Netsky on “Work it Out,” His Upcoming Tour, and Nobu’s Black Cod [TMN EXCLUSIVE INTERVIEW]


two door cienma club

At this point in the game, we would expect nothing less than a jam-packed, busy-as-hell 2016 from our Resident Artist. Tours, festival appearances, a new album, and some free time in the kitchen will most assuredly max out his calendar for the next 11 months. With that in mind, we fired over a few questions to Netsky to get a better understanding of what exactly is on the way.

TMN: Hey Boris! Thanks for coming onboard for our Residency Program we’re excited to have you. Let’s kick things off by talking about what everyone is anxious for “Work It Out,” which is your second collab with Digital Farm Animals. You guys must have a good rapport. Talk to us about working with him.

Netsky: Hey! Thank you for having me. Nick (Digital Farm Animals) has to be one of my favorite writers/producers to work with. He’s got a unique take on vocal production. We both share a love for using crazy effects and techniques on vocals. I have a couple more songs with him in the pipeline and with every single song his voice sounds completely different. I love that!

TMN: The tune is simply gorgeous. What was the process like for this particular song? Melody first? Lyrics first?

Netsky: Nick wrote the chorus when he was in LA and showed it to me. I absolutely loved it from first listen and started working on the production straight away. The song started off as a 80s rock influenced half tempo track. It took us a while to realize that it sounded good on a drum & bass beat. But after a while it started sounding exactly like we both wanted. I think I’m gonna work on the original version to play live with the band.

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Two Can Deliver Official Remix For Oliver Nelson & Enter The Dojo For Q&A [TMN Interview]

Two Can
Oliver Nelson Ft. Heir
Found Your Love (Two Can Remix)

For those of you who are unaware of the Australian duo of brothers called Two Can, you’re in luck. Even if you already are familiar with these talented family members, your luck is just as good, because we recently caught up with them for a quick Q&A as they released their official remix for Oliver Nelson. Two Can took on “Found Your Love,” a 2015 single that features musical act Heir. With Two Can’s revamp they chilled out the upbeat original with more deep sensibilities, making it a laid-back club-friendly record.

While you lend your ears to their emotional take on “Found Your Love,” you can find out a little about the Two Can project. The brothers entered the dojo to answer a few questions regarding themselves, their home country, along with what else we are getting from them this year.

TMN: For people who don’t know you, how would you describe your sound?

Two Can: Thats a question we get asked a fair bit actually! Its always rather tough too pin point it as we try too incorporate many elements of music and synthesis / sound design in our music. Basically how our process works when writing is we start 90% of our tracks with live instruments. We are musicians first, so we try too ad as many live elements we can into our music as we can. A lot of the time, for remixes etc, we will get an acapella and have a jam over the acapella playing some riffs and chords on guitar too get a gist of key and melodic elements which may work well with the song. Basically we would describe our sound as live electronica.

TMN: How is it working in a duo as brothers?

It’s very convenient too be honest. We don’t argue at all luckily, and never really have. Being brothers and living in the same house means we can write music for most of the day and bounce idea’s back and fourth too each other. Thats one key advantage of a duo we think is that at the end of the day two brains working together is more efficient than one.

TMN: What track is each of your favorite that you have made?

Two Can: Myles’ favorite track is ‘Fire’ because it was the first real song that really got people listening too our music. Oscar’s favorite is ‘Your Girl’ as he wrote a lot of the melodic side of the song, and put a lot of heart into it.

TMN: Has being from Australia influenced your sound? How?

I think it has yes. Right now in Australia, there is a lot of awesome music and really cool acts emerging. I think being in the community of this is something that keeps us inspired. Its great meeting up with cool artists on tour’s who all have great energy and great music. Being in Australia it makes it very easy too meet other artists and vibe off each other.

TMN: What can we expect from Two Can in 2016?

Two Can: We have ALOT of unreleased original content and a few big remix opportunities which have recently got approved so our priority is too share our new music with you! We are also speaking too our European agents at the moment about a tour in June/July, doing some soft ticketed shows and a support tour with one of the electronic acts on the roster at United Talent (previously The Agency Group). We spent a lot of 2015 discovering our sound and now we have found it and are at a point where we are extremely proud with it.

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[TMN Exclusive] Mitis Gets Personal About His Upcoming EP

Foundations EP Background
MitiS
1.16.2016

Today is Mitis’ Birthday. Aside from it being the usual amount of special, Mitis wanted to add another layer of meaning by making a special announcement to his fans. There’s only a few things that can be said via a third party about what’s ahead in the very near future for this bass producer. First off, an EP is coming. Second, Mitis has already previewed a beautiful composition from the project recently, with only his birth date as the title. Well, that day has come and Mitis is ready to tell you just what is on the horizon. After you check out our mini-interview we had with him, make sure to head on over to his social media to get the full scoop of just what he has locked and loaded for his old, and new fans alike.

TMN: What’s this EP mean to you personally?

It reminds me to remember my roots, where I came from, and how I got where I am now.

TMN: What can we expect from this EP?

Melodic dubstep, trance, progressive house and maybe something else.

TMN: Do you see the Mitis project as taking it’s next step in its evolution forward with this EP & Birthday announcement?

I do! I think going back to writing melodic dubstep was really helpful in remembering how much I love writing it. I know fans have been asking for it for the past year or so, so it was time.

TMN: Is there anything in particular you’d like to tell fans about the EP?

Just get ready for some new MitiS and some familiar sounds.
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Zoogma – New Era [TMN PREMIERE + INTERVIEW]


Zoogma
New Era

Being based in Colorado, we’ve always been in tune with acts that bring an intense live aspect to their shows, as we’ve had figurative front row seats for the substantial growth of acts like Pretty Lights, Big Gigantic, and Sunsquabi. We’re not sure if it’s the thin air, the legal goods, or just the overall culture, but there is a distinct sound to the Centennial State. However, while today’s spotlight brings in a fusion of funk, rock, and electronica, your Mile High guess would be inaccurate. These cats are from Nashville, Tennessee, and they’re doing things right.

If you’re not hip to Zoogma quite yet, it won’t be long before you’re grooving to their funky live instrumentation. You needn’t look any further than this post to witness what Brock Bowling (Guitar, Live Sequencing), Matt Harris (Drums, Live Sequencing) Justin Hasting (Guitar, Synthesizer) and Ryan Nall (Bass, Synthesizer) have put together. Take a glance below at “New Era” being performed as they do in front of their adoring fans.

In addition to premiering this video and single, we’re also bringing you a quick Q&A in hopes that you’ll study up on this quickly rising electro-rock act. If you haven’t already, press play on the track or video and read through their responses to a few of our choice questions.


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Chet Porter Talks Electronic Music, Porter Robinson and New Debut Original [TMN Exclusive Interview]

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Canadian producer Chet Porter just released his first ever original track titled “Awakening”, and it’s as amazing as it gets. Its one-of-a-kind song structure is definitely something we rarely come across, and the ears pleasing sound almost resembles a hybrid between Porter Robinson and Tennyson. We had a chance to chat with the talented producer and talked about the inspirations behind this track and his musical influences. Check out the exclusive interview below, and give “Awakening” a listen after the jump.

TMN: First of all, congrats on releasing your first original single on Big Beat! We’ve been following your music for quite some time, and we gotta say this record truly showcases your unique sound as a producer. Can you tell us a little bit about how you started making music, and where that passion came about?

CP: Thank you! I started making music in high school, I played guitar in a band and on the side I’d just mess around on my laptop. Once everyone in the band sort of went their separate ways I still wanted to make music, so I just started digging and teaching myself more about how to create on my own.

TMN: For “Awakening”, the story-telling style of the song is very refreshing and it really caught our attention. Can you tell us the inspirations behind “Awakening” and why you chose this particular approach?

CP: “Awakening” was like the first song I wrote as Chet Porter, it’s sort of weird that it came out so much later than all of these other songs that were written after it haha. My approach to it sort of came from frustration and exhaustion: I was tired of writing these like basic house songs with a simple structure and not much character in them, so like unintentionally came up with the idea to write something more interesting than just a song, even though it actually is just a song. I got to pour a lot of ideas into it that I felt like I wasn’t letting myself do before, and now I think about song writing from a totally different point of view.

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Flux Pavilion discusses Tesla, The Continued Success of “I Can’t Stop,” and Balvenie 15 Year Single Barrel

flux press shot 2015

Continuing along in our monthlong highlight of this legendary producer, we’ve finally arrived on the portion that we’ve been looking forward to the most – an exclusive interview with Mr. Flux Pavilion himself. As we’re sure you’re just as excited as we are, we’ll let you dive right in.

TMN: Hey, Flux! Thank you so much for being our Resident Artist of the Month. In all honesty, it’s kind of difficult to figure out where to start, given everything that you’ve accomplished through the years. But, why don’t we kick it off with Tesla, which just dropped a few months ago. The album somewhat reminded us of hip hop albums in the late 90s/early 2000s, in the sense that you had a collaborator on almost every track. How did you go about selecting them?

FP:​ Firstly, thanks for making me Artist of the month! I think in this day and age, there is so much speed and movement when it comes to how we consume music, and as artists, we gotta stay on top of things. When I write, I tend to just keep writing as long as I have ideas, which also include sessions and collaborations. Then, the best stuff I work on turns into a project, in this instance, Tesla, is the best of what I have been working on for the past year. ​

TMN: One of our favorites on the album was definitely “Emotional,” which features the seasoned Matthew Koma. We couldn’t help but notice some future bass elements in there. Is this a world you’re going to delve into more?

FP:​ I’m just in the world of making music. I don’t really see music that way. ​

Flux Pavilion and Matthew Koma
Emotional

TMN: Following up on that, there are many different influences throughout the whole album. We hear some reggae in “International Anthem,” some 80’s hip hop in “We Are Creators,” and trap in “Who Wants to Rock.” Do you approach the album as a whole, wanting to include some of each, or do those tracks just naturally come up?
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Steve James Talks EDM, Justin Bieber and His Original Single [TMN Interview]

Steve James Interview 2
(PC: Elliott Brockelbank)

Having charted at No.1 five times (going on six) on Hype Machine, Stephen Philibin a.k.a Steve James has become one of the fastest-rising stars of the electronic music community. If you google his name, you would probably also find out that the 17-year-old musician is being credited as one of the producers behind Justin Bieber‘s “Purpose”, which is the title track off the Biebs’ new album. That’s a HUGE accomplishment for any 17-year-old kids, let alone somebody like Steve who grew up in a small town in Pennsylvania. Needless to say, we’re honored to be able to ask Steve a few questions that our readers are dying to know the answer to. Listen to his first original track “Renaissance” featuring Clairity below, and check out our exclusive interview after the jump.

Steve James
Renaissance (feat. Clairity)

TMN: Pleasure to have you here with us Steve.

Thanks for having me, I’m looking forward to this!

TMN: First of all, congrats on the release of your first original track “Renaissance”! Not many 17-year-olds can say they’ve accomplished half of what you’ve done. Can you tell us a little bit about your passion for making music and how it all started?

Thanks on Renaissance – I’m super excited about that track! As for how it all started, I’ve actually always wanted to be a musician. I grew up playing the piano since age 3 or 4, I always enjoyed doing things by ear rather than reading music, and was always a fan of synthetic sounds like what Owl City was making, or the Postal Service. When I was 12, my older brother gave me his old macbook for christmas which had a program called Djay on it which I used to start mixing tracks. As soon as I learned about producer/dj’s, I was sold. I started putting a lot more time into learning how to use ableton than learning how to mix. It was after seeing Avicii (my all time favorite producer/dj) live for the first time that I said to myself, “Alright, that’s how I wanna spend the rest of my life.” I guess that was like, 2012, so I had just turned 14 haha. I was lucky to catch onto that so early, but from there it was just evenings and weekends in ableton trying to make uplifting/positive music.

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