Vancouver resident and Casablance Records signee Imanos just dropped a genre-defying single with Pusha T and Karen Harding. Together these three cooked up “Gunshy,” the producers debut original single. It’s been a long time coming but now it is finally here in full.
“Gunshy” is a cool sort of duet, with Pusha T’s rapping playing off Karen’s sweet vocal. For a first song, Imanos didn’t pull any punches with his instrumental that is “a straight banger” as Imanos puts it in his own words. We’d have to agree. The quality of this single is just what you would expect coming from a major label artist. Even in working with someone as big as Pusha T, Imanos stands his ground as an artist deserving of all the same type of recognition. Get your copy of “Gunshy” today.
What the hell is going on with this weather, Denver? I mean, we’re not complaining about 75 degree days, but it’s a little concerning (cough, global warming, cough.) Well, even though it doesn’t feel like winter we’re still going to head down to 19th and Blake and get toasty in the best way possible – by dancing to some top notch beats. Per usual, we’re making it incredibly easy for you to get off your couch and head down. Why’s that? Because we’re hooking you up with free entry.
– Head to the front door and enter the club before 11pm on Thursday, Friday and Saturday. Get there before 9:00 on Sunday
– Show this post to the cashier (Valid for 21+ only).
– The deal is valid for THURSDAY, FRIDAY, SATURDAY, SUNDAY this week.
Julie Bergan is what pop music needs, even if it doesn’t know it yet. From her home in Norway, Julie has been the creative mind behind two of the country’s biggest hits. First came “Arigato” then “Blackout,” both of which share a similar future pop sound that is steadily becoming a go to style for many artists. The only thing is, Julie is doing everything right.
These two songs have went viral on Spotify, and each have their own music video that have seduced fans from all around the world. With multi-million plays each, Julie is turning heads in a big way. She’s making all the moves she needs to pave the way to becoming one of music’s biggest stars.
We sat down recently with Julie to get a sense of where she’s come from and where she’s going. Part of where she’s going is – hopefully – everywhere, as she just unveiled her new live show. It’s already taking Europe by storm and we’d like to see her make her way across the pond. Enjoy the amazing music video for her single “Blackout” before diving into our conversation with one of music’s brightest talents.
TMN: “Arigato” was a huge moment for you in 2016. Tell us a bit about your breakthrough single – did you expect the track to leave as big of a footprint as it did?
JB: I was blown away by the way it was received. The whole track was based on a conversation I had with a friend about her over controlling boyfriend. I think everyone has the right to take their own risks and live life without someone trying to bubble wrap them. Relationships can be a place where this happens the most, so ‘Arigato’ was very much a track about liberating yourself from a safe and controlled environment. To see it stream and gain as much love as it did was really touching.
TMN: “Blackout” marked what seemed to be another very personal single from you. What can you tell us about the inspirations behind the single? Was it at all nerve-wracking to follow-up “Arigato”?
JB: “Blackout” is very much about being stuck in your own head and the mental barriers that appear in life. The idea was having these little “Blackout” moments are the only way to escape and find yourself. The video very much echoed this idea and I was very proud of how the track came out. I tried not to think of it too much as just a ‘follow-up’ to “Arigato.” I want every track to stand on its own feet and speak for me as an artist. The response has been great and I feel very positive about kick-starting 2017 with the single.
TMN: Where do you find the most inspiration from musically?
Real life is definitely one of the biggest influences on my music. Part of the blessing in making music is finding a way to translate human emotions into relatable art or memories. I am lucky because I get to see and be part of the whole process, from the creation of the music to the performance. All of my material to date has been inspired by real situations and feelings and I like to think that people can relate because of that.
TMN: You’ve recently been showcasing the live element of your project. How important was it from the start that your music could be re-produced and performed live?
JB: It has always been very important. I think listening to the records you can get an idea for my energy, but the show is where we can really bring it to life. I have been dancing since I was a child, so to be able to incorporate that to music I have made myself is of course a really fun thing. I am super lucky to have an amazing band behind me and the more we are playing the more people are seeing the fuller picture of what my music is about. I get to be involved in every aspect of it creatively, from the sets to the design, so it is a very personal and important side of the music for me.
TMN: What do you consider to have been the biggest challenge or obstacle to you within your career so far?
JB: The blessing and curse of anything involving creativity is that it’s easy to overthink. You can become obsessed or overprotective of certain aspects of a song or yourself and then when this happens it is hard to get out of your own head or make decisions on what should be the solution. With time I think I have been able to become really comfortable with my style and sound, as well as what I want to stand for as an artist.
TMN: You started 2017 on huge form with ‘Blackout,’ what can we be expecting for the year ahead?
JB: New music!! We are doing a lot of great shows around Europe off the back of “Blackout,” but there is plenty more to come for the rest of the year and I am very excited to show it off soon.
Today we’re dishing out a limited free download – and first listen – of a new remix from Ascendants. In this premiere you’ll get to jam out to the Miami duo’s flip of “American Surface” by Fever 105.
What we get is deep house done right. Intimate, minimal and groovy, the newly redefined “American Surface” is a smash hit. Released by Homerun House, this track is just about as good as it gets. It’s got the classic sound that first brought the genre recognition. With Miami Music week just around the corner, this is the perfect song to start getting people in the mood for the sunshine. Who knows? Maybe you’ll get to catch this one live from the duo themselves, and maybe we’ll be there to dance with you!
Ready for the first viewing of the new music video from LACEI? You better be because we’ve got you covered with the premiere of “Sufferer,” the Los Angeles duo’s single. “Sufferer” comes off the group’s previously released EP, 11:11, that was released on October 20th, 2016.
LACEI are recognized for their indietronica sound and engaging live show. Within the music video, you get a real sense and understanding of just why that is. The visually striking music video has a simple concept, yet in execution it is quite profound. In expanding “Sufferer” the duo showed their range in creativity, while paying homage to a style of video that they knew as youngsters. It has that old-school edge to it that many act’s don’t dare try to replicate in their own way. Check it out below, along with a short quote from the band talking about the video.
“We and director Andrew Choi, created a visual that showcases the live energy of the band as well as conveys the storyline through interpretive dance.”
Comprised of BBC Radio 1Xtra & Rinse FM host Marco Del Horno & Dirtee Stank Recordings regular DJ Swerve, UK duo RiddimCommission have begun firmly entrenching themselves as two of the most sought-after tastemakers toiling under the proper House umbrella. From genre-bending original singles which showcase Riddim Commision’s infectious blend of house, garage, & grime to official remixes for the likes of Drake & Iggy Azalea, Riddim Commission have dotted their name across a number of aural aesthetics; proving their production prowess reaches far beyond that of the underground. The latest from the active pair is a brand new bootleg of J.Cole‘s “G.O.M.D”, and we’re ecstatic to be rinsing it first here on TMN.
On Riddim Commision’s jacking revision of “G.O.M.D.”, the pair successfully alter and carefully scale back J. Cole’s lyrical samples behind an effortlessly subtle dose of swooping staccato synth work and rhythmically choppy vocal reshuffling. Their version’s dominant melody & prevalent groove sit front and center amongst a sea of permutated electronicism while maintaining the essence of J. Cole’s original. Shuffled hi-hats skip along like a couple of merry schoolgirls cutting class on a Friday afternoon, while a dose of jackin’ sub bass never quite relinquishes its icy grip throughout the tune. The quickly ascending pair manage to keep their hot streak alive with their latest offering, and suffice to say, if you’re looking to add a bit of pep to your step, we’ve got you covered with Riddim Commision’s “G.O.M.D” remix above.
Lush Records is one of the best boutique labels you can find. Their most recent release, a free download by SMiTHMUSiX called “Try” is a hit through and through. The tinge of R&B in this one is so incredible, but it’s not surprising coming from a release on a label that specializes in pushing music of that style and caliber.
“Try” isn’t solely the work of SMiTHMUSiX as Tomi contributed to its creation as well. Together they churned out a radio-friendly single that is as silky as it is smooth. It’s a bit future, a bit R&B, but all dope. The quivering synth work alongside the vocal chops can be a bit overplayed in future bass, but these two manage to really excel with what they offer up. “Try” is a juicy concoction that you’ll be enjoying on a daily basis. You have no reason not to, as this has been released as a free download.