[Chill/Pop-House] Birdy – Skinny Love (Sebastian Carter Remix)

Birdy - Skinny Love Remixes
Skinny Love (Sebastian Carter Remix)

At just 20 years of age, Sebastian Carter has shown us time and time again that musical  maturity should be merited on sound regardless of age or experience. The Swiss electronic producer’s music tends to carry an emotive weight and groove which would sail directly over some of his contemporary listeners’ collective heads; casting a stunning amount of crossover promise on the young artist’s career in the process. Already with stirring retouches of The 1975, Bad Suns, and Alt J along with a few addictive originals; today Carter’s taken Birdy’s cover of the Bon Iver staple “Skinny Love” and spun a tranquil web of house all over its pop leaning framework. With rising pads serving as a slow-burning build and simultaneous mood setting device, his airy synths are free to bubble their way to the surface while Birdy’s ethereal vocal stylings submerged in hazy reverb play as beautiful as ever amongst the wunderkind’s polished instrumentation. Sebastian Carter has certainly hit the mark again with this one, and we hope you’ll drift away with us for the four minute, alluring sonic expedition.

Related items:

[Nu-Disco] Bondax – All I See (Darius Remix)

All I See (Darius Remix)

Last month UK duo Bondax released a new tune called “All I See,” which features an upbeat dance tempo and melodic vocals from Tanya Lacey. The Bondax boys sure know how to churn out a catchy number, but leave it up to Darius to scale the track back to some minimal roots. The Parisian producer takes the track into his own hands, and the result is a chill rework in the form of an official remix, which was officially released today via SoundCloud.

Darius’ remix turns down the volume and dims the lights with a sexy and sultry sound that is driven by dreamy synths and tightly coiled percussions. Darius flips “All I See” into a nu-disco delight, and the final finish is incredibly smooth and sensual. The original “All I See” will be out Sept. 7, and it’s available now for pre-order on iTunes.

Related items:

Ma-Less – Bad Bitch [TMN Premiere / Interview]

Ma-Less - Bad Bitch
Bad Bitch

Orlando producer, vocalist, and feline fanatic, Ma-Less gave us first look at her newest track, and we’ve never heard a ‘twerk’ track go in this direction. Being behind the self proclaimed “Church Of Twerk”, Shake ‘N’ Bass, she is a well educated on twerking. This track takes a similar approach to what an experience would be if you attended a Shake ‘N’ Bass event. Instead of us telling you about what that approach is, we took some time to sit down and ask her some questions, and she’ll explain it for you.

TMN: This track isn’t exactly what we’re used to hearing from “Twerk” tracks. It’s a great track, but it isn’t extremely abrasive. What was your approach to making it?

Ma-Less “I feel like some producers take this harder “trap-like” approach to twerk, not all of them, but I always see it as more energetic and fun and I tend to gravitate towards that vibe. I started out with the intention of making a bootleg to be honest, and it evolved into this energetic and fun track that I felt could stand alone. I out of impulse added my own vocals, and it fit so well that I just ran with it.”

TMN: Do you have any other fun tracks like this coming our way?

Ma-Less “Honestly, I have a bunch of super chill tracks I’ve been sitting on that I might release. It doesn’t quite sound like anything I’ve released before, but it’s something that came from the heart, so I hope my supporters are receptive to it.”

TMN: Not only are you a producer, but you did the vocals on this track as well. You’ve also worked with one of the biggest legends in mid tempo music, Munchi. How did that collaboration come about?

Ma-Less: “That is all in part to DJ Blass, he’s a phenomenal reggaeton producer from Puerto Rico, who’s produced for artists like Daddy Yankee. I met him at a Moombahton Massive in Miami, and we were just talking and he goes “I want you to do vocals.” As someone who’s been told to shut up while singing (yes, it was THAT bad) all while growing up I was taken aback, but I recorded myself saying random one offs like “DJ Blass” “El Artesano” etc and sent it to him and he in turn showed Munchi when he was hanging out with him in Miami. All of a sudden I was getting hit up to go to Miami at 3am via twitter to do vocals. I had to work the next day, but I begged to get cut early and then hauled ass to Miami. When it came time to do vocals I was so nervous and didn’t know what to say. We then got really fucked up and at that point I repeated whatever was said to me ahahaha I think we recorded over 200 samples of me saying the most vulgar shit some of which of course was used with Sucia Anthem. It’s pretty crazy to think how it all happened, but I’m super grateful that it did. It’s brought so many amazing events and people into my life it’s been amazing.”

’Munchi x Maless – Sucia Anthem’

TMN: You’re a key component of what may be the best event on the east coast. How did Shake ‘n’ Bass come along? 

Ma-Less “Well, me Big Makk and Dr Khan (also known as the Moombah Mafia) came together through the love of Moombahton. We were the only ones who fucked with the sound in Orlando. We had a night at a small dive bar in the Milk District called Spacebar. The owner Tommy Mott was a DJ himself, and gave us a chance. No one really showed up, but I think we got to develop our sound and really get to know one another. Around the same time we started DJing at this bottle service douchey nightclub. I hated it, but it was a way to expose Moombahton to a crowd who had NO IDEA what it was. The crowd got crazier and crazier each week, but then we were let go for not playing enough hip hop (which is ironic because we actually play quite a bit.) I considered it a blessing- I haven’t been there since- but what was shocking was that people were really pissed we were let go. Around the same time the owner of Backbooth approached us as well as this investor; it was like the stars aligned and Shake ‘n Bass was born. We’ve since gained notoriety around the world, and it’s anything beyond what I imagined it to be. What’s cool too, is the crew is like family now, and we have some amazing diehard supporters who show us immense love.”

TMN: We know a lot of crazy stuff has gone down at Shake ‘n’ Bass. What is the craziest thing you have experienced so far?

Ma-Less “I have several. hHaving girls twerk on a cake while 12th Planet & Doco stopped by is definitely one. Looking up during one of my sets to see a girl completely removed her shorts, and was twerking with a g-string on. Having guests like DJ Blass, Craze, Swizzymack, DJ Funk, and many others who I look up to come through to play. The many infamous lap dances I’ve received- I mean I could go on, it’s a pretty wild ass night. People really let their guard down and embrace their inner ratchet, and I love every minute of it.”

TMN: We see you’re very into felines. It really seems common nowadays that a good majority of producers love cats. Why do you think producers and DJs love cats so much, besides the fact that they may be the cutest, cuddly creatures in the world?

Ma-Less “The cuteness and cuddliness aside, because that’s a given, I personally love their independence and their loyalty to their owners. They’re not just gonna love everyone that walks through your door, so when they are affectionate it really means something. Also as a DJ/producer, with traveling a lot, they’re the best cute and cuddly pet to have. You give them plenty of water, plenty of food, a box to shit in, and they’re really self sufficient.  You don’t have to worry about taking them out to piss and stuff; it’s perfect. Plus they just chill on your lap while you make tunes; you can’t beat that!”

TMN: It’s becoming a trend to combine genres lately. People will take trap and dubstep, and call it hybrid trap. What do you think will be the next big genre? 

Ma-Less “I have no fucking clue to be honest. With the internet and technology, and the easy access to DAWs, I feel like anything goes. Everything comes and goes so quickly now, that it’s stupid to try and keep up and slap a label on everything that pops up. I love it honestly. I feel no musician should be restricted to one sound or genre. It kills me when fans get upset when an artist steps out of their comfort zone, I think it shows how brilliant they are, and as a fan it makes me respect them that much more. As an artist I say as long as you make and play what you love, one can only hope that the crowd will fuck with it. That’s what I try to do at least, and my supporters seem to really vibe with it, so that makes me happy.”

TMN: A while ago, we remember seeing someone say there should be a Shake ‘n’ Bass tour. We think it would be pretty cool to have it as a traveling event. Maybe a different producer in each town. Do you think this will ever be a possibility? What cities would you hit?

Ma-Less “God I hope so. It’s just hard to plan, because not many promoters are willing to fly and accommodate 3 artists. I’m sure at some point we can take SNB on the road. I know people everywhere that want to come to Orlando just to experience it, so if we can bring it to them it’d be amazing. Hopeful that it’ll happen. I mean everywhere ahaha I’d like to hit up the West Coast L.A., Vegas, Arizona, Colorado, Texas, definitely the birthplace of Moombahton D.C., Philly, NYC, Boston, shit Europe, Central & South America, Malaysia, Australia, New Zealand. I can honestly say we have homies in each of these places that said we should come through to play. Even if I go solo, I want to see it all.”

TMN: Ghost producing has been a fairly common topic lately. What are your thoughts on ghost producing? Do you think the ghost producers are wrong for doing it?

Ma-Less “I know people that ghost produce and they love it, because they have no interest in DJing, or putting on a show, or the politics and bullshit that comes with all of it. They want to sit in a studio all day, make amazing tunes and get paid, and I respect that. I honestly wouldn’t mind ghost producing for others, but I wouldn’t want someone to do it for me. If I ever did, I would definitely give credit where credit is due. I give props to people like Benny Benassi who give their ghosts credit. It’s not like it hurt his career or anything, and I feel people hold him in a higher regard because of it- at least I do. Basically ghost producing is not a new concept and it’s not going away anytime soon, so why not be open about it?”

TMN: Another popular subject these days is “Like For Download”. Facebook is banning incentive based likes, and some say it is pointless with Facebook’s reach algorithm. What are your thoughts on the matter?

Ma-Less “I do (did?) FB likes for DL, because sadly promoters look at that as a big deciding factor to book an artist. To be honest, I’m so fucking sick of Facebook. The sooner someone comes up with an amazing alternative for artists to share their music with everyone, (and not just other artists. Which I feel kinda more so describes soundcloud,) the better off we’ll all be. Honestly it blows and really puts independent artists at a severe disadvantage.”

TMN: A lot of people tend to ask artists who they would collaborate if given the opportunity. We’re honestly more curious about who you would eat with, and what you’d eat. If you had a chance to grab a bite anywhere with any artist alive or dead, who would it be, and what would you eat?

Ma-Less “Ahaha damn… Who would I eat with, and what would I eat? I would wanna eat crab legs with Led Zeppelin and Jimi Hendrix. I don’t know why, but it sounds fucking amazing”

TMN: What would you talk about? 

Ma-Less “Music of course. I would want to know their aspirations, how they see the differences between music then and now, and I would want to know how they feel reflecting on the impact they had on… well everything really. I listen to all kinds of music, but I have this deep love for classic rock.”

TMN: We have one final question for you. Let’s say you came in contact with a genetic engineer. He develops a way for you to communicate with cats. What would you speak with cats about? 

Ma-Less “If I could speak to my cats directly, I would tell them I love them and thanks for the cuddles; not so much the hair balls. Then I’d wanna know why the fuck they spazz out for no reason at 4am. I wanna know how they communicate with one another, without making a sound. Why they gotta break all the goddamn glasses. I’d ask them what I’d need to do, so I can be a cat in my next life, and why they always wanna watch me poop ahaha”

Related items:

Bike Thief – The Burning Past [TMN VIDEO PREMIERE]

The Burning Past

Keep Portland weird!

While we’ve never actually ventured to the aforementioned city, which is forever immortalized by the one of the greatest shows, Portlandia, we do know that it’s rife with talented musicians. After having heard countless talented indie rock, folk, and experimental acts, we’re fully on board with what Stumptown has to offer. Not only by way of music, but also by way of donuts. We recently were graced with a Voodoo Donuts here in Denver, which has furthered our adoration.

Comprised of five members, this experimental indie rock outfit has a unique sound that’s solidified by their crooning vocals and a playful mix of charging electric guitar work laid over classical strings. One listen through to Bike Thief’s “The Burning Past” should give you ample insight into the roots of this band, which were dreamed up (assumedly over a craft beer or delicious Pinot Noir) by multi-instrumentalist Febian Perez. Aside from the brainy compilation of instrumentation, the naming was also developed by Febian, after being inspired by the Italian film “The Bicycle Thieves.”

This complex tune, which is due out at the end of this month, comes off of their debut LP, Stuck in a Dream. To accompany this dark, yet powerful tune, the band has enlisted the work of Benjamin Violet, who is known for his work with indie rock giants like Of Montreal, The Polyphonic Spree, and Kishi Bashi.

The end result can be seen below, in a glowing, bizarre, yet completely wonderful visual interpretation of “The Burning Past.”

Related items:

[MP3 Playlist] Indie Dojo (August 2014 Round #4)


Building up a music library can be an a crazy, unpredictable hobby. Some searches bring you loads of songs that spiral you into the golden spins of the interwebs and others….tumbleweeds. Just tumbleweeds. It’s a roller-coaster of emotions. We know. So if  the unpredictability is just too much to handle (Trust us.We feel your pain), let the Indie Dojo be your guide. We’ll travel the ends of the earth for you.

’Tiny Little Houses – Every man knows his plague; and you are mine.’
’The Young Folk – Way Home’
’Slow Dancer – Took The Floor Out’
’Tropic of Pisces – Symmetry’
’Our Man in Berlin – Cirrhosis’
’Brolly – ‘Wolfe”


Related items:

Sunday Night Soul (On a Monday) [Vol. 38]

Sunday Night Soul

Hey there ninjas, we know we’re a day late on the Sunday Night Soul, but unfortunately we encountered some technical difficulties last night as we were trying to get this up. Not to worry though, because things are finally up and running again on our end, meaning we can finally provide you with the wonderful soul you deserve. Though we weren’t there to help kickstart your week as we usually are, we’re hoping we can at least help make your Tuesday a little more special, an honor we only share with Makonnen. Given our tardiness, we’re going to keep the writing short this week to make up for the extra day’s wait we put you through. While it’s not quite Sunday, we hope you enjoy the selection we have for you all the same.

’stwo – Virgo w/ Shay Lia (Acoustic Cover)’
’Musiq Soulchild – Just Friends (Acoustic Cover)’
’Key x Era – Stockholm Syndrome Ft. Ensilence Prod. by Yorel Tifsim’
’NGAN – Mama I Got This Gun’
’Rebecca Rose – My Flame’
’Corinne Bailey Rae – Put Your Records On (Akuji’s ReMiX)’
’Melo B. Jones – Settle For My Love (Produced by 4REAL)’
’K.Raydio – American Dream (Prod. by Ackryte)’
’BJ The Chicago Kid – Perfect’
’Kindness – World Restart feat. Kelela & Ade’
’LORE – Everybody Loves The Sunshine’
’Nova – Soaring’
’Jordan Rakei – Add The Bassline (Nehzuil Remix)’
’Van Ike – The Worst (Jhene Aiko Cover)’
’Kruisemode – I’ll Be Around Feat. Leia Sadiku’
’Illumntr – Gulf Hymn (Exmag Remix)’
’Sinead Harnett – Paradise’
’The Rub ft. Tatiana Owens – Bring On The Love (Disco Mix)’
’Fabiana Palladino – For You’
’The Hics – All We’ll Know’
’iamblackbear – runnin low’
’Lyrica Anderson – Freakin Remix Featuring Wiz Khalifa & Eric Bellinger’
’Omarion & Jeremih – Show Me’
’Justin Ruff – I’m With It’
’Z.WOODS – You’
’Phonzy – Take It All’
’DJ Mustard – Tinashe Checks In’
’Ariana Grande Ft. Big Sean – Best Mistake’
’LION KNGS – 2Much feat. Santell’
’HSVN – Whenever I Plz (feat. Arima Ederra)’
’Tinashe – In The Meantime’
’belle – no sleep in toronto’
’Tory Lanez – The Mission (Prod. Christian Louie X Tory Lanez X Noah Breakfast)’
’spooky black – HotelSixNine Ft. SolomonDaGod (prod. Smitty The BG)’
’belle – enemy’
’ILOVEMAKONNEN – Doubted feat. @FATMANKEY prod. By @SonnyDigital)’
’Kehlani – Collect Call (produced by Hardy Indiigo)’
’Geovarn – Sorry’
’Champagne Papi – On My Way (DREAM GIRL Remix)’
’PARTYNEXTDOOR – Options (axxxxgxxx Remix)’
’kissed killed – inn (saddened by bemyfriend)♥(ˆ⌣ˆԅ)’
’Duncan Gerow – Chris Brown, Lil Wayne & French Montana + Misogi = Loyal’
’ILOVEMAKONNEN – Club Goin Up On A Tuesday (Maximus MMC Rendition)’
’JMSN – Thing U Miss (Kamandi Remix)’
’Spooky Black – Without You(Nikes VIP)’
’Jay Stones – The Alchemist (Prod. aso)’
’Phane – Slide’
’Clara La San – Let You Go (W A V S Bootleg Remix)’
’Congruence – Let Go (Forthcoming on Play It Louder Vol.3)’
’aywy. & Ekali – Your Love’
’beatboxbandit – millyun’
’The Theorist – Down 4 U’
’Haan808 – Izquierda Su’
’Telepopmusik – Breathe (Myles.William X Grand&Warren Remix)’
’AbJo – However (You Want)’
’J Louis – Before You (J Louis Rachel Foxx flip)’
’J Louis – Can’t You See’
’El. Train – On&On’
’Glass Animals – Gooey (GDNA Remix)’
’Mario – Let Me Love U (Rusty Hook & Katuchat Flip)’
’Radiohead – Nude (Kappa Kavi Remix)CLICK BUY FOR FREE DOWNLOAD’
’sam gellaitry – reflectionz’
’D.K. the Punisher – AYTS’
’Kaytranada – Leave Me Alone (feat. Shay Lia)’
’Vanessa Elisha – Ocean (Soft Glas Remix)’
’Zhu – Faded (BNJMN Rework)’
’Usher – Good Kisser (M&N PRO REMIX)’
’Beyonce – Partition (starRo Remix) FREE DL’
’Marc E. Bassy ft Kehlani – Lock It Up (guffstar edit)’
’Tensnake – Feel Of Love (Kaytranada Edition)’
’Years and Years – Take Shelter(Joe Hertz Remix)’
’Moon Boots Ft. Kyiki
Don’t Ask Why’
’Louis La Roche – The Way She Makes Me Feel’
’Noobsie – Criticise’
’BEEMO – Makin’ Love 2 U Feat. Kyross’
’Fluke Nukes – Pony’
’et aliae – never let u down’
’John Legend – You and I x Benny Cassette remix’
’Jennifer Lopez Ft Ja Rule – I’m Real (Basic Tape Remix)’
’Route 94 – My Love (Prince Fox Remix)’
Related items:

[Just Stop] Basecamp – Shudder (Goodnight Cody Remix)

Shudder (Goodnight Cody Remix)

Goodnight Cody, just stop. Can you just stop it already? Enough with the glorious future bass stylings. We’ve had it up to here with your epic, cinematic synth work. Can’t you just give us a break? “Shudder” is just too much. We can’t even.

The fact that this often quirky Los Angeles producer had me riled up and talking like a 19 year old is definitely a notable feat. Having stumbled across this track in a casual soundcloud deep-dive session, I couldn’t help but get completely lost in this remix. The vocal sampling is superb, providing a percussion-like cadence in the intro of the song.

Sultry, swanky, and full of swagger, his interpretation walks along glowing synths and larger-than-life bass hits, which ultimately climax into something worthy of a Jerry Bruckheimer movie. While I’ve sworn never to see another Transformers flick, I would admittedly check it out if this was in the trailer. Well, that and the whole Megan Fox thing. I guess she can be somewhat convincing. Mainly Goodnight Cody, though. Yeah…

I digress. This tune is an absolute peach. Download it for free by clicking here.

Related items: