Greg Jones aka G Jones has been an undisputed innovator in electronic music for years now, the champion young gladiator in the arena of filthy, hard-edged sound design, with ever-evolving new expressions of the mind-melting, cathartic bass drop. His production pace is also prolific. It seems every time he performs he’s debuting new singles and collabs, and now he’s dropped “Pull Up”, the first single from his upcoming Visions EP.
Jones’ sound has always evolved at a rate which can be hard to follow. Fans barely get accustomed to one incredible style before the artist moves on to his next manifestation, and some of the stylistic innovations he’s made in the past are now passed over in his new productions. “Pull Up”, for example, lacks the head-nod drums (“trap” beats to some) and the long-sustained synth lines of his earlier work. The track starts with an archetypal faux-dance synthesizer that’s soon interrupted by slashes of razor sharp, two-ton heavy snyths, bounced back and force with a Jamaican voice hollering “Pull Up”, and a mash of hi-hats, 8-bit beeps, and huge variety of seemingly random percussive sounds. What has never left, and will continue to define G Jones music for many ears, are the enormous, meticulously-crafted kicks and experimental snare sounds that anchor “Pull Up”.
This new single confirms what many who’ve been attending Greg’s shows for months already know, that the producer is moving into ever more abstract territory, away from clean beats a la Bassnectar, and more towards the fringes of experimental bass music a la EPROM. “Pull Up” comes ahead of Greg’s Visions Tour, which commences in January and will absolutely barnstorm clubs with support from legends like UK bass pioneer Plastician, and The Widdler.