[Electronic] Jenn Getz & Alfie – All I Really Want

Jenn Getz & Alfie have released a new single titled “All I Really Want,” offering a steady, groove-focused track shaped by both house and garage elements. The release brings a familiar vocal reference into a modern production style the duo has been developing over the last few years.

“All I Really Want” uses a reimagined Mary J. Blige vocal as its foundation, but the emphasis stays on the rhythm and movement built around it. The production leans into a clean, low-end groove, light swing, and simple melodic touches that give the track a warm, dance-floor feel. It’s direct in structure—no unnecessary layers, just a clear pace that carries the song from start to finish.

The single also reflects how Jenn Getz & Alfie have grown since first breaking into the Dubai scene. Their sound has become more refined, focusing on groove, clarity, and consistency. Along the way, they’ve released on labels across the UK and Europe and built a steady presence through shows in London, Brooklyn, Dubai, and at various Defected events. Their recent recognition—from a “Future of Dance” nod to magazine features—has come as a result of this steady, grounded progression.

“All I Really Want” fits neatly into that trajectory. It shows the duo leaning into what they do best: simple, functional, well-paced music designed for real dance floors rather than trends.

With this release, Jenn Getz & Alfie continue expanding their catalog while preparing for more international shows and upcoming music throughout the year.

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[Electronic] Levi, Mario – 2 Little 2 Late

Mario and Levi have released their new collaboration “2 Little 2 Late,” offering a fresh take on JoJo’s early single “Too Little Too Late.” The track brings both artists into equal focus: Mario with his long-established vocal identity, and Levi with a production style shaped by his rise in the Afro-house and melodic club space.

The song keeps the recognizable emotional pull of the original while shifting its feel. Mario’s vocal sits clearly at the front, delivered with a steady tone that carries the track’s core sentiment. Levi builds a clean, rhythmic foundation around it, adding movement without crowding the arrangement. The production leaves space for the vocal to breathe, creating a balance that feels intentional on both sides.

For Mario, the track reflects an ongoing interest in working within newer electronic frameworks. For Levi, it continues a path defined by pairing vocals with his focused, upbeat production style. Their approaches meet in the middle here, creating a version that’s easy to follow and grounded in both artists’ strengths.

The release also arrives during a period of expanded visibility for Levi, whose recent work has gained significant momentum, and during a time when Mario continues adding new directions to a long-running catalog. The track acts as a practical connection point between two different careers moving forward at the same moment.

With “2 Little 2 Late,” Mario and Levi offer a clear, collaborative update to a familiar song while each continuing toward their upcoming releases and next chapters this year.


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[Experimental / Acid House] its acid – Dial Space

Electronic producer its acid unveils “Dial Space,” a bass-driven track that blends ambient atmospheres with aggressive trap energy. Created during a period of emotional turbulence, the single evolves from soft synth layers into a hard-hitting sequence of rhythmic bass textures.

The six-month production process pushed its acid into new sonic territory, marking his first release built around heavy, trap-influenced sound design. The song emphasizes his focus on drum texture and dynamic contrast, reflecting both technical growth and personal exploration.

“Dial Space” serves as the lead single from its acid’s forthcoming album The Formula, set for release mid-October 2025. The project will expand on the experimental direction established here — where emotion drives structure, and structure transforms back into feeling.

Listen to Dial Space by its acid


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[Tech House / House] SHADEZ – Es Para Ti

With “Es Para Ti,” SHADEZ introduces the next phase of his sound — a focused, rhythm-driven release that blends cultural influence with precise house production. The track arrives as the first single from his upcoming Let It Go EP, signaling a clear sense of direction for the Phoenix-based producer.

Rooted in layered percussion, tight bass grooves, and an infectious vocal hook, “Es Para Ti” connects Latin-inspired movement with the polish of modern house. The result is a record that balances underground texture and mainstage energy, showcasing how SHADEZ continues to refine his sound and expand his reach.

The release marks the start of a three-part rollout, continuing with “Beggin” on October 20 and concluding with the full Let It Go EP on October 27. Together, these drops form a cohesive narrative that highlights SHADEZ’s focus on consistency, structure, and growth over time.

Originally from Southern California, SHADEZ (Zack Rubalcava) began performing across regional club circuits before breaking into larger U.S. markets. His breakout single “Make Love” has surpassed 291,000 streams on Spotify, supported by regular live sets and a steadily growing audience. Known for merging Latin house and tech house, he’s played at leading venues such as Casablanca and The Harbor.

Now based in Phoenix, SHADEZ continues to bring his club experience into the studio, crafting music that connects across audiences and cities. “Es Para Ti” sets the foundation for what’s next — a project shaped by rhythm, discipline, and a forward-looking global vision.


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[House] Bag Raiders – Hold Me

Bag Raiders return with “Hold Me,” a house track that blends disco vibes with modern electronic production. The single features a memorable vocal hook paired with a driving beat that’s built for the dancefloor.

While it doesn’t reinvent the wheel, the track’s clean, polished sound and infectious energy make it a reliable tune for club nights and summer playlists. The smooth layering of synths and steady rhythm keep things moving without feeling overdone.

With support from big names like Dom Dolla and Duke Dumont, “Hold Me” is well-positioned to make an impact in the festival and club circuits. It’s a solid, feel-good release that fans of the genre won’t want to miss.

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[Electronic] DJ Poorman – Dancing In The Dark

DJ Poorman’s latest single, “Dancing In The Dark,” arrives as a powerful dance track that blends emotional vocals with energetic production. The song features melodic synth plucks and confident singing paired with festival-ready drops built for both club floors and solo listening.

Starting with layered melodies and a vocal story about connection away from the spotlight, “Dancing In The Dark” captures intimate, electric moments. The track builds into aggressive synths and a punchy bassline, creating an energetic mood perfect for late-night drives or dancing under the lights.

DJ Poorman has been steadily growing his presence. His catalog includes singles like “Escape to the Summer” and “Joyride,” showcasing crisp production and a blend of accessible yet underground sounds.

With this release, DJ Poorman sharpens his signature style and aims for more radio play and live shows in 2025. The single has surpassed 4,600 streams shortly after release, signaling growing fan engagement.

Looking ahead, DJ Poorman plans to keep building momentum. “Dancing In The Dark” stands as a key step forward, offering a glimpse of his evolving sound and growing influence.

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[News] Mistress Moon – Playing Games

Mistress Moon take a calm, measured approach with their latest single “Playing Games.” The duo—Joey Francis (Bad Nonno) and John Anthony DeJoria—released the track on April 18, offering up a lo-fi song that’s subtle, slow-moving, and easy to sink into. For a different kind of entertainment, you can also explore ufabetlogin.info for easy access to online gaming and betting.

Split between Los Angeles and Austin, the pair base their project around a fictional muse they call Mistress Moon—an idea that blends emotion, atmosphere, and femininity. That concept comes through clearly in “Playing Games,” a track shaped by soft synths, light percussion, and a vocal loop that feels more like a memory than a hook.

The track isn’t built for dramatic moments. It just moves gently, giving space for each sound to sit. Everything’s intentional: the pacing, the restraint, the mood. It’s the kind of song that doesn’t push—it pulls you in.

Mistress Moon tend to keep things visual and conceptual, but “Playing Games” doesn’t need a big story to land. It’s quiet, thoughtful, and made to be felt over time. Just press play and let it sit with you.

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