Tag Archives: Odesza

[Electronic] Emancipator – Eve II (Odesza Remix)

Emancipator
Eve II (ODESZA Remix)

Those of you who have been fans of Odesza from the start might remember that they toured with fellow Pacific Northwest-native Emancipator three years ago or so. Since that time, both acts have continued to expand on their sounds having broad influences on electronic music in their own ways. Although their styles are distinctly separate, there’s an organic nature to their approaches that are very much in line–in other words, if you dig Odesza you’d also like Emancipator and visa versa.

A week from today, Emancipator will be putting out the remix EP from his stellar 2013 album, Dusk to Dawn–if you haven’t checked out the original yet we’d highly recommend it. Today, Odesza unleashed their contribution to that taking on the glimmering, chilled-out “Eve II.” It’s really the perfect canvas for the talented duo as they utilize its shininess to build out a steady house groove all the while maintaining their always-phenomenal percussive aesthetic.

Give it a listen above and look out for the Dusk to Dawn remixes, due out on July 10th, on Emancipator’s Bandcamp page. In the meantime, you can grab a free download of this gem here.

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[Beautiful] Odesza – Memories That You Call (Blackbird Blackbird Remix)

ODESZA
Memories That You Call (BLACKBIRD BLACKBIRD Remix)

It wouldn’t be entirely accurate to say that any track on Odesza‘s In Return has been overlooked considering it was one of the most popular electronic albums of 2014. That being said, I’ve always felt “Memories That You Call,” especially after hearing it live, was the most powerful cut slipping through the cracks amongst radio hits like “Say My Name” and “Sun Models.” As a result, few producers, besides Henry Krinkle, have elected to remix it rather choosing to focus on the tracks offered up for Odesza’s official remix competitions.

Just a few minutes ago, though, San Francisco producer Blackbird Blackbird dropped an absolutely gorgeous, dynamic take on “Memories That You Call.” His re-imagination opens with the original’s ethereal vocal samples accompanied by glistening sonic elements before building up in a similar fashion as Odesza’s composition but dropping into a tropical groove. Rather than constrain the style to that genre, though, Blackbird brings back the original’s enormous chorus around the 2:49 mark re-layering and re-pitching vocals along the way. That transition drowns back into a beautiful house culmination of the song’s broad-ranged moving parts.

Blackbird’s rendition of “Memories That You Call” proves the perfect example of retaining the best of a song while adding a completely new flavor and cadence. Take a break from your mid-week stresses and soak in the radiance of this fantastic remix. You can grab a free download here.

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[Future/Soul] Golden Vessel – Borrowed Time Feat. Tiana Khasi

Golden Vessel
Borrowed Time Feat. Tiana Khasi

Earlier this week we were once again graced with a surprising new artist from down under. Australia’s own Golden Vessel teamed up with fellow Brisbane resident Tiana Khasi to create the emotional new track, “Borrowed Time”. Golden Vessel, at age 17, has shown promise beyond his years as a producer with remix productions of popular songs by Odesza and Panama.

As a downtempo/future/R&B production, Golden Vessel’s newest track perfectly blends previous works with the enchanting sounds of Tiana Khasi. In fact,the soulful vocals on this production vaguely recall another artist who saw a meteoric rise to success recently, Sinead Harnett. With such a powerful song being released by these two young up and comers, it won’t be long before we’ll be seeing their names everywhere.

Check out other works by Tiana Khasi here, or catch some feelings and download Borrowed Time here.

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[House] Claire – Games (Henry Krinkle Remix)

Claire
Games (Henry Krinkle Remix)

Have you ever played on Daisy Slots online and happened to hear some great music? It was probably Henry Krinkle’s Game. Henry Krinkle is well known for his beautifully constructed remixes, which seamlessly blend genres together and often out-do the original pieces themselves. Although the talented Estonian began producing under the Taxi Driver alias in 2012, the pinnacle of his notoriety came following the release of an original production, “Stay”, in 2014 – which currently has over 48 million plays. Coupled with remixes of Odesza and Cyril Hahn, Henry Krinkle has certainly proved to have staying power in the industry.

His latest release, a remix of Claire’s “Games,” is an old production from 2012 just now seeing the light of day. Games showcases the familiar and effective style of his previous hits, weaving a catchy, progressive, polysynth beat around the beautifully sung central lyric, “It’s alright as long as I can stay”. Krinkle’s uses of electronic percussions, alluringly repetitive vocals, and polyphonic structure in his songs are easily recognizable and certainly hold up against the most technical of scrutiny. The dynamic section from 3:10-4:50 is especially impressive.

Hopefully, we’ll get a chance to catch Krinkle on tour soon but, in the meantime, we hope that more productions will be released soon. If you love “Games” as much as we do, download it above, and check out his bandcamp here.

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[Festival Review] Life on the Incline: Sasquatch!, the Gorge and the Hill’s Eternal Serenity

17496069434_2c6a933028_oThere’s nothing quite like the sensation of sitting sideways atop the slope of the Gorge Amphitheater’s hill at Sasquatch! Music Festival overlooking the Columbia River Gorge. Add entrancing music to a background that no picture or piece of art could ever do justice; and, at that intersection, you’ll find the happy place Squatchers look forward to all year. The so-far-past picturesque backdrop sets the tone for the festival but, with arguably one of its best lineups yet, was a far cry from Sasquatch’s only attraction this year. Rather, the main stage’s slope served as the much-needed anchor after a dance party at the Chupacabra tent or Big Foot stage—a place to lie, head up or down, and absorb the collective consciousness of thousands of equally inspired concertgoers.

Music festivals have become such chaotic events and Sasquatch! is, certainly not an exception, but it’s that same comfort felt on the hill that permeates throughout the entire campground. No matter what you’re going through or how you’re feeling, the hill will take your emotional state to serenity, where it belongs.

18009447496_4d9cd9882f_oWords, photos and songs really can’t do justice to just how incredible the Squatch is but we’ve done our best to recap, from our perspective, the musical highlights from the 4 days. For those of you who were there, we hope this brings you back even if just a little bit and for those who weren’t, well, you’re going to want to be there next year after peeping our recap.

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[Electronic] Big Wild – Aftergold

Big Wild
Aftergold

Last month, production duo Odesza, a seemingly omnipresent force in electronic music, announced the launch of the Foreign Family Collective, an outlet they’ll be using to highlight their favorite up ‘n coming musicians and visual artists. After a strong first release, the second single from the series came yesterday with an absolute gem from Big WildThe LA-based producer, who supported Odesza on a few stops of their US Tour, has been bubbling on Soundcloud for over a year now with an approach to electronic music that combines live instrumentation with a similar emphasis on hip-hop and tribal inspired percussion as Odesza.

“Aftergold” may be Big Wild’s best work yet continuing the maturation of his sound with a playful backing beat that erupts into an addicting, enormous chorus layered with a powerful vocal sample. The track comes together as an anthemic composition and is sure to make you a fan if you aren’t yet familiar with Big Wild. Give it a listen and grab a free download above.

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Coachella 2015 – Must See Acts [TMN EDITORS’ PICKS]

TMNCoachThe spectacle and legend of Coachella Valley Arts & Music Festival seems to grow every year and, although it’s certainly reached a critical mass at this point, it proves time and time again to be worth the trip. After breaking box office records for consecutive years, Coachella continues blazing ahead in 2015 with a deep, diverse lineup and some of their most ambitious projects to date including their largest investment in art installations ever. With the first weekend kicking off this Friday, the set times for Coachella were finally let loose yesterday bringing up the regular scheduling conflicts and tough decisions. To make things easier for you all, we’ve decided to lay out our top acts to see every day chronologically. We hope this serves as a useful guide as you prepare for the whirlwind of emotion that is Coachella. Best advice we can give you all: keep good company, don’t sweat (figuratively, of course, perspiration is imminent) and most importantly be safe. Hope to run in to some of you ninjas there!

P.S. We didn’t forget the Do Lab! You can find our Do Lab picks on the final page.

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