[Denver Events] This Week at Beta 5/16

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Being a Top 25 Club from DJ Mag comes at no surprise as Beta Nightclub has been featuring an amazing array of talent this summer, and this weekend is once again no exception.

Being regulars at Beta, we figured we should share their line up with you, in hopes that you’ll come down and rage with us. Also, just like last time, we have arranged for something special.

MUSIC NINJAS GET FREE COVER
Details:
For the shows Thursday, Friday and Saturday, make sure you bring your phone with you. If you’re 21+, get there before 11pm, and show them this post on your phone – your cover is comped. Just make sure to enter through the front door, and not the side VIP entrance. Can’t wait to see you down there!

Hard Rock Sofa - May 16th

Hard Rock Sofa & Dirty Shade
Collapsar (Original Mix) / Spinnin Records

Dirt Monkey - May 17th

TC
Tap Ho (Dirt Monkey Remix) (Freebie)

DJ Sneak - May 18th

DJ SNEAK
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[Editorial] Rebuttal – Going to Coachella? You’re a Loser and Part of the Problem and Probably Fat

coach

Last week Luke O’Neil over at Bullet posted a snarky, funny at times, and slightly offensive piece about Coachella, its attendees and its line up. After having just been to Ultra, experiencing my first music festival outside of Colorado, I was a little irritated by his article. To me it seemed like a pathetic attempt to troll and get new followers on twitter. Before I responded though, I wanted to experience Coachella and see if he was remotely close at pegging this supposedly “life changing” experience that everyone talks about ad nauseum.

Well, I’m back now. I’m exhausted, depleted of spending money, and coming back to the reality that I’m not in festival mode anymore. I just reread Luke’s article, to see if I could agree with him on any points, and there are a few. However, his leading you to the conclusion that you shouldn’t go has to be debunked. Before I start, I do realize that some of his article was said tongue in cheek. However, he made some pretty bold assumptions that I feel like contesting.

Going to Coachella? You’re a Loser and Part of the Problem and Probably Fat

Nothing like trying to convince people to do something by insulting them, right? I know that this is just the title, and the author was trying to encompass everything that his article entailed, but on the simplest level, this couldn’t be further from the truth. I can’t attest to whether all of the people around me were losers or not, because that is an extremely subjective descriptor, and one that’s obviously impossible to tell without conversing with a person. The crew that I rolled with were all pretty normal people, all moderately successful, enjoy music and love experiencing festivals. The people I met while pre-gaming in parking lots, waiting in line to get into the beer garden, and relaxing in the shade were…well, all really nice people. Everyone had smiles on their faces and were excited to be in the moment. The vibe was extremely social, laid back, and friendly.

As for being fat, I say this in complete and utter honesty: this statement could not be further from the truth. In fact, at one point I actually commented on the level of in shape and healthy people. I can’t really say much more than that.

Speaking of young people, were any of them consulted in the booking process this year?

Ok, so there were a few odd bookings for this particular year, I will agree with that. Here’s the problem with this statement though…did you see the other names on the festival line up? You do realize that while Red Hot Chili Peppers was playing, Eric Prydz was throwing down literally one of the best live DJ sets I’ve ever witnessed (keeping in mind that reviewing music is my profession)? The laws of physics suggest that you are unable to be at every stage at once, so while that seemingly odd booking is playing, you can walk to any other number of stages and catch another artist’s performance.

Also, take a moment to add up what a festival costs. My flight was $350, the rental house we booked was $420 a piece, the ticket was $400. That’s over $1000 without spending money. With beers being $9 a piece and a singular slice of pizza being $7, you can start to figure in how much spending money was needed for a three day festival. So, do you still think that this was filled with “young people”? There are a handful of trust fund babies that could probably ask daddy for a couple of grand to piss away on a festival, but the majority of the people there were late 20′s early 30′s middle class people.

Musical appreciation has evolved in the past few years. I started working here in 2010. In three years I’ve worked with countless bloggers, been to hundreds of concerts, and been a part of awe inspiring hours of music talking to fellow music nerds. The times have changed. Allow me to explain.

When I was in high school, most people were into one kind of music. There were ravers who were only into EDM, goth kids who loved the industrial metal bands, and pop punk junkies that couldn’t miss a single Warped Tour. I don’t see that as much anymore. In fact, it’s overwhelmingly apparent that it’s now cool to be into every type of music. Kids today have endless amounts of musical selection at their finger tips, and are now exposed to every single genre and sub genre, past or present. With that being said, the level of musical knowledge and appreciation is beyond anything that I ever witnessed growing up.

There is simply no reason to ever see more than a few bands at a time on any given day, and anyone who tells you otherwise is lying, or on drugs.

I like roller coasters, but there’s absolutely no reason for me to go to an amusement park and ride multiple ones. That’s simply over-indulgent and ridiculous. I often seek out singular roller coasters and just go ride it once, then go home. I also enjoy drinking beers, but I think it’s silly to go to the Great American Beer Festival and try dozens of 1 oz samples. That’s just insane that anyone would enjoy anything like that.

Dude, seriously? I absolutely love music, and could picture no better way to spend my day then walking from stage to stage seeing live acts. How is spending an entire day, if not three, doing what you love most that absurd?

Festivals like this aren’t for people who like music, they’re for people who kind of like the idea of drinking in a crowd in a field near other potential sexual partners

There’s nothing like making a broad stroke assumption about a group of 100,000 people, right? This was one of the most asinine points to this entire article. How could you possibly know what the personal objectives of every individual be? You can’t.

I paid close attention to the way people were consuming music this last weekend though. I wanted to see if people knew who the artists were, or if they were just scanning the crowd for their next piece of ass. It came as no surprise to me that the people standing watching the shows were actually watching the show. People sang along. People danced. People turned to their friends and exclaimed how much they loved this song. People smiled ear to ear as they heard one of their favorite bands play one of their favorite tunes.

Coachella, and festivals like it, are the enemy of the authentic music experience. The bands don’t like playing there, the fans aren’t getting a proper introduction to the music in its natural setting

What is the authentic music experience? After spending some time researching this in Webster’s dictionary, I soon realized that there’s no definition for it. Isn’t this a rather subjective thing to describe? For me, an authentic music experience is enjoying music in any setting. I’ve been at Red Rocks watching shows with amazing stage production and mind blowing natural acoustics. I’ve seen a bluegrass band play at a bar in Downtown Denver. The two are miles apart, but I still enjoyed the music all the same. It seems to me that an authentic music experience is simply watching live music, in any setting.

As far as artist’s concerns with playing at Coachella, I’ll simply use a quote that Michael Menert posted just the other night.

“…had an unbelieveably fulfilling experience at Coachella. Made new friends, saw a lot of old friends, played a set to a receptive and responsive crowd, experienced Wu Tang and RHCP, both of whom weigh in considerably in my musical development early on… thank you PL, Sophie, 12th, kraddy and the crew at DoLab, CAA, Vendini, the homie Blake from Nashville, my management team, and Coachella for leaving me feeling brand new, even though I still haven’t slept since Friday haha! heading home to turn this potential energy kinetic…”

So, what’s my end game here? Go to Coachella. Don’t go to Coachella. I don’t care, and it’s frankly none of my business. If you want to go and have that experience, please do so. You only have one life to live, so you might as well make the most of it. If you detest the thought of standing in the hot desert sun with thousands of people, then don’t go.

For me personally, Coachella was an absolutely amazing experience, and one that I will cherish for the rest of my life. I’m still thinking back to jumping around like crazy reciting line after line of Wu Tang songs, sitting in the grass listening to Postal Service play “Such Great Heights”, and screaming my lungs out as Two Door Cinema Club belted out “I Can Talk.” The decor, the lights, the stages, created an unbelievably setting that most music lovers would have enjoyed.

If you want to comment, hit us up at @themusicninja

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Record Store Day: In Celebration of Where Music Becomes Important to Us

I was watching Mad Men the other day with the Mrs. when I had one of those great Netflix moments: I had to pause my X Box to consider what one of the characters, Don Draper said and by extension, what the creators of Mad Men were trying to suggest to me. In a fairly stereotypical scene, Draper was lamenting to one of his subordinates about a troublesome client who wanted a specific piece of music for a commercial. Draper sighs, lights a cigarette, looks over to his younger subordinates and exclaims (to the extent that the character exclaims anything in his monotone delivery): “When did music become so important?”

Indeed.  When?

I considered this as Draper was frozen in motion on the screen. Most of us point to those pivotal adolescent years as when we discovered the anti-establishment bands that we loved so much and defined our musical tastes. For my dad, it was Led Zepplin, Cream, The Who. For my older friends, Black Flag, The Melvins and Neurosis. For me, Rage Against the Machine, Tool, Nirvana. For some of my younger friends it was My Chemical Romance and Protest the Hero. Regardless the different styles of music and bands we become enamored with, it seems to happen right around 14 to 16 years old for most of us.

The remarkable thing is that regardless of when music first becomes important, it becomes important almost universally in the same place if you’re an American: The local indie record store.

Some of my fondest memories are in music stores, browsing through endless CDs with my older cousins looking for hidden treasures. I bought The Wall and Dark Side of the Moon in an indie record store. Opiate, Highly Refined Pirates, Master of Puppets, Career Suicide, and Bob Marley’s Legend (not in chronological order, naturally) were all purchased in indie record stores. I picked up A Brief History of Love after wandering into a record store in Soho, London, while traveling. As I walked in, the chorus from that Rancid song rang in my head over and over again: “Ruby, Ruby, Ruby, Ruby-Soho!”

If music is linked to memory, memory to experience, and experience to our existential purpose, then the indie record store has a quirky sense of divinity, doesn’t it?  The album that we pick up from the indie record store is a packet of emotions that we’ll experience and memories we’ll create while listening to it. It will help form (or reform) our overall musical preferences in some small way. Those preferences will define our identity in some small way. Kinda cool, no?

And in the age of digital music—and yes, I say this as a regular contributor to The Music Ninja which does deal in digital music—I think a day like Record Store Day is all the more important. Granted, we can access music from the internet at any time. Point, click, done. And that’s fine at times. But I think there’s a romance and a ritual to going to the record store: a pause that is longer than a point and a click in our daily life. It is also a place where many of our indie bands wish to have their albums land. Real success is getting their vinyl (containing their blood sweat and tears) in that store. Indie record stores serve as a finish line. A stage for indie bands to celebrate their triumph.

So here’s in support of Record Store Day. Take a minute tomorrow to go see what’s new and hopefully rediscover that awe you felt when music first became important to you.

A servant, author of Geoff and Katie’s Playlist.

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[Mashup] Channel 42 (Koyote Bootleg)

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Koyote ᴮᴼᴼᵀᴸᴱᴳˢ
Channel 42 (Koyote Bootleg) Wolfgang Gartner//Deadmau5//Lefty//DVBBS//J.Cavalli//Nom De Strip

Masterful mashup magician Koyote is at it again with another delightful track that’s sure to get the dance floor up on their feet and moving. If you’ve been reading our blog for the past year, you know by now that we’re a fan of his work. His fun inducing tracks grace the wall of Clayton’s Friday Party Playlist on the regular and as of late, his tracks are getting recognition from some of EDM’s heaviest hitters. Candyland, TJR, Deorro, FTampa, Donald Glaude, 3LAU, Tommie Sunshine and numerous others consistently throw shout outs to Koyote and with good reason.

Today he released this tasty tune for free on his soundcloud. Check out the tracks that he weaved together, then head over and snag a copy for yourself.

Deadmau5 & Wolfgang Gartner – Channel 42 (Original Mix)
Deadmau5 & Wolfgang Gartner – Channel 42 (Nom De Strip Remix)
Lefty & J.Cavalli – Supernova (Original Mix)
DVBBS – We Are Electric (Original Mix) ACAPELLA

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[Live Album Stream] Yeah Yeah Yeahs – Mosquito

Yeah Yeah Yeahs - Mosquito

Just in case you’re by your computer right now (well, duh, you’re reading this), tune into the LIVE stream of Yeah Yeah Yeahs‘ forthcoming album, Mosquito, this very moment HERE . The “listening party” is courtesy of Noisey. The LP officially drops April 16th via Interscope.

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[Hip-Hop] Young Jeezy – R.I.P. (Remix) (Feat. YG, Kendrick Lamar & Chris Brown)

RIP
Young Jeezy
R.I.P. (Remix) Feat. Kendrick Lamar, YG & Chris Brown

Kendrick Lamar is officially the most popular kid on the block. Everywhere you turn, it seems like somebody is recruiting K. Dot for a spot on their newest single or remix. With that being said, it’s no surprise that Young Jeezy turned to the “Hottest MC In The Game” to replace 2 Chainz on the remix for his hot new single. What may surprise you is what other cohorts were invited to the party. Joining Kendrick on the remix are YG and Chris Brown. While Kendrick definitely bodies the beat, Chris Brown does nothing more than rattle a few cages, taking some shots at Drake and Frank Ocean. Regardless, you should definitely expect to hear this version of the track everywhere over the next few months, especially with summer right around the corner.

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[Novella] Geoff and Katie’s Playlist

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At first glance of this post’s title, you may have thought we’ve lost our minds. However, we assure you that this post is completely intended! We haven’t lost our minds. That we know of.

We think you’ll agree that music and writing go together– if those things weren’t linked, you would be rifling through some list of MP3′s on the net for new tracks and Music Ninja wouldn’t be the success it is today. We feel that you appreciate our insight which is why we love to blend these two things together. With that being said, one of our contributors has done just that, only in the form of an entertaining piece of fiction.

You may have read pieces from A Servant here on TMN. Well, aside from writing for us and writing a personal blog, he also is a novelist. Today we’re bringing you a sample of his work
from his novella, Geoff and Katie’s Playlist. We feel like this was a good fit for TMN based on the nature of the book. This dual narrative story has a unique set up in that the chapters are titled with recognizable song titles. A Servant did this for a specific reason; he wanted to set the soundtrack for this story. So think of each song title as the mood for that particular chapter.

Geoff and Katie’s Playlist is an easy read, entertaining, and heavily entwined with the music world we all live in. We’re happy to feature the first two chapters here on the site, but if you’re really interested, A Servant has made this available for free download for the next five days. Happy reading!

Track 1: “Sympathy for the Devil” The Rolling Stones.

My name is Katie. At least for now. I’ve had many different names and I’m not very attached to any of them. I’ve noticed the people I’ve interacted with are very into their names, as the saying goes now. I’ve never entirely understood, but then again, they don’t live on for thousands of years like I do, do they? They can’t change forms to any living being they see, can they? I suppose it’s only natural that they be attached to their names, as their names differentiate their forms from others like them.
Continue reading

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