Pre-Show Chat with Scott Kirkland of The Crystal Method [TMN INTERVIEW]


TMN: Hey Scott – so stoked to have you back in the Mile High City again. This city, and Beta Nightclub, seem to be one of your favorites. What keeps bringing you back here?

TCM: To try and have as much fun as the last time at Beta! The room sounds great, you are close to the crowd, and who doesn’t love the big cryo moment? Denver has always been one of my favorite places to play.

TMN: We’re curious – when was your first show here in Denver?

One of our earliest shows was at the Bluebird back in ‘97 I believe. Our first show at Beta was at least 5 or 6 years ago.

TMN: This time around, you’re flying solo. Can you fill us in on the situation with Ken? Is he taking a touring hiatus?

TCM: Ken and his wife Janine are happily building a new life in Costa Rica and I am very happy for him. I am also excited about the music I am making right now in the studio.

TMN: There’s so much to cover with you guys, considering your long and impressive tenure in the scene. But, let’s look back on Vegas. For older fans, tracks like “Busy Child” and “Keep Hope Alive” help define their adolescence. Is it weird looking back on that for you guys, especially given the meteoric rise of dance music?
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End The Year By Catching Up With Amsterdam’s Shermanolgy [TMN Interview]

Silly Games

Sometimes working as a duo isn’t easy, especially over an extended period of time; and especially when the other person in the group is also a family member. That hasn’t been the case for Shermanology, a duo from Amsterdam that has been kicking out original house beats for several years, including before the EDM craze began.

2016 has been a good year for the duo. It’s another step in their illustrious career that continues to get brighter each passing day. One of these recently passed days, Shermanology dropped their latest single, “Silly Games,” that you can listen to above, if you haven’t clicked play already. Aside from streaming their single, you can catch up with the duo, who we met up with for a little chat on what they thought of this year, how their career has stayed strong, as well as what is coming. If you don’t already know Andy & Dorothy Sherman from their previous work, you’re in for a real treat. They’ve got plenty of more goodies coming in 2017.

TMN: How has 2016 treated camp Shermanology?

Andy: 2016 was a pretty liberating year for us. We put the focus back on our music and finding what WE wanted to represent, we found a new manager and really focused on creating a long term vision for Shermanology as a musical brand. It sounds short and simple in writing but in practice that is a hell of a lot of work, not to mention hours and hours in the studio. That said, it’s been one of the most rewarding for us on a creative level. We are currently in Stockholm making music and life feels good!

TMN: Tell us about how your new single ‘Silly Games’ came into existence?

Dorothy: We went over to London earlier in the year to lap up some new influences. Back in the day Andy was a vocalist for Artful Dodger, so he got to experience the UK in a golden time for garage and R&B. That whole era of music was such a huge inspiration to us both, so the London trip was about hitting up those influences and finding a new energy for them. We hit the studio with MNEK and the creative sparks were off the hook. We wrote three songs in a day, one of which was the basis for ‘Silly Game.’

Andy: We got it back to Amsterdam and started playing with it. What we liked was the idea of fusing piano house and garage influences with Dorothy’s soulful voice and alongside the very talented Dennis Quinn (Simma Black) we really found that balance. I think the final version came out perfectly in respect of what we set out to make.

TMN: As an act Shermanology has survived so many different peaks and troughs in electronic music. Has that been a relatively tiring experience for you guys?

Dorothy: Not really, I think it’s made us who we are today. So much of this year was spent working out what mattered to us and we pretty quickly learned that genres were not high on the agenda. We want to stand for something with a shelf life – records that mean something and bring out genuine feelings and emotions in people. When you put the focus on that the genre is really irrelevant, for us Shermanology is about electronic pop music with soul, heart and stamina. If 2017 plays out as we are planning it to then I think fans new and old are going to really see what we are all about.

Andy: The fact is that right now acts new and old are facing the same challenges. The way we listen to music is changing so fast and people like to find the next big buzz and replicate it. Replication can get you some short term gains and those big numbers, but the big question is will that stuff matter in 10-15 years’ time. We aren’t here to tell anyone how to structure their career, everyone is on their own journey, but I think we are more confident in what we want to stand for now than ever before.

TMN: You’re ending 2016 with a bang, but what’s the plan for the New Year?

Andy: If 2016 was about focussing on music, 2017 is about getting that music in front of people and continuing the exciting journey we started back in 2015. We have some sick collaborations on the way alongside Rene Amesz, Ferreck Dawn and a few others. On top of this we have a handful of records that we are super proud of. They are new and fresh for us, but they still represent Shermanology in a way that I think people who have been into us since day one are going to dig. There is one more record on the way that we co-wrote alongside MNEK that takes things into a more garage-inspired focus and we cannot wait to spill more info on that one. On top of this, we hope that 2017 will be the year we show the world our new live act. We are working tirelessly behind the scenes to make this an amazing musical experience and I think it is going to be a huge career highlight for us.

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Axel Boy Shares His Thoughts On 2016, What’s Coming & New Single [TMN Interview]

Axel Boy
Bun Up 'N' Tun Up

At the end of each year, artists and their teams look to not only bring things to a close, but get ready for the next year. One artist who is doing that in a huge way is Axel Boy. 2016 has been a wild year for the Bristol beatmaker who has seen releases on labels like Buygore, Kannibalen Records, Elysian Records and Never Say Die.

Through all this, the people over at Slvyvll had their eyes on him, eventually taking him on board their management roster. Now, things are looking better than ever for one of bass music’s finest gems. To celebrate this, Axel Boy has released two free downloads in the past two weeks, with the most recent being a return to dubstep in “Bun Up N Tun Up.”

We had the pleasure of having a quick chat with Axel Boy to give us a recap of his 2016, as well as give us some insight on what’s to come. Stream the single, read the interview; most of all, enjoy.

TMN: Looking back, how has 2016 been for the Axel Boy project?

AB: 2016 has been very progressive and productive! The beginning of the year saw my first tour of Australia which was life-changing, it really set me up with a ton of motivation to enter into the year with. I’ve really worked on my craft over the last year, wrote a load of music and learnt a lot about myself and the music I enjoy making! I played my biggest show to date in Paris in October which was an unbelievable experience. And of course I’ve linked up with SLVYVLL which is the real landmark of the year, I really feel a sense of optimism now I’m part of the team! Besides Axel Boy I also managed to graduate at University, so it was an excellent feeling to accomplish that alongside working on my own music project.

TMN: You recently got involved with the Slvyvll team, how did you get connected up with them?

AB: I met Steven and Christina back in 2015 when I spent a few weeks in LA. My previous manager Daniel helped me A LOT in taking my first steps towards cementing myself in the industry, credit to him, he helped me make some vital connections & SLVYVLL was one of them! He moved on in his own career and lead me to begin working with the SLVYVLL team. It was a natural progression for both off us, I couldn’t be happier with how things have worked out!

TMN: Can you tell us a little about your most recent release, “Bun Up N Tun Up” that you just dropped?

I was working on various styles of music before my show at ANIMALZ in Paris & I decided it was time to make some fresh dubstep to play. So I worked on some VIPS of other tracks and also decided to write a dubstep original. I wanted to push myself in creating some really fresh sound timbres which I haven’t necessarily heard so much before. I kind of went down a metallic route for the sound design in this track which is fairly obvious, so using Serum I tried to push the boundaries of the sounds I can come up with.

I wanted to capture a few different vibes in this track. One was a very trappy, hip-hop influenced theme which is very obvious in the structure, beat & lead melodies! And the other was a more Halloween & sinister vibe which comes across best in the chords and their progressions! I then proceeded to record and process vocals to put the cherry on the cake! The lyrics just came straight to mind during the production process which in turn helped me christen the track ‘Bun Up ‘N’ Tun Up’. I must say I absolutely love it when a track name comes to mind during the production process, it just makes everything feel so right!

TMN: In 2016, you released a ton of originals with only a few remixes including an official one for Black Tiger Sex Machine. Do you want to keep up focusing on original work next year?

AB: Original work is the number one priority for me. So you guys can expect a lot more of that, I have lots of originals lined up and ready to go. But I think early next year I will be more than happy to start releasing more remixes and collaborations, working with others can really help breathe new light into my inspiration for writing!

TMN: What can fans expect from you in the upcoming months?

AB: I’m going to continue dropping originals of all different styles! I have some singer-songwriter/future stuff on the way, some house/breaks hybrids & of course some more dubstep to come. There is also a big announcement around the corner that I think the fans will be pleased to hear, so stay tuned for that! 2017 is definitely going to be the biggest year for me yet.

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[TMN Exclusive Interview] Goldroom Delves Into West of the West & Musical Metamorphosis


Unless this is the first time you’ve trekked through the hallowed grounds of TMN, you’ve no doubt ran into at least a song or two from L.A. based producer Josh Legg and his solo remix project turned nationally touring live act Goldroom. He, and the rest of Goldroom’s live iteration just recently wrapped an expansive, 30 date live co-headlining tour with fellow TMN regulars Autograf, and before quite a memorable show in Boulder, CO, we had a chance to catch up with Josh on the heels of Goldroom’s debut long-player West of the West, and ended up having one of the more in-depth conversations regarding music we’ve had in some time. Enjoy our interview with Goldroom below.

The Music Ninja (TMN): Alright… Matthew Bloss of The Music Ninja here with Josh Legg, the mastermind behind the Goldroom acclaim. First off, thanks so much for taking the time before your show to sit down with us. Firstly, you just recently released your first full length LP under the Goldroom name, West of the West, which we’ve had the chance to listen to a couple times and I really, really enjoyed it. After talking to friends around the music industry who know you, and from following your social media accounts, this was something that has been years in the making. Can you speak a little more to that? How long has West of the West, been coming together, and how does it feel now that it’s finally out?

Josh Legg (JL): Yeah, I mean there was a moment in time, probably in 2013, right after we started to tour with the live band for the first time, that it was just really clear that at some point if things went the right way that at some point I was going to need to put a record out. And I’ve always lived my life, sort of through albums of other people’s. So, I started thinking about it right then… I was thinking about the first Goldroom record as early as January of 2013, so I’ve kind of been writing for it for three years now. But, I don’t know, it’s weird… You were saying earlier, that you guys have been paying attention for along time. But, if I walk into a radio station or something like that, I’m going to talk about it (West of the West) like it’s my first statement, but in a lot of ways it feels like my sophomore record because the Embrace EP took me all around the world twice, and I got to play Coachella this year, and I released that independently… and that EP did all of this. It’s a seven song EP, and for a lot of purposes it worked as my debut full-length record, so this is actually closer to my sophomore record from sort of a traditional perspective. But, I wasn’t thinking about that EP in the same way that I was thinking about West of the West. I wasn’t thinking like, “Hey, would I be proud of this if I died?” But, I have been thinking about that with this record. I wanted this record to be so good that, when I die, I’m going to be like “I have this at least. At least I did this, and I’m proud of it.” hahaha. And, I don’t know, as things went a long, I started to feel more and more strongly about certain things about the way producers in my world were making records. And I was getting more and more discouraged with the fact that it was just this endless cycle of people throwing acapellas to each other, and getting random features and finsing out that the artists, that you think that you love didn’t even write the song that you loved. And, I want a glimpse into people’s hearts I guess. And so, the only thing that I promised with this record is that for better or for worse, it would really be me.

’Goldroom – Silhouette’

Read the rest of our interview with Josh Legg after the jump!

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Get Ready For Launch With Jetset [TMN Interview]


If you are a gamer, you may recognize the name Mr. James Geary. What you’ll soon recognize instead is Jetset. They are actually one in the same, however the latter is the name for a new venture by the gaming icon. Soon, we’ll be getting a full EP entitled Flight from him, but for now we have his lead single.

Of course, the lead single shares the same name as the EP. With Jetset, you can be sure you’ll get your fair dose of bass, which is just what “Flight” has onboard. So does the rest of the EP, but we can’t share that with you just yet. In its stead, we sat down with Jetset to answer a few questions we had to get the scope of this new project and what made him want to get this started. Enjoy the song – it’s a free download by the way – and read up on what is likely to be a momentous journey forward for Jetset.

TMN: What got you started in music?

J: I’ve been listening to music and playing instruments my whole life. It was as I dug deeper into the rabbit hole that I realized the true value behind the ability to express myself through art. I really love creating through as many outlets as possible and want to work through other outlets in the future too! It’s like, why limit myself to just making music?

TMN: You previously had a gaming channel on Youtube, is your music influenced by anything from the games you’ve played?

J: Inspiration works in weird ways and I’ve found that from games, it comes in a more emotional form for me. For some people, it may be a cool sample, but I’m more inspired by certain moods and scenes. I really tend to take more of a general mood or energy and write to that.

TMN: Why did you decide on “Flight” for the EP name?

I’ve always loved aviation and even wanted to be a pilot for a small portion of my childhood. For the first song, I was trying to find some announcer voice to start the EP but instead came across this cockpit recording. Things just kinda clicked with the name, and the EP had a theme over night!

TMN: If you could collaborate with three producers next year, who would they be?

J: I mean, I could hit you with some obvious ones like Skrillex but I’ll try and get a little more creative here. In the world of bass music I’d love to do something with Getter or Tisoki. Outside of that, I’d love to work with Thundercat one day. That dude is amazing!! Or break out my saxophone and do something with Kamasi Washington. I think that’s 5 total but oh well.

TMN: Speaking of next year, have anything planned already?

J: Not too much I can openly discuss. But I really want to step outside of the box more and just create whatever comes to mind. This EP is mostly dubstep but I really bounce between a lot of things and I want to showcase that. Fun fact, at the end of the final song there’s a melody that was supposed to be a seamless transition to a 5th tune. It was a super relaxing garage song that ended up getting cut. Who knows, maybe I’ll finally find a vocalist and it will see the light of day in a remix EP along with some VIPs and remixes from friends down the road completing it all finally. I do have a lot of music i’m sitting on that will be coming out throughout December and next year so I’m super excited for that!

Thanks for having me, I really appreciate all the support!

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Get To Know Khamsin With New Single + Q&A [TMN Interview]

Khamsin & LeMarquis
Leaving (feat. Saavan)

Khamsin has got it going on. He just released his “Leaving” collaboration alongside LeMarquis and Saavan that hosts the title for his EP, and he’s got an official remix coming out for ZHU by the end of the year.

Luckily, we caught up with the French producer in the dojo to answer a few of our questions ahead of the Holiday season. Before we get to the interview, let’s focus in on his EP’s title track, “Leaving,” which is currently out now on iTunes, alongside three other tracks. “Leaving” is a cool future bass record whose acoustic elements set it apart from the vast majority of similar tunes. Once your ears become privy to its lush tones, you’ll know exactly what we mean. Have a listen while you read through the short, but insightful Q&A we had the honor of hosting with Khamsin.

TMN: Can you tell us more about your origins as a producer? When did you first start producing and did you have any musical experience before that?

K: I’ve been into music production like 3 or 4 years ago thanks to a friend from high school. We started DJ’ing in my bedroom with a mask and post it on Youtube (Good old times ! Ahah), then he showed me a few how to create sounds from a computer. It was a kind of weird feeling for me, I was happy and excited about all the possibilities a DAW can afford and frustrated to not knowing that much at the same time. I started playing with sample & VST and I never followed any tutorials, I prefer discover myself to create my own workflow & tips.
I tried to learn guitar a few years before but I gave up (and I regret!). Today, I’m learning slowly but surely the piano & the drums.

TMN: Can you tell us more about where you’re from? What kind of music were your friends and other around you listening to when you were growing up?

K: I’m from a small village in south of France and I now live in Paris. I’ve been A LOT into Pop & Rock music as a teen with my friends, I remember listening to a lot of Red Hot Chili Peepers, Arctic Monkeys, The Verve, Oasis & also bands like Sum 41, Blink 182, Gorillaz… Then I discovered electronic music with Daft Punk, Justice & Ratatat. Apart of this, I have a strong love for RNB Classics & Classical music thanks to my Mom & Grandmother

TMN: I love how your music showcases elements of electronic, pop, and rock. How did you come to develop the current sound you have?

Thank you! I’m glad that you’re feeling all of these colors in my music. This was one of the main challenge around this EP, to build something that mix this future bass trend and some personal influences. As I said before, I have a Pop Rock background and I think it impact my music today more thane ever. I’m currently looking to get out of my comfort zone for the next project and melt more & more influences. I want to create a real identity around this project, a music & visual identity that’ll be the fruit of my experiences & what people attempt live.

TMN: Do you have any other upcoming remixes or collaborations we can look forward to?

K: I’m actually working on few new originals and as I said before I’m experimenting a lot of things with drums, synth, weird effects to find my own sound, something that fit with my vision of the project. In the meantime, I got two remixes coming out soon. I’m really excited about the remix I did for ZHU. It will be out by the end of the year, I just can’t wait to show it to you guys!

TMN: Do you have plans to tour anytime soon?

K: I’d love to, it’s in the plan for next year hopefully, I’ll still doing DJ sets for now, but I will start with my live set soon. With synth, drums & midi controllers, it’s a lot of work but damn I love doing this !

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Bad Royale Drop Unprecedented Acapella Pack & Chat In The Dojo [TMN Interview]

Bad Royale
Acapella Pack Vol 1

Ever since Bad Royale started, they’ve been doing their own thing. Even before that, they were doing their own thing. They’ve always done what they’ve wanted to do, while going at their own pace, which is really ridiculously fast. I mean, they once sent me over 50 unreleased songs like it was nothing.

Those songs eventually came out on several EPs and as singles over the course of the past year, and there’s still some left to be revealed. No matter what is going on, whether they are traveling around the world for shows, or releasing projects under each of their own monikers, Bad Royale are always cooking up something. They just don’t stop.

Their music is one of a kind, and so it their attitude. They’re truly here for the music and good times. They’re unselfish, and absolutely out of the box. There are plenty of reasons why, but right now we’re going to focus in on their unprecedented Halloween gift. Instead of releasing a stupid remix of Monster Mash or another Halloween song, they went ahead and released all of their acapellas.

You read that correctly producers. THEY RELEASED ALL OF THEIR ACAPELLAS. For free. That’s not something that just happens normally. Sure, you can find an acapella, or an artist will release one or two; but Bad Royale just delivered all their vocal work, which is a lot. The list of collaborators runs on and on. That’s a list you can go through though, just by downloading the acapella pack for free.

Because this type of thing doesn’t ever happen, we decided to invite the boys to the dojo for quick chat around this project, as well as what we can expect from them to bring an end to 2016. Stream the preview of the pack, read on, and most importantly, download and share this pack around. Your producer friends will thank you for it.

TMN: I already know the extent of how crazy you four are, but what made you guys want to giveaway all your vocals? Like quite literally all of them?

BR: We have been getting so many requests to remix our tracks or get the acapellas that we thought we would please everyone at once on Halloween with this treat.

TMN: You guys always partner with great collaborators, who have been your favorite to work with?

That is really hard to say, or at least to trim it down to just one it’s impossible to say. Experientially, we could say that our times in Trinidad with Bunji Garlin and the talents we have met there have been among the top.

TMN: With so many vocalists, there’s gotta be some funny studio stories. Care to share one?

We had to shoot an impromptu promotion video we had to make while we were recording with Voice. He was jet lagged and was finding it hard to record because he was so tired so we let him sleep in the back of the studio while we kept working. Little did he know we shot the promotion video and have him in it passed out, multiple times. We don’t think he ever found out… if he reads this, this will probably be news to him.

TMN: What can we expect from you guys to close out the year?

We have a lot of free tracks we are going to be releasing for Carnival alongside a couple releases on labels and remixes for some major artists, but there is one really special release coming in November, we can’t say yet but we know it’s really going to have a hype around it when it’s announced.

TMN: Lastly, just so our readers will get a sense of the group dynamics, can you describe each member with one word?

Maor: Jew
Elias: terrorist
Kevin: hairbro
Bruce: sleepy

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