2016 has been a giant, defining year for both Phantogram -the shape-shifting pop duo comprised of Sarah Barthel and Josh Carter, and Brooklyn based genre-eschewing producer James Hinton, better known as The Range. Both acts have jumped out of the gates with strong album entries to their name: Phantogram’s Three and The Range’s Potential, and on the heels of those worthy LP’s they’ve just kicked off a joint North American to pace the Fall season. Tomorrow night in Denver, at one of the city’s most notable and storied venues, Phantogram and The Range bring their opposing yet suitable sonic aesthetics to the Fillmore Auditorium for the tour’s second stop, and our Ninja feathers are rather ruffled with anticipation.

While Phantogram have for years layed their stamp as perhaps the most notable U.S. electro-pop darlings turned mega stars; it is The Range that has our interest thoroughly piqued. The aforementioned Potential, is a journey in textures and sounds, carefully steeped in history and samples. Relatively new to the landscape of exciting producers, The Range and its LP counterpart Potential carry with them a lush, weighty backbone and the kind of genre splicing usually reserved for more seasoned producers with decades invested in the game. After a couple of listens it starts to become pretty clear why we’ve been hearing terms like “digital archaeologist” get thrown around when describing The Range’s sound. Needless to say, we’re rather prepped for this one tomorrow night, and to get the ball rolling, we’ve put together a mini playlist below highlighting some of our favorite cuts from both artists. Tickets to the show can be found here, and a complete list of Phantogram and The Range’s tour dates can be found here.

’Phantogram – You Dont Get Me High Anymore’
’The Range – Florida’
’The Range – Naught’
’Phantogram – When I’m Small’
’The Range – Copper Wire’
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