Latest House Posts

[Deep House] bluuwav x Ben Provencial – Away

bluuwav’s “Away” captivates with its shimmering synths, tight hi-hats, and a deep bassline. The track opens with a delicate melody that sets a reflective mood, gradually building layers of sound that create an immersive experience. As the song progresses, the dynamics shift; the beat drops out briefly to highlight an ethereal vocal line, delivered by LA-based Ben Provencial, before swelling back with renewed energy — a familiar, yet wonderfully unique, poppy, deep house experience.

The production is polished and tight, showcasing Syndey-based bluuwav’s ability to weave a dreamy, deep soundscape seamlessly. Subtle textures fade in and out, adding depth without overwhelming the listener or detracting from the memorable vocals. Moments of silence punctuate the arrangement, allowing each sonic element to breathe. The use of space here enhances the overall atmosphere, drawing attention to both the intricate details and the driving rhythm.

The subtle textures woven into ‘Away’ create an immersive atmosphere that lingers long after it ends.

Lyrically, “Away” explores themes of longing and escape. The vocal delivery is emotive yet restrained, resonating with listeners through the minimalistic verses. There’s an introspective quality to the lyrics that aligns well with the ambient backdrop, reminiscent of artists like Butterjack or even early Kygo tracks where emotion meets electronic craftsmanship.

As the song draws to a close, it leaves listeners with a lingering sense of nostalgia mixed with hopefulness. The final moments fade gently into silence, inviting reflection long after the track has ended.

Listen to Away by bluuwav x Ben Provencial

[House] SHADEZ – Beggin’ (Radio Edit)

Posted by Marcus Daly - November 11, 2025

“Beggin” stands as the center point of SHADEZ’s new EP ‘Let It Go.’ The track builds from rolling percussion and a steady bassline, led by a smooth vocal that ties emotion to rhythm.

“When coming up with the idea for ‘Beggin,’ I wanted to focus on an emotional ride that pulled in the listeners,” SHADEZ says. “Everyone can resonate with being in some sort of a relationship struggle. So I came up with this idea that changed the motive — making you want to dance when going through a bump in the road.”

The single follows “Es Para Ti,” which first showed SHADEZ’s mix of Latin and tech house sounds. Where that track leaned on melody, “Beggin” focuses on tone and movement, using darker textures and clean percussion built for late-night sets. It shows another side of his production — straightforward, balanced, and clear in direction.

Outside the studio, SHADEZ continues to grow his community through Eclipse Sessions, a weekly event in San Diego that reflects his approach to sound: open, cultural, and made for connection. The ‘Let It Go’ EP follows that same idea, blending heart and craft into something real.

“Beggin” marks a excellent step forward — the sound of an artist who knows where he’s heading and what it takes to get there.

House

‘Behind The Beat’ 2026 Documentary Gives Behind The Scenes Look On EDMA’s Award Show

Posted by Marcus Daly - September 26, 2025

A new chapter in electronic music history is on the horizon. Behind the Beat: Road to the EDMAs, a feature-length documentary chronicling dance music’s biggest night, has officially been announced for release in early 2026.

Directed by Tommy DeNucci (Lennox Lewis – The Untold Story, Man in Red Bandana), the film promises a rare glimpse into the energy and mystery of the Electronic Dance Music Awards. Produced by Woodhaven Media, alongside Premier USA and the EDMAs, and supported by global media partner iHeartRadio, the project goes deeper than the stage lights and red carpet moments to uncover what the EDMAs truly represent.

The documentary will feature candid interviews with superstar DJs, breakout producers, and industry insiders. Behind-the-scenes access to studio sessions, rehearsals, and the show’s build-up will highlight the unseen work that powers one of the most important nights in dance music. More than an awards show, the film sets out to capture the creative struggles, breakthroughs, and inspirations that fuel electronic music’s global rise.

The EDMAs themselves have a story worth telling. Founded in 2016 by veteran broadcaster Sean “Hollywood” Hamilton, the awards were launched during Miami Music Week as the Radio Remix Awards. Over the past decade, they have grown into the only major platform dedicated entirely to electronic music. Each year, the EDMAs recognize talent across categories such as Song of the Year, Best Collaboration, Best Vocalist, Best New Artist, and Producer of the Year. Winners take home the distinctive Deck Award, a custom-designed trophy modeled after a DJ deck—symbolizing the fusion of artistry and performance.

Set against the backdrop of Miami Beach during Ultra Music Festival and Miami Music Week, the EDMAs have become a focal point for the global dance community. Now, with Behind the Beat, their story moves to the screen. The film doesn’t just celebrate electronic music’s past and present—it raises the question of where the culture is headed next.

With Behind the Beat: Road to the EDMAs, the institution behind dance music’s defining awards night maintains its momentum, with more to come.

[Tech House] MAX LOW – Addicted EP

Posted by Marcus Daly - July 13, 2025

Max Low, a house music duo from Los Angeles consisting of Jamie and Kiraleigh, released their Addicted EP on June 20 through Uprise Music. Building on the success of their single “Groove on Display,” which has surpassed 100,000 streams, the EP offers two tracks that showcase both their energetic style and a more personal approach.

The EP begins with My Addiction, which features the duo’s own vocals for the first time. The track’s minimal production and intimate vocal delivery create a compelling and reflective atmosphere. The second track, Plastic Fantastic, offers a hypnotic groove with deep bass and smooth vocal samples, designed to maintain energy while providing a change of pace during a DJ set.

Max Low have established themselves through releases on respected labels including Terminal Underground, IN/ROTATION, hau5trap, and Farris Wheel. In 2023, they performed at major festivals such as EDC Las Vegas, Groove Cruise Miami, and Day Trip Festival, and toured cities including Miami, Chicago, Amsterdam, and Las Vegas. They have also supported artists like Tiësto, Oliver Heldens, and Biscits.

Jamie and Kiraleigh describe Addicted as a deeper exploration of their signature sound. They highlight Plastic Fantastic as a strong dancefloor track, and My Addiction as a more raw and personal song.

With ongoing support from Spotify and growing streaming numbers on previous singles like “Operator” and “Meet Me At The Rave,” Max Low are poised for continued success with upcoming releases and performances scheduled throughout 2025.

House

[Chill] TWO LANES – Calling

Posted by Marcus Daly - May 6, 2025

Some music hits all at once. “Calling” arrives slowly. The new single from TWO LANES doesn’t rush and brings the listener along on a floating carpet ride. Released May 2, it sets the tone for their upcoming EP with analogue synths, soft percussion, and a certain melancholy that hits right in the feels.

Brothers Leo and Rafa let the track unfold naturally. Their approach leans into subtle textures—felt piano, drifting strings, and tone shifts that sneak in as the groove holds steady – a single easy to put on repeat again and again

Over 2 million monthly Spotify listeners and 500M+ streams later, their path is more dialed in than ever.

House
Wave

[House] San Pacho x Greg – Lights Off/Born Funky

Posted by Marcus Daly - April 17, 2025

San Pacho and Greg (BR) link up on Lights Off / Born Lucky, a focused two-tracker out now via Cloonee’s Terminal Underground. Both cuts are built for movement—no fluff, no filler—just groove-forward, high-functioning tech house ready for rotation.

“Lights Off” leans into a hypnotic Afro-Latin rhythm, built around a rolling low-end and just enough melodic lift to keep things moving late into the night. “Born Lucky” flips the energy with tighter drums, vocal edits, and a rubbery bassline that cuts straight through. Different directions, same end goal: club function, dialed in.

Greg (BR) has been building momentum fast—his Cloonee collab “Still My Baby” recently hit #1 on Beatport’s global chart, and his catalog stretches across respected labels like Nervous, Moodchild, and Repopulate Mars. His sound pulls from Afro and Latin house but stays grounded in the pocket, engineered for movement.

San Pacho, meanwhile, continues to solidify his lane. His blend of Latin energy and tech house structure has earned support from Tiësto, Diplo, Alesso, and MK, with a run of releases across Insomniac, Confession, and hau5trap. With nearly a million monthly Spotify listeners, he’s one of the more consistent names pushing high-function club tracks right now.

Together, they hit a clear stride with Lights Off / Born Lucky. No heavy concept, no overthinking—just two sharp tracks designed for DJs who want something that simply works.

House
Wave

[Hip-Hop] 4t9 – Freedom

Posted by Marcus Daly - April 4, 2025

North London newcomer 4t9 makes his first move with “Freedom,” a raw and focused track that puts his mindset front and center. Powered by drill-influenced production and a steady, no-frills flow, the song speaks to those who keep pushing forward no matter what.

The energy is real but never over the top—4t9 raps with clarity and control, cutting through the beat with lines that feel more lived-in than performed. “Whatever life throws at you, you can’t let that phase you,” he explains. “You’ve got to keep striving.” It’s not about being loud, it’s about being locked in.

The video, directed by ODXC, matches the tone—clean visuals, tight edits, and a sense of purpose that mirrors the track.

“Freedom” sets the tone for what feels like the start of something steady and self-assured. There’s no games here, only real intent and a foundation you can build something lasting on.

Watch the video and stream “Freedom.”

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