For Tel Aviv-based producer DvirNuns, indie dance isn’t a genre — it’s a canvas. His latest work, a remix of “No Sleep” on TSZR (Three Six Zero Recordings), follows the buzz of his Insomniac IN/ROTATION debut “Go Go,” a track that fused Middle Eastern synth colors with the grit of West Coast warehouse culture. Together, these releases showcase his core vision: basslines that bend and pulse, acid-tinged atmospheres, and melodies that expand beyond the club while never losing dancefloor urgency.
Recognition has followed quickly. Beatport named him the #2 Indie Dance Artist of 2024, a nod to his ability to balance artistry with impact.
Each release adds another layer to his story. “Comusa,” his collaboration with Adam Ten for Life & Death Records, captured Balearic textures and acid-soaked grooves with cinematic flair. On Maccabi House, “Sax A Boom” and “First Choice” stormed to #1 on Beatport, translating funk and 70s flavor into modern club energy. Elsewhere, “Bongolie” took cues from Hendrix and Jethro Tull, weaving guitar and flute into downtempo-inspired house.
Support has come from every corner: Afterlife and All Day I Dream communities have carried his music across global dancefloors, while industry heavyweights like Solomun, Eric Prydz, and Patrick Topping have thrown their weight behind his sound.
Raised in a family of musicians, DvirNuns approaches production with a composer’s patience and a DJ’s instinct. His tracks unfold like stories—slow tension building toward cathartic release. That cinematic approach, fused with cultural depth, is what makes his sound stand apart.
As he continues to evolve, DvirNuns isn’t chasing trends—he’s carving a path that could well define the next wave of indie dance.
