Tag Archives: Wu-Tang Clan

[Deep House] ANGELZ – Dolla Bill (feat. Wu-Tang Clan)

ANGELZ
Dolla Bill (feat. Wu-Tang Clan)

ANGELZ is one of those producers that needs to be a household name. His G House edits are pure gold every time, and his newest work is just golden, or should I rather say green. “Dolla Bill” is the meshing of ANGELZ and the legendary Wu-Tang Clan. By utilizing pieces of “C.R.E.A.M.” he created an extremely club friendly, and already recognizable production that is a tasteful revitalization of older work. His deep endeavor gets the groove going, and the bassline partnered with the original song’s melody makes for a magical use of counterpoint. ANGELZ will have hip-hop and house heads drooling over this one. If you are one of those people, then you can download “Dolla Bill” for free.

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[TMN EXCLUSIVE] Little People Interview

little people
For Rosie DJ mix

There’s just something about listening to an artist over and over again. Song after song. Sound after sound. You seem to gain a confidence that you know exactly what a live performance would be like. Then that moment arrives, when you open up the paper and see them at a venue in your home town. You go to the show and it’s not what you expected. It’s better than what you expected, and in so many ways.

This was the story for this writer when Little People came to Denver. Laurent Clerc aka Little People has one of those sounds that’s incredibly infectious. His downtempo hip hop infused beats carry gracefully over carefully orchestrated woodwind instruments creating a sound that is overwhelmingly atmospheric and experiential.

We had a chance to sit down with the ever so humble Laurent Clerc outside of Larimer Lounge and talked about music over an American Spirit.

TMN: Let’s start of by talking about how the tour is going so far.

LP: Yes, it’s going really well so far. I have been very lucky to jump on board with Emancipator for his west coast dates and he pulls in very big crowds, so I have got the chance to play in amazing spots and locations. We played san Francisco – 800 people, L.A. 1000 people. It’s going really well. Now I am at the end of my Colorado run, played a couple of dates in the mountains. Denver is going to be pretty well tonight, I am looking forward to that. I have played her before, it was my second gig in the us. I opened for Polish Ambassador so it’s nice to be back as the headliner.

TMN: How do US crowds compare to European crowds for you?

LP: My point of view is slightly skewed because bizarrely I’m actually a lot bigger in the US than in the UK (or Europe generally). I actually don’t play that much back in Europe. Crowds in the US are crazy, you get a really good response and with the last few years electronic music blowing up, it’s amazing to hit some random towns that know what I do.

TMN: Have you have a favorite city to date? Any favorite shows in specific?

LP: Playing Sasquatch was pretty amazing! That was crazy.

TMN: We are obviously huge fans of your work, but we just gotta drive this home. You tend to create musical scenarios that are drenched with emotion. What inspires you to produce a track, is it emotional base, is it technical?

LP: It is more technical, bizarrely enough. I started making music in the computer. I had my dad’s computer and I worked out sampling and he had one of those recorder programs that came free and I would do loops and stuff like that. I always had the technical kind of background. I also do IT on the side too so I am fairly technical. I like what I do and I am always trying to find new sounds to generate new sounds and I use something technical and something odd to create something, and then from there I hone it and make it a full track. It is really a technical part that comes first but I guess you can say my music “emotional charged” but I do like that kind of stuff. It definitely ties in later on in the process.

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The Hip-Hop Dojo [Vol. 1]

It’s been a long time in the making, but it’s finally here! Ladies and Gentleninjas, I now present to you: The Hip-Hop Dojo: Volume 1. You may find yourself asking what exactly to expect upon entering the Dojo.Well, that’s a very good question. The Hip-Hop Dojo allows us to share with you all the great hip-hop music that’s dropped over the last week that either a) we didn’t have time to get to OR b) we may have mistakenly missed. We then present all those tracks in one neat little playlist, with a short sentence or two describing each song. Take a listen below, and make sure to download all the FREE tracks here.

Serving as the intro to our playlist, we have Skizzy Mars‘ “15,” a cascading and uplifting song that’ll be the project starter on his upcoming mixtape, Phases. We then continue the trend with three more inspirational tracks. The first of those is “All I’ve Ever Dreamed Of” by HS87, which takes the namesake of their recent mixtape release. “All I’ve Ever Dreamed Of” is a song with almost two sides. Just as you begin to get a feel for Robin Thicke‘s triumphant chorus, the song slaps you in the face with some banging drums. What else would you expect from a Hit-Boy produced track? Next up on the list is a new single from up-and-coming Philly-duo OCD: Moosh & Twist from their Back to the Basement mixtape. Through the song, the two take turns rapping and singing about their ascent towards worldwide notoriety. If you’re looking for something particularly cheery to brighten up your day, I suggest checking out the music video for this one as well.  Finally, rounding out our trio, we have an extremely playful and fun track by DMV-bred Roy Murci called, “Magic Johnson” that definitely has a Wale-esque vibe to it. The next track in the lineup we have is essentially a remix of a remix, as STS tackles Adventure Club‘s remix of Flight Facilities‘ “Crave You” to profess his absolute love for gold. Following things up, we have another new track with a famous sample as Big K.R.I.T. flips James Blake‘s “The Wilhelm Scream” to reflect on his state of mind as he prepares for his upcoming mixtape, King Remembered In Time.

Moving on, what Dojo would be complete without an appearance from a member of the Wu-Tang ClanRaekwon reminds us of the good ol’ 90’s with his newest effort, spitting some elegant bars over a soulful backdrop. Keystone-native, Tayyib Ali also revives that old school aesthetic, proving that he does anything but follow “The Script.” Next up, we have duo Kidz In The Hall, who bring us a dazzling, head-bopping single in “No Doz.” We then shift over to the West Coast to the savvy pairing of TiRon & Ayomari who forget their filters when discussing their ideas of love and women. Crossing back across the country to New York, we we find Torae and Skyzoo who to want to remind us of the message Wu-Tang made famous 20 years ago, letting us know that “Cash Still Rules” everything.

As we continue forward, we come across a couple of bangers to turn up with your headphones plugged in. TermanologyEa$y Money, and Nitty Scott MC all flex their mic skills for the hell of it over a reverberant, guitar-laden beat on “Bars For Days”. Our next two tracks feature a common subject: every rapper’s favorite herb. While King Chip takes us to a place known as Clevelafornia to tell us where he prefers to smoke his, the boisterous Sahtyre creates a complete dedication to his favorite vegetable over an insanely wild, high octane beat. Chitown natives Joey Purp and Kami De Chukwu may still be young, but they provide us with some brief insight to all the fun to be had at an “Illuminati Slumber Party.” Staying within the confines of the illest city in the Midwest, Cracko Kain & Vic Spencer speculate upon the state of Chicago operating under martial law. Boldy James’ “Goose Egg,” is a haunting yet infectious number, that’ll have you pressing play again the second it ends.

The final three tracks are meant for more mellow occasions, when you’re looking to just kick back and unwind to some relaxing tunes. We start that process off with SMKA‘s “Good Life.” Laced with a euphoric beat from Kato, ATLiens Playboy TreSpree Wilson and Marian Mereba all discuss the struggles endured during the quest for the good life. Coming from young Japanase duo BenZel, “Semi Detached” is a raw, emotional track with stellar, ethereal production that reaches you right to the core. Chance the Rapper blesses the track with a casual, yet introspective guest verse, while British crooner Cass Lowe tugs at our heartstrings with his delicate, whispering vocals. Last but not least, we have the multi-talented MeLo-X, coming to us with “Handle It” which will be featured on his upcoming GOD: LoFi project. With this latest effort, MeLo is able to show off his skills as both a producer and rapper, as he takes M-Phazes‘ remix of Gotye‘s “Somebody I Used To Know” and transforms it into a seductive, soothing bedroom anthem.

We really hope you enjoyed the first edition of The Hip-Hop Dojo. If you have any submissions or suggestions for the next edition, feel free to send them to baseer@themusicninja.com.

’Skizzy Mars – 15 (Intro)’
’HS87 – All I’ve Ever Dreamed Of (feat. HitBoy, Audio Push, K. Roosevelt & Robin Thicke)’
’OCD: Moosh & Twist – Top Of The World’
’Roy Murci – Magic Johnson (feat. Danie Lyon)’
’STS – Dripping In Gold’
’Big K.R.I.T. – R.E.M.’
’Raekwon – Whatever Baby (Feat. JD Era)’
’Tayyib Ali – The Script’
’Kidz In The Hall – No Doz’
’TiRon & Ayomari – No Filter’
’Torae – Cash Still Rules (Feat. Skyzoo)’
’Termanology f. Nitty Scott MC & Ea$y Money – Bars For Days’
’King Chip – Under Palm Trees’
’ Sahtyre – Broccoli’
’Joey Purp & Kami de Chukwu
Illuminati Slumber Party’
’Cracko Kain – Martial Law ft. Vic Spencer’
’Boldy James
Goose Egg’
’SMKA – Good Life (Feat. Playboy Tre, Marian Mereba & Spree Wilson) (Prod. Kato of SMKA)’
’BenZel
Semi Detached (Feat. Cass Lowe & Chance The Rapper)’
’MeLo_X – Handle It’
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[Hip-Hop] Wu-Tang Clan – Six Directions of Boxing

As we’ve noted in some of our previous posts, The Man With The Iron Fists is not only on pace to be the best original soundtrack of the year, but the argument can also be made that it’s in contention to be one of the top albums of the year as well. On the latest leak from the project, RZA manages to reassemble the full Wu-Tang Clan minus only a few members. It’s almost like the 90’s never left on this low-key, funky trip with U-God, Ghostface Killah, GZA, Masta Killa, Cappadonna, and Inspectah Deck all stepping into the ring to sock you in the face from multiple directions with their fiery fists of fury (hence the name of the song). I wouldn’t call it a comeback for the Wu just yet, but it’s definitely a start. Hopefully this leads to even more collaborations in the future, and maybe even a 20 year reunion project once 2013 rolls around.  The idea’s not that farfetched is it?

’Wu
Tang Clan – Six Directions Of Boxing’
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