Tag Archives: Spazzkid

7 Acts We Loved At Noise Pop Festival 2015–SF, 2/20-3/1 [Festival Review + Playlist]

Flight Facilities-16Now in its 23rd year, Noise Pop Festival has become an absolute staple of the Bay Area for fans of independent music, film and art. With multiple shows every night at some of the best venues SF and Oakland have to offer, Noise Pop presented the best kind of difficult decisions on a daily basis. The Noise Pop HQ, at the newly renovated Swedish American Hall, was a fantastic destination as well hosting intimate shows, happy hours and even a live podcast recording with Toro y Moi where he premiered “Half Dome,” the eighth track from his upcoming album. Although there were plenty of activities outside of the concerts, being the ninjas we are, we’re going to focus on our favorite performances from the week. Browse through some pictures and songs in our chronologically ordered list below.

1. Flight Facilities, 2.24 @ The Regency Ballroom

Why we loved it: Australian DJ duo Flight Facilities, of the esteemed Future Classic, took stage at The Regency in full aviation gear for an energetic set. What really took their performance to the next level was live vocal assistance from talented Owl Eyes and Surahn Sidhu, member of Empire of the Sun, who covered female and male parts of Flight Facilities’ countless hits. [Photos by: Justin Yee]

’Flight Facilities – Two Bodies feat. Emma Louise (Extended Version)’

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[Electronica] Spazzkid – Something About Us (Daft Punk cover)

spazzkid
Something About Us (Daft Punk Cover)

Attempting to cover a Daft Punk classic is always risky and ballsy, but here we have Spazzkid‘s cover of “Something About Us” and he definitely killed it, keep it original and unique. The LA producer slows it down with this one, mixing tropical synths with electronic beats, and incorporating them nicely with the original vocal samples, building this awesome cover from scratch. It’s truly amazing how this cover differs from the Daft Punk classic in terms of distinctiveness and musical style. The breakdown towards the end comes in with a bang, sealing the deal with that melodic solo.

The key to a cover is to be creative and different but at the same time maintain credibility to the original, and Spazzkid manages to do just that. If you’re into instrumental electronica, go check out Spazzkid’s other stuff. They’re one of a kind and will leave you in awe.

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