Rediscovering an artist can often be a revitalizing experience. With all the music we get exposed to on a daily basis, it’s easy for certain … Continue reading »

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[Video] L’Orange – Alone (Feat. Blu)

Alone feat Blu

We may have missed out on L’Orange‘s Blu-assisted cut the first time around, but after seeing the new black-and-white video we won’t make that mistake again. I’m not sure I’ve ever seen a video that so vividly translates a song from audio to visuals as this one. Director Ashton Blessing is really able to take advantage of the vintage aesthetic prevalent in the beat’s sample and chorus, when bringing this song to life. Filmed from separate but mirroring perspectives of day and night, the video for “Alone” really encapsulates loneliness from the perspective of two distinct yet acutely intertwined individuals. The single can be found on L’Orange’s excellent The Mad Writer EP, available for purchase here.

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[Dubstep] MUST DIE! X ETC!ETC! – Panic Attack ft. Anna Yvette

panic attack

We all know ETC!ETC! for his killer Moombahton and Trap hits, but before trap music took over the world, he and his friend MUST DIE! created this beautiful Dubstep track which is finally getting a release on Subhuman. Anna Yvette‘s soft lyrics guide the breakdowns before a massive filthy bassline crushes it. ETC!ETC! says that this is the only Dubstep song he’s ever composed, but with any luck, this may lead to more dub from the trap heavyweight.

Panic Attack ft. Anna Yvette (OUT NOW!!!)
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The Trap Dojo #29


Welcome to the first Trap Dojo on the revamped site. Our first track is an incredibly sexy remix of Frank Ocean‘s “Super Rich Kids”. Bird Peterson makes this song smoother than the cocoa butter you`ll be spreading on your girls back while listening to it (or visa versa). Next, Mr. Vega hits us with a ton of sharp bars from several different rappers on this vocal remix of his track “I’m Livin”. ETC. ETC. and Brillz bring you back to late 80s Harlem with their own take on the New Jack Swing. This is a track you can definitely do the (real) Harlem Shake to. If you aren’t familiar with Rustie then take note. This Scottish DJ has been huge in the UK Dubstep and Grime scene since back in 07, and this track is absolutely infectious. With this remix of Chief Keef‘s “I Don’t Like”, Willy Joy shows how he’s able to turn a hard hitting rap anthem into a dance floor banger, switching back and forth between the original instrumentals and his crazy remix, this time with a hype Moombah flip. The end of the list contains a great lovetrap mashup from Watapachi with some smooth lyrics from 50 Cent, some Keys N Krates, a trio of musicians who actually perform their songs live, a real treat in the modern EDM age, and some Future Screw, from the master of Future Screw, Trill Scott Heron.


Frank Ocean
Super Rich Kids (Bird Petersons Way Too Sexy Remix) FREE DOWNLOAD
Mr. Vega
 Im Livin (Remix) Ft Kepstar, Otis Clapp, Dell Harris & KO
ETC!ETC! X Brillz
New Jack Swoop
Slasherr (download now, from Triadzz/Slasherr)
Chief Keef
I Dont Like (Willy Joy Bootleg) RE
Lil Wayne
A Milli (Cut Throats Remix)
My House (THUGLI Remix)
Bro Safari
Scumbag (Rell The Soundbender Remix)
Son of Kick
EOW (TastyTreat Remix) *Free Download*
Pay Attention To The Drums (Caligula Remix)
Big Smoke by Strooly
TrapMusic.NET Exclusive
Wax Wreckaz (feat. Etzia)
Bubble & Wine Up (WATAPACHI Remix)
With You
KO vs. WATAPACHI vs. 50 Cent & JT Bootleg *** FREE DOWNLOAD ***
Gold (Trill Scott Heron Future Screw)


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Justin Timberlake – Suit & Tie (Dillon Francis Remix)

suit and tie download dillon francis remix
Justin Timberlake
Suit & Tie (Dillon Francis Remix)

The master of Not Giving a Fuck or Shit, Los Angeles native Dillon Francis has just been added to roster for the official remix of Justin Timerlake latest single “Suit & Tie”. With a release date still to be announced, the new rendition features Dillon’s best work yet. Infused with a relaxing post-trap vibe of ambient yet still palpable basslines without the original participation of Jay-Z’s vocals as he explains:

.. And dont start yelling at me because Jay-Z vox aren’t in the remix because the Sony said that i wasn’t allowed to.

Another mind bending release for one of the most forward thinking producers in the current scene. Enjoy!

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[Get Crunk] Clayton’s Friday Party Playlist #43


Ninjas! What is up!?! It’s Friday, one week away from Ultra and WMC. We’re so excited we can hardly sleep! But, there is one more weekend we have to get through before our shenanigans in Miami, which means we need a proper playlist. Here’s some of our tastiest party tracks from last week. Shout out to all the indie EDM producers who posted on our facebook. This one’s for you.



From Cali with Love x Symphonica
Elite Force
Towards The Sun (2013 RVMP)
Apollo (Elektrosex Progressive Rework)
Lazy Rich & Hirshee
Damage Control (Redox Remix)
Dog Blood
Middle Finger (Party Favor Edit)
Alesso Feat. Jonathan Mendelsohn
Clash Til Tonight (Alex N Leo Bootleg)
Showtek vs Baauer
Slow Down and Harlem Shake (Joshua Ray Big Room Bootleg)
B.Booi feat. Davide Mutendji
Home (T Fresh Remix)
W&W vs Borgore
The Code of Decisions (FLos MAsHuP)
Goooo (Kid Womp Remix)
Tiësto feat. BT vs. Mord Fustang
Windwaker Comes Again (Kastra Bootleg)
Staring At The Sun
Where The Kids Are (The Two Friends Remix)
Spaceman on the Longest Road
Morgan Page & Carnage (DeejayIV Mashup)
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[Beautiful] Port St. Willow – Soft Light Rush (ii)

Port St. Willow - Soft Light Rush II
Port St. Willow
Soft Light Rush (ii)

Nick Principe, aka Port St. Willow, has released a six-minute sonic and experimental masterpiece, with welcomed flourishes of folk, rock and even electronica. Led by his astonishingly delicate falsetto, “Soft Light Rush (ii)” is a true world of sound throughout, various instruments poking, prodding, and making brief appearances here and there: somber brass tones, a few lonely guitar strums, tingling xylophone. There are many elements at play, but the track is never too busy or crowded; in fact, it does an excellent job of having all these elements interact with great balance, always leaving enough space for each instrument to breathe in, exhale and shine during each of their select moments. Even when the tension starts to grow towards the 3:00 minute mark, the sounds somehow clash together harmoniously, and the track feels as though it’s finally woken up from a long, dream-filled slumber.

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