Tag Archives: G-House

[House] MALAA – BYLINA

MALAA
BYLINA

“Oh shit,” were the first words that came to mind when MALAA’s “BYLINA” was dropped in my inbox. Coming off his upcoming ‘Illegal Mixtape’ Bylina is a Russian term that roughly translates to an epic narrative often kept alive through oral tradition and the track perfectly embeds a vocal narrative and MALAA’s signature G-house sound.

This latest impression keeps a classic element and cascades into, no better way to describe it, a very dark and dirty drop. Elements of cinematic and funk are woven into this house melody giving MALAA fans another poignant taste of the talent that resides on the Confessions label. The vocals work into an agreeable narrative calling House Music “a healer, and something that picks you up when you’re feeling down.” We’re thinking this track is going to make it to the forefront of festival season and if you find MALAA on a lineup make sure to catch him because this track has us moving in our chairs so we can only imagine what it’ll do to us live. Purchase the track and get it on all your favorite streaming sites here.

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[G House] Destructo, Ty Dolla $ign, iLoveMakonnen – 4 Real

Destructo
4 Real (Featuring Ty Dolla $ign & iLoveMakonnen)

Destructo just keeps taking the scene by storm. Seriously, this dude throws some of the sickest parties with anything HARD touches, and rosters that are always super on point. His lineups always do a great job of meshing a number of different genres, and that’s exactly what he’s done in his latest track release, “4 Real.”

When the song first started we weren’t sure what to expect—it didn’t show any signs of being an electronic track per se, but it’s 2016 y’all. Ty Dolla $ign blesses us with his dreamy vocals and iLoveMakonnen provides the hype, and a few seconds later Destructo starts to tease us with his melodic tones, which lets us know that this will most definitely be an electronic track. This all builds into what might be one of the more unexpected drops we’ve heard in a while—a tech house wonderland filled with a sped up take on the quintessential hip hop sample (aka G House 2.0). The end product is an impressive and well-done fusion of two entirely different genres, something that we’ve seen Destructo do before and hope he continues to do as long as he’s making music.

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[TMN Premiere] 50 Cent – Magic Stick (LifeAlert Remix)

Lil Kim & 50 Cent
Magic Stick (LifeAlert Remix)

There’s been a recent movement in electronic music towards organic, tribal percussion across sub-genres whether it be in the glittering, melodious tunes of ODESZA or Big Wild; or the bass-powered G-House of Kill Frenzy or Shiba San. Anonymous production duo, LifeAlert, who appeared in our inbox with a new remix a couple days ago, seem to have emerged at just the right time.

Utilizing vocals from 50 Cent and Lil Kim’s “Magic Stick,” LifeAlert inject a hypnotizing tribal backdrop that makes it pretty much impossible not to nod your head. It’s instrumentally minimalistic, yet simultaneously musically intricate, largely due to the crisp and dynamic percussive composition. With occasional chops of the vocals and injections of bass, LifeAlert transform “Magic Stick” into a hybrid that combines hip-hop influenced electronic music with primal percussion.

The subtleties of this one would pulsate through a dance floor and are a great way for these two animated characters to introduce their sound. Get a nice mid-week energy-booster above.

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[G House] Disciples – They Don’t Know (Sirus Hood Remix)

Disciples
They Don't Know (Sirus Hood Remix)

Coming off of Pete Tong’s esteemed FFRR label, Disciples have thrived in the UK underground scene with their unique style of dark deep house with a touch of pop sensibilities. Their single, “They Don’t Know,” is highlighted by its big bass lines and infectiously catchy hi-hats that incite listeners to dig into a deep groove.

As a part of the remix pack, this London-based trio have landed the likes of Justin Jay, Alexis Raphael, and mysterious French producer, Sirus Hood, to deliver their own renditions the track.

Dropping a few days ago, “They Don’t Know” came out with a fresh new look and feel via Sirus Hood. This new rendition boasts cleverly chopped up vocals and a big, bass-heavy drum patterns, all of which come together flawlessly. Elements of deep house and the 80s hip-hop movement deliver the end result, which is something reminiscent of g-house flag bearers Amine Edge & Dance.

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[G-House] Malik Mustache & Bashh – Slow Boom

Malik Mustache & Bashh
Slow Boom (Original Mix)[Xmas Gift] [FREE DOWNLOAD]

So rarely do we get the chance to feature tracks from some of our favorite underground dance labels, simply as many imprints who conduct a majority of their business via exclusive Beatport distribution deals only put out about a 2-3 minute preview clip through Soundcloud as opposed to a complete stream; thus necessitating a need for DJ’s or hardcore fans to purchase music through said online retailers. So basically, (after the brief independent music survey) every time a smaller collective with whom we’ve had our eyes on (or ears in this case) releases a free tune, it comes across as this writer’s duty as TMN’s resident voice of niche house genres to share with our inquisitive readership. Today’s foray into the more future echoes of house comes from the Brazilian artist duo of Lekko Antoine & Marcio Neto, or Malik Mustache as they’re more readily recognized in the confines of dance music. Emanating from the unexpected underground hotbed of São Paulo along with the likes of Vintage Culture and more rising artists, Malik Mustache’s latest collaboration with Bashh features an utterly tasteful bouncy analog bassline from which much of G-House builds its vivacious foundations on, as well as a pitched down cypher which waltzes in on top of an acicular synth progression. As the late Mac Dre would say, this one’s had us “feelin ourselves” all afternoon. Snag a free digital download here, which is part of an entirely free LP, Xmas Gift, from G-Mafia Records and stream “Slow Boom” above.

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[Deep/G-House] The Game – Let’s Ride (SNBRN Remix)

The Game
Let's Ride (SNBRN Remix)

When one reads through the bevy of garble that is much of dance music blogging; a lot of the same words and expressions seem to get thrown around from writers who simply may not have the firm grasp of music theory that was once required or expected of music writers. Terms like “banger”, “sick bassline”, “good vibes” and more have sadly become an accepted reality of track descriptions throughout much of the dance music blogosphere. So it comes with wholehearted excitement that this writer will for the first time have nothing to describe this one other than to say that without a doubt, SNBRN‘s remix of The Game’s staple “Let’s Ride” is an absolute G-House monster. On the heels of remixing Indiana’s “Heart On Fire” and in the same vein as his “21 Questions” remix, the So-Cal groove layer returns to TMN with perhaps his largest sounding remix to date. Filled with punchy kicks, clean snares and a good ol’ fashioned chunky analog bassline; SNBRN perfectly encapsulates all of the The Game’s fierce gangster swag while simultaneously pulling it into a completely new sector of the club. When queried about the tune, he relayed “So I wanted to follow up my 21 Questions remix with another hip hop throwback. I found Doctor’s Advocate in the back of my car and knew I had to remix something from the album. Let’s Ride just stood out to me and so it began. I wanted to take the best parts of the original track while infusing a fresh g-house club style facelift.” Well, we certainly think SNBRN’s hit the mark again, and can’t wait to hear this one on a huge stack of club monitors for what will most likely be for at least the next year. Download a free digital copy here, and stream this one above.

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[Interview/Deep-House] TMN Gets Burnt With SNBRN + 50 Cent – 21 Questions (SNBRN Remix)

50 Cent
21 Questions (SNBRN Remix)

It’s safe to say that we’ve fallen absolutely head over heels for S0-Cal sunny house maestro SNBRN over the last few months. After two TMN premieres: a remix of Morgan Page’s anthem “In The Air” and a collaborative take with KLATCH on Ace of Base’s “All That She Wants”; both of which caught on like viral wildfire, we thought it was the perfect time to sit down with the blossoming producer and ask him a few questions on behalf of Ninja Land while simultaneously dropping SNBRN’s latest remix of 50 Cent’s “21 Questions”. About the new tune, SNBRN said: “I came across 21 questions a few weeks ago and I thought to myself, I have to remix this track. I wanted to create a fusion of nu disco meets hip hop while still keeping the flow of the vocals. The result was a bouncy, funky remix. Hope you guys enjoy this summer revival and remember to stay burnt.” It’s another refreshing take on a tune we didn’t think would work in the underground, but once again SNBRN revealed his knack for flipping tunes beautifully into dance territory. Check out the SNBRN remix of “21 Questions” above, grab the free download here, and read the full transcript of our interview below.

There always seems to be a wave of eclectic dance music emanating from the L.A. area. Does the surrounding music scene provide a bit of inspiration for you or do you try to shut in and work on your own sound without too much outside influence?

The surrounding scene does have a big roll in the music I produce. LA has become a hub for underground dance music, so I’m constantly being introduced to new tunes. I tend to not jump on the trend bag wagon and make music that I personally want to listen to. I wanted to create a hybrid sound of multiple genres and decades construed into a feeling that a lot of people can relate to.

So far you’ve remixed a couple tunes which premiered on The Music Ninja which were both on fairly opposite ends of the spectrum. First you reworked Morgan Page’s big-room anthem “In The Air” into an incredibly groovy indie-deep cut and then put a deeper, almost gargey lean on Ace of Base’s 90’s pop smash “All She Wants”. Now you’re taking another classic, this time of the hip-hop persuasion with 50 Cent’s “21 Questions” into “burnt” territory. How do you decide which tracks to remix for the most part?

The most important thing to me is originality, remixing tracks that haven’t been touched or that would take people by surprise. I usually start by listening to a bunch of tracks and artists I have written down over a few weeks and see if the track already has 1000 remixes. I then look for an acapella online and typically start by writing an entirely new chord progression to the vocals. I don’t like to use lots of pieces from the original, but more creating a whole new song from the vocal.

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