burial’ featuring Pusha T to get their fans even more excited for the music to come.
Let’s just say, Boo-Boo has nothing on these three insanely talented artists and March is going to be another month of madness here at TMN with YOGI.
Big K.R.I.T. feat. A$AP Ferg
Lac Lac (Prod. By Big K.R.I.T.)
For the third installment of his “Week of K.R.I.T.” series, Big K.R.I.T. hooks up with the Trap Lord himself, A$AP Ferg on the impeccably smooth “Lac Lac.” Produced by K.R.I.T. himself, “Lac Lac” is a laidback hip-hop masterpiece, with the Mississippi native utilizing his confident drawl to keep listeners engaged, while Ferg’s flow evokes memories of classic Bone Thugs-N-Harmony. In our previous post, we mentioned that K.R.I.T. seemed to be returning with a whole new level of focus as he prepares for the release of Cadillactica, and these last two efforts have certainly restored our faith in his abilities. Grab a free download above, and keep your ears ready, as we still have four more days of free K.R.I.T. awaiting us.
The Pink Bride
Memphis native 21 hasn’t been featured on our pages before, but if he continues to churn out gold like this, chances are you’ll be seeing his name far more frequently around here. While hip-hop is no stranger to feelings of unrequited love and forlorn loneliness these days, the 19 year old, takes a fresh approach to the topic that many more seasoned emcees haven’t tried before. Utilizing complex wordplay and armed with confident wisdom beyond his years, the young rapper provides insight into a situation most of us have had the misfortune of dealing with before. 21 recently detailed some of this own thoughts about the track in an interview with Pigeons & Planes:
Basically ‘The Pink Bride’ is about loving someone who doesn’t fully love you back or love you back at all, which is something we’ve all been through,” 21 explains. “If you listen to the hook, she says, ‘I wanna say I love you, but it’s alright.’ That essentially sums everything up. So my process was just me thinking back on girls in the past who have led me on and had me in deep love with them, only to say they don’t feel the same way or only to be halfway in it. And the same for me, the girls I’ve led on and made them feel like I love them or was in love with them, only to let them down by not loving them the same. So it’s just about me telling my story about a girl (The Pink Bride) who led me to believe that she loved me as much as I loved her only to come to find out that she didn’t.”
Much of the single’s success can also be attributed to the use of Ta-Ku‘s “I Miss You” as the song’s instrumental, which itself utilizes a sample of Willow Smith‘s “Summer Fling,” whose sweet, almost despondent vocals add an extra layer of depth to the song’s message. Expanding on the concept Ta-Ku outlined in his own Songs To Break Up To EP, this one’s perfect for the heartbroken and the downtrodden among us, but still makes for an enjoyable listen regardless of your current mood.
Nearly a year after impressing us with his debut mixtape, Phases, Skizzy Mars is back once again with another brand new project, Pace. While Phases featured a broad array of assorted tracks that helped showcase Skiz’s diverse skillset, Pace seems to be a far more focused project, keeping a nearly singular sound throughout, with the central concept concentrating around women and relationships. For a fast-riser like Skizzy Mars, Pace could also signify an attempt to hit the brakes and take back the reins of his life, as he tries to determine the trajectory of his career.
Keeping the features to a minimum (Jon Waltz, Ms. Jones), Skizzy thrives in the spotlight, proving he can carry an entire album’s worth of material on his own merit. Production comes from longtime collaborators Michael Keenan and 6ix, who together, craft a vivid soundscape that allows the young 20 year old freedom to experiment, while still playing well to his strengths. As we’ve mentioned countless times before, Skizzy has a knack for creating songs that are as equally addictive as they are thought provoking. We’ve lined up a few examples for you below, but in order to get the full experience, you should check out the entire mixtape for yourself.
All Say (prod. Michael Keenan)
Numb (prod. Michael Keenan)
Summer11 (prod. Michael Keenan)
Half Past Three
Drink & Dance (feat. Jon Waltz)
De La Soul
Dilla Plugged In (Produced By J Dilla)
25 years after the release of their debut project 3 Feet High & Rising (an album everyone should have after the band gave away their entire catalog for free last month), De La Soul are looking to commemorate the occasion by releasing a brand new tune rapped over a previously unheard J Dilla instrumental. There’s simply no better adjective to describe “Dilla Plugged In” than dope. Listening to the track is almost like taking a trip to an alternate timeline, one where De La Soul is still a prominent force in hip-hop, and Dilla is still producing ill beats. Lucky for us, moments like this are sure to occur more frequently, as “Dilla Plugged In” is just the first single from an upcoming mixtape by the group entitled Smell The DA.I.S.Y. which will consist exclusively of Dilla produced beats. Right now there’s no release date for the project, but we’ll be eagerly anticipating its arrival.
What do you get when you combine South-East London, the spoken word, and one bad ass girl?
One female rapper with a killer accent.
Kate Tempest ladies and gentlemen is by far one of the coolest, yes coolest, artists I have ever written about.
She started off as a rapper, toured the spoken word circuit for a number of years, and now works as a poet and playwright too. I mean, why settle for one thing when you can have it all?
And let me tell you, this girl knows how to throw down words and use them. Her recently released ‘Lonely Daze’ is a song off of her upcoming album later this summer on Big Dada and just gives you a hint of the talent behind this girl’s mouth. Her accent is strong but that doesn’t take away from the power of her voice and her clear ability to make you hear her. This is quite a different sound, a mix of beats with Kate’s talking voice to combine for an addictive movement that leaves you ensnared to her will and her conversation.
Don’t worry, Kate’s words will find you and make you listen.