Spontaneity can be such a beautiful thing, yet we get so wrapped up in our schedules, jobs, tasks, whatever, we sometimes forget to free up time for the wonderful unknown. Sure, its hard to break free from our security and predictable moments, but we could be missing out on something that will forever change our world for the better. So might we suggest starting off small. Like….Be spontaneous and dig deeper into an artist featured on the Indie Dojo. Who knows what might happen! You can like them so much you decide to scope out a show in your area, meet the person of your dreams in the front row, and ride off into the sunset with a mutual love for the same band. Hey….it’s totally possible. A beautiful world can be created in the simple spontaneity.
Insane (White Panda Vocal Edit)
Mashups can be a tricky art to master, and while we’ve become much more open to the idea of them in recent months, we still tend to approach them with a certain amount of skepticism. However, when you come across a song that features two of the most brilliant musicians in the world, it’s impossible to ignore. Geniuses that they are, The White Panda have taken it upon themselves to blend together the insanity of Kanye West with Flume‘s hit single, “Insane.” Utilizing verses from “Can’t Tell Me Nothing,” Kanye’s defiant boasts operate well over the elaborate, pulsating synthwork, while Moon Holiday‘s yearning background vocals seem to add a heightened sense of wistfulness and provide even more weight behind the lyrics. After listening to the track, we started to wonder what a true collaboration between these two gifted artists would actually sound like. Can someone get them in the studio together ASAP?
Download the single above, and stay tuned for more from The White Panda, as they plan to drop a new song every day this week.
Test & Recognise (Flume Re-work)
Flume is to music what Stanley Kubrick is to film. Yes, that’s a bold statement, but hang in there. We’re going to lay it out for you, point by point. Kubrick was often revered for adapting short stories or novels. While this feat is ultimately impossible through the production of a song, Flume often reinvents songs, giving them an entirely new and refreshing breath of life, similar to what Kubrick did with his films. Some of Flume’s most beloved tracks are remixes of already well-established works, including the likes of classics of the blogosphere age such as Lorde, Chet Faker, and Disclosure.
Too loose of a connection? Didn’t we tell you to bear with us? Kubrick was also considered one of the most influential directors of all time, often exalted on the distinct cinematography utilized in his filmmaking. Look back to 2012 with us for just a bit. In fact, press play on Flume’s self-titled album and tell us that his groundbreaking soundscapes weren’t something to admire. The crackling atmospheric layering coupled with the delicate melodic inclusions paved the way for so many future-bass producers. It’s really quite spectacular when you stop to think about it. One could argue that this sound help pave a way for up and coming artists, just as Kubrick did in his legendary career. Do we dare say that Fluminian will be coined as Kubrickian was?
While we could state the obvious and talk about Kubrick’s intense and immersive use of music to help set up a scene, we’ll slowly walk away from that, as the connection is a bit too easily demonstrated through Flume’s encompassing sounds that easily take his listeners into a world of their own. In fact, this Australian artist doesn’t need visuals to what he does. The music speaks for itself.
We would be remiss not to mention the fact that Kubrick’s films were often considered controversial. A Clockwork Orange, which was a sociopolitical statement about the government’s threat against personal freedom, was probably one of the most notable. While Flume has never done anything to ruffle any feathers, per se, it’s important to look at the timeframe in which he came to the limelight in the world’s collective ear. What was in back in 2012? Big Room? Progressive House? Wasn’t Swedish House Mafia getting ready to embark on their grand farewell tour somewhere around the time that this young man came to recognition? In a world of overwhelming melodies and uplifting vocals, we saw a distinct shift in the paradigm, displaying an entirely new realm of electronic music to delve into. While it didn’t offend anyone in a controversial way, it surely went against the societal grain of the music industry.
One doesn’t need to look far to see the raw talent possessed by this incredible artist, who draws on many similarities of the aforementioned director. At this point, he’s already spoken about in terms of lore, calling on the internet to hit their laptops within hours of his newest release. To be honest, that’s why we’re here with you right now, bringing you a hours old re-work of fellow Australian Seekae. Taking a blissfully familiar approach to this remix, we’re given a glimpse into a world crafted by haunting synths, crackling white noise, and interspersed percussion work. It’s once again spectacular to find this other-worldly approach to production, one that we’ll continually stand by as long as it keeps coming out.
BEGGIN FOR THREAD
Just as we were beginning to grow weary of the countless–although excellent–remixes of her last single, “Drowning,” BANKS decided to bless her fans with some breathtaking new material, unleashing “Beggin For Thread” earlier today. With this latest effort, the talented songstress can safely add yet another notch to her belt, continuing to prove why she’s one of the premiere names at the forefront of pop music. Opting for a much quicker tempo than we’re used to, BANKS still brings much of the same raw energy and aggression in her vocals, producing an addicting melody through the use of zippy synths and reverberating percussion.
As BANKS continues to impress us with each and every release, it makes the wait for Goddess that much more unbearable. Luckily, we’ll have this song to to help occupy the time until the album comes out on September 9th.
Tennis Court (Diplo's Andre Agassi Remix)
Just when you thought you couldn’t possibly stomach another ace serving of “Tennis Courts” from New Zealand-based Lorde, this legendary Edgewater producer, better known as Diplo, comes out of left field.
Often considered one of the most influential trendsetters in the music industry, Diplo has taken on a tune that so many of us were pretty much over, giving it another set of legs. Not that we ever had anything against the truly remarkable youngster’s rise to fame, but one can only handle so much of a good thing.
With this particular interpretation, we’re offered up some booming 808 hits and rolling high hat hits that give this tune a fresh, new, trap-style persona. While it has an entirely new look and feel, this remix still holds onto essential connections to the original, giving us a new way to enjoy a song that was once played out.
Bravo, Diplo. Bravo.
With the Monday traffic just getting started and the anxiety from the day at an all time high, we realized that we are in need of some sort of pick-me-up. After scrolling through our SoundCloud feed for the ideal tune, we stumbled upon the artist Elaksi. The Finland producer is notorious for his eclectic style of production and has mastered the art of future bass.
Earlier today, Elaksi dropped his newest original track, “Lanes”, and ideally sent a wave of emotion to drown out the Monday blues. This track infuses the modern synth with a heaping dose of tripped out high hats and a piano melody to swoon you into Tuesday. So grab your free download, stop your worries, and float into the clouds with Elaksi.
The Seconds Ft. Jano (NGHTMRE & Davey Gray Remix)
Everyone has come to know Porter Robinson very well throughout the years. We don’t know about you, but we have shared countless festival moments with some of his most thought-provoking songs like “Language”, “Spirfire”, or “The Seconds”. Whenever we come across a remix of Porter it almost feels like Christmas to some degree – that is, if it’s actually worth sharing.
Today we have a treat for you from NGTMRE & Davey Gray and their melodic take on Porter’s stunning original, “The Seconds”. The two producers took this classic throwback and gave it a much needed dose of some serious feels for all of us to reminisce about. With it’s trance-like intro and trapped out break down, NGTMRE and Davey Gray definitely gave us a few more seconds to revert back to the pre-Worlds Porter Robinson days. Take a trip down memory lane with this feeler and grab your free download today.