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[Pop] RIVER – Lost in the ocean

RIVER’s “Lost in the ocean” opens with ghostly synths and cinematic textures that immediately draw the listener into a haunting, introspective world. The track’s steady rhythm underpins her emotive delivery, while layered melodic elements and subtle electronic flourishes create a dreamlike, immersive atmosphere.

The arrangement builds gradually, moving from a soft, reflective introduction into more textured and dynamic passages. Around the chorus, RIVER’s vocals swell with raw vulnerability, conveying feelings of self-sabotage, detachment, and the hollow pursuit of something more. Strategic drops in instrumentation allow her voice to take center stage, heightening the emotional impact of lines like “It’s basically about destructiveness, and the hollow feeling of always wanting more.”

Production-wise, the track balances minimalism and cinematic scope. Each element is carefully placed, creating space for reflection while maintaining an undercurrent of tension. The seamless interplay between airy synths, subtle percussion, and ethereal textures gives the track a submerged, almost aquatic quality, mirroring the song’s lyrical themes of introspection and personal reckoning.

Based in Stockholm and raised in Gothenburg, RIVER has steadily gained recognition for her boundary-pushing approach to alt-pop. “Lost in the Ocean” continues her exploration of grief, identity, and the complexity of being human, supported by collaborators August Vinberg, Johannes Henriksson, and Rickard Andersson. With its striking visuals, including a music video conceptualized and directed by RIVER, the song demonstrates her talent for merging music, art, and storytelling into a singular, immersive experience.

“Lost in the Ocean” is a deeply personal, emotionally resonant track that cements RIVER as a visionary voice in contemporary alt-pop, blending haunting beauty with raw, confessional storytelling.

Listen to Lost in the ocean by RIVER

- Spotify
- Apple Music
- SoundCloud
- Pandora
- YouTube
- Deezer

[Tech House] Jaden Bojsen – Upside Down

Posted by TMN Staff - 18 hours ago

[House] Jaden Bojsen - Upside Down – cover art

Jaden Bojsen’s “Upside Down” flips a classic hook into a modern tech house anthem. From the first beat, a driving rhythm locks in, propelled by crisp kicks and energetic percussion that immediately demand movement. Pulsing synth lines weave through the mix, creating tension and release that keep the track thrilling from start to finish. The arrangement builds naturally, introducing subtle hi-hat patterns, percussive accents, and dynamic layers that maintain energy without ever feeling cluttered.

The song reimagines Diana Ross’s 1980 hit, keeping the iconic vocal motifs front and center while injecting a fresh, contemporary dancefloor sensibility. Bojsen and GRAMMY-winning collaborator David Guetta reshape the hook into a tighter, club-focused drive, landing on a lane that feels both nostalgic and distinctly modern. The lyrical repetition of phrases like “upside down, boy, you turn me” becomes hypnotic, transforming familiarity into a euphoric, peak-time club experience.

Bojsen channels both energy and introspection seamlessly.

Hailing from Sylt, Germany, Bojsen has evolved from frontman of the boy band New District into a versatile electronic producer. Following the viral success of their 2024 collaboration “Let’s Go” (over 200M Spotify streams), he reunites with Guetta to deliver a track engineered for 2026 dancefloors. Now based in Los Angeles, Bojsen channels his performer-songwriter instinct into high-impact productions, with over 4 billion TikTok views and credits including work with Birdy and a remix for Green Velvet.

“Upside Down” is both celebratory and reflective, balancing euphoric highs with brief introspective pockets where the iconic vocals shine. It demonstrates Bojsen’s ability to merge classic hooks with contemporary production, making it a standout track for clubs, festivals, and streaming playlists alike.

Listen to Upside Down by Jaden Bojsen

EDM
Techno

[Dubstep] AlienPark – MF

Posted by TMN Staff - 18 hours ago

AlienPark‘s track “MF” delivers a heavy, bass-driven punch right from the start. The production layers deep, throbbing basslines with sharp, staccato synths that cut through the mix. As the song progresses, dynamics shift dramatically, with moments of silence that heighten the impact of each drop. This technique keeps listeners engaged, creating a tension that resolves when the beat kicks back in.

Rooted in riddim structure but sharpened with modern dubstep polish, “MF” thrives on texture and weight. The bass design feels mechanical and gritty, driven by sharp modulation and punchy rhythmic repetition. Instead of chasing melody, the track leans into momentum — subtle switch-ups, drop variations, and pockets of space heighten the tension before each impact lands. It’s engineered for live environments, built to hit hard through massive systems.

MF is two minutes of tightly wound, speaker-rattling pressure that hits hard and leaves no excess behind.

Born and raised in Venezuela, AlienPark (Martin Pérez) has carved a formidable path through the global bass scene. Over the past decade, he’s established himself with hard-hitting originals and a distinct production identity, earning releases on respected labels including Subsidia, Buygore, DPMO, Rude Service, Bassrush, and A-Records. His sound has garnered support from heavyweights like Excision, Illenium, Black Tiger Sex Machine, ATLiens, Bear Grillz, and LAYZ — helping propel his presence across North America and beyond.

With “MF,” AlienPark continues reinforcing his reputation for uncompromising, high-energy dubstep built for impact rather than excess.

Listen to MF by AlienPark

- MusicAtlas
- Spotify
- Apple Music
- SoundCloud
- Pandora
- YouTube
- Deezer

[Alt Pop] DaPlazz – Beautiful Error

Posted by TMN Staff - 23 hours ago

[Pop] DaPlazz - Beautiful Error – cover art

DaPlazz’s “Beautiful Error” arrives with polished EDM precision and a playful emotional core. The project, formed by UK producer Darren Rook and Australia’s Plasma Baby, blends sharp electronic production with euphoric lyrical energy, and this single captures that chemistry in full motion.

Built on a bright rhythmic foundation, the track layers clean synth textures over a steady, dance-leaning beat. Darren’s production background shows in the clarity of the mix. Each element feels intentional, from the punch of the drums to the shimmering melodic lines that carry the hook forward. The influence of acts like The Chemical Brothers and Groove Armada subtly lingers in the structure, while still sounding contemporary.

Lyrically, “Beautiful Error” explores the unexpected thrill of falling for someone who was never your type. It leans into that tension between hesitation and surrender, turning romantic contradiction into something celebratory rather than regretful. Plasma Baby’s writing brings that euphoric edge, playful but emotionally aware.

The duo’s collaborative model, working with different vocalists to capture the mood of each track, gives the song a sense of openness. It avoids being boxed into one vocal identity, instead letting the atmosphere dictate the performance. That flexibility keeps the production dynamic and fresh.

DaPlazz may have officially formed in mid-2024, but the experience runs deeper. Darren’s classical piano roots, evolution into guitar and synth, and production background anchor the technical side, while Plasma Baby’s genre-crossing lyrical influences inject personality. “Beautiful Error” feels like a confident early statement from a project still expanding its reach.

At its core, the track celebrates emotional risk. Sometimes the mistake turns out to be the magic.

Listen to Beautiful Error by DaPlazz

[Indie Rock] Oxygen1um – Fools Waited for a Miracle

Posted by TMN Staff - 23 hours ago

Oxygen1um’s track “Fools Waited for a Miracle Дурачки ждали чуда” is soaked in bitter truth. What initially lands as a tightly wound electronic cut quickly reveals itself as something heavier: a scathing rebuke of Putin’s regime delivered directly in Russian, aimed at confronting listeners in the artist’s homeland.

The production is tense and unflinching. Throbbing basslines pulse beneath sharp, cutting synth textures, creating a gritty, unsettled atmosphere. The beat drives forward with urgency, rarely offering comfort. Even in its brief runtime, the track feels loaded, every sonic choice reinforcing the emotional weight behind the message.

Lyrically, the repeated line “Дурачки ждали чуда, но его не случилось” hits with brutal clarity. Fools waited for a miracle, but it never came. The words reject passivity and blind hope, pushing back against illusion. The song reportedly weaves in real quotes from family members, exposing the depth of mistrust and psychological fracture that has grown during the war in Ukraine. That personal layer makes the track feel less like commentary and more like lived reality.

Oxygen1um’s electronic framework draws from hyperpop and phonk-adjacent energy, but here the production serves the message rather than overpowering it. The aggression is intentional. The darkness is deliberate. The rhythm invites movement, yet the lyrics demand attention.

At just over two minutes, “Fools Waited for a Miracle” doesn’t overstay its welcome. It delivers its indictment with precision and exits without softening the blow. This is not escapism. It is confrontation set to a beat.

Listen to Fools Waited for a Miracle by Oxygen1um

Indie

[Indie Rock] The Notwist – Projectors

Posted by Jason O'Mara - February 17, 2026

[Alternative] The Notwist - Projectors – cover art

The Notwist‘s “Projectors” unfolds with a gentle, flowing rhythm that sets an introspective mood. The track begins with soft guitar strumming layered over delicate electronic textures, creating a serene atmosphere. As the song progresses, the arrangement gradually introduces subtle percussive elements and airy synths that enhance its emotional depth without overwhelming the listener.

Vocally, the delivery is calm yet expressive, carrying a fragile sincerity that resonates throughout. Lyrically, “Projectors” explores themes of connection, memory, and the passage of time, reflecting on how experiences shape who we are. The band describes the track playfully as if “Rutger Hauer could sing it in Blade Runner,” highlighting its blend of introspection and cinematic atmosphere.

Dynamic shifts punctuate the song, particularly around the midpoint, where a gentle instrumentation adds richness before receding into quieter passages. Markus Acher guides the full breath of multiple contributing musicians through a Sufjan Stevens–esque reverie, giving “Projectors” a lush, immersive quality that balances intricate arrangements with emotional transparency.

“A lush, immersive quality that balances intricate arrangements with emotional transparency.”

Recorded in their Munich home base, the track reconnects with the security of the local to explore the troubles of the global. “Projectors” is part of News from Planet Zombie, the band’s first studio album since 1995’s 12 recorded together in its expanded live formation. The album balances melancholy and positivity across a suite of thrilling, fiercely committed pop songs, reflecting a chaotic world while responding with warmth and generosity to achieve creative and spiritual consolidation.

Set for release March 13, 2026 on Morr Music, “Projectors” demonstrates why The Notwist continue to evolve as artists. Its thoughtful lyrics, dynamic composition, and expansive instrumentation invite listeners into a contemplative and richly textured musical journey.

Listen to Projectors by The Notwist

Indie

[Dubstep] Deadlynoiz – The Underground

Posted by TMN Staff - February 17, 2026

Deadlynoiz‘s “The Underground” grabs attention with its sharp, aggressive bass drops that cut through the mix. The track begins with a brooding intro, layered with eerie synths that build tension before unleashing a heavy drop. The production is tight and impactful, featuring quick shifts in dynamics that keep the energy high throughout. Each drop feels like a jolt, emphasizing the raw intensity characteristic of modern dubstep.

As the track progresses, Deadlynoiz layers in various sound elements that create an immersive experience. There are moments where the rhythm slows down just enough to catch your breath before launching back into frenetic beats and growling basslines. This push and pull of energy is engaging, making it clear that Deadlynoiz knows how to manipulate space within the track effectively. The overall vibe balances between dark and exhilarating, perfect for a late-night dance floor.

The dynamic contrasts in “The Underground” showcase Deadlynoiz’s skill in crafting high-energy electronic experiences.

Though instrumental, the track communicates urgency and excitement through its sound design alone. The pulsating rhythms and textured synth layers recall the energy of Sullivan King and Dirtyphonics while retaining a distinct character unique to Deadlynoiz. Fans of modern dubstep will appreciate the nods to classic heavy bass with contemporary electro flair.

Deadlynoiz has been steadily building a following on platforms like Spotify, where their innovative approach to sound has caught attention among listeners drawn to heavier genres. “The Underground,” showcases their commitment to pushing boundaries within electronic music.

This track exemplifies what makes Deadlynoiz stand out: a mastery of dynamic contrasts paired with relentless energy. As “The Underground” unfolds, it clearly positions itself within the evolving landscape of dubstep while hinting at broader influences from electro and dance music. Each listening experience reveals more layers, making it a compelling addition to any high-energy playlist or DJ set.

Listen to The Underground by Deadlynoiz

Dubstep

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