PHANTOGRAM
Black Out Days
Experimental-pop duo Phantogram have continued their incredible run of the last few years with the February release of their second album, Voices—a project incepted in the midst of a seemingly never-ending string of quality sold-out shows and festival appearances. Band members Josh Carter and Sarah Barthel have a knack for melding deeply emotional undertones with euphoric melodies and hip-hop inspired rhythms resulting in a larger-than-life sound. Nowhere is this style more pronounced and evolved than on Voices, their major label debut, which serves as an organic progression that takes their music to a new level of intensity.
I was lucky enough to sit down with Josh and Sarah shortly before their performance at this year’s Sasquatch! Music Festival to learn about their journey thus far. Phantogram’s show at the Gorge’s Bigfoot Stage truly embodied their collaborative artistic growth with a perfectly synced, powerful and mesmerizing experience. Check out the conversation below and make sure to catch Phantogram on one of their upcoming tour dates–it’s definitely not a show you will want to miss.
TMN: I know that you two have known each other since middle school, growing up together in New York. Were you guys already involved in playing music at all back then? Was there any indication that you might be in a band when you were older, or was that not at all in your minds yet?
Josh: When I was a teenager, I was just really into skateboarding a lot. I was skate or die. Music was always a huge part of my life, and when I think back at growing up, I didn’t make music or anything, but I was always kind of writing songs in my head and thinking up beats. When I wasn’t skating around with headphones on, I was always kind of making beats in my head. So I should’ve known better that maybe I would start doing it, but music came into my life later. When I was in my late teens/early twenties was when I got really into it. I learned how to play guitar, drums and piano.
Sarah: For me, it was the same kind of idea. When I was a kid, I would always sing along to songs, but I didn’t think that I was going to sing. And not even close to being in a band and writing, producing and creating music until Josh and I met up together.
TMN: Does having that friendship for such a long time play a large role in your dynamic as musicians?
Josh: Yeah, I mean, we are like brother and sister. And kind of like psychic twins artistically and emotionally too, which has a huge role in how we make music because we’re very connected and in-tune with each other’s emotions and experiences in life. Without that, I don’t think we’d make music that is so personal and emotional. I really do think that our music has a certain emotion behind it that would be lacking if we weren’t so connected.
TMN: Talk a bit about the formation of the band because I know you both were working on some music of your own at the time you joined forces, and had a band under a different name at first. How did Phantogram come to fruition?
Josh: I was playing in a band with my brother in New York and then I decided I just wanted to work on my solo career, which was basically working on my own stuff at home. Sarah and I started hanging out a lot when I moved from NYC to upstate New York, closer to where we grew up. She had finished college and came back to our home area and I was playing her a lot of my demos and solo stuff. I just asked her if she wanted to sing on some of them and she did and I think we kind of looked at each other and were like, “this sounds awesome. let’s start a band.” And then we just did it. Continue reading →
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There’s nothing quite like the sensation of sitting sideways atop the slope of the Gorge Amphitheater’s hill at Sasquatch! Music Festival overlooking the Columbia River Gorge. Add entrancing music to a background that no picture or piece of art could ever do justice; and, at that intersection, you’ll find the happy place Squatchers look forward to all year. The so-far-past picturesque backdrop sets the tone for the festival but, with arguably one of its best lineups yet, was a far cry from Sasquatch’s only attraction this year. Rather, the main stage’s slope served as the much-needed anchor after a dance party at the Chupacabra tent or Big Foot stage—a place to lie, head up or down, and absorb the collective consciousness of thousands of equally inspired concertgoers.
Words, photos and songs really can’t do justice to just how incredible the Squatch is but we’ve done our best to recap, from our perspective, the musical highlights from the 4 days. For those of you who were there, we hope this brings you back even if just a little bit and for those who weren’t, well, you’re going to want to be there next year after peeping our recap.
