Author Archives: Clayton Warwick

TMN Heads to Fabulous Las Vegas For XLIVE

If you added up all of the festival experiences across each and every one of our writers, you would stand in awe, jaw agape. It’s a lot. And, it’s not just because it’s part of the gig. It’s because we love each and every live music experience, from the smallest of dive bars, to the most elaborate main stages. They all hold a special place in the collective heart of our dojo.

For me, personally, I first fell in love with live music as a business at raves when I was a teenager. Mind you, these were the days where you had to call a phone number to find the event’s location. Yep, that’s right. We had no idea where we were going until the day of the party. But, that was part of the allure. The entire experience, from start-to-finish, was completely encompassing, to me. I loved the theatrics, the mystery, and everything that added up to create that.

That interest continued throughout the years, eventually leading me to the very same blog you find yourself on today. Live music is the one constant throughout my adult life, which is why I’m heading out to XLIVE in Vegas.

No, I’m not going to throw my own party some day. We won’t be hosting a TMN Festival next year, but you’d be crazy to think I wouldn’t want to experience teachings from those who craft the biggest and best parties across the globe. Who are these industry leaders? Here’s a highlight of a few of them: AEG Presents, Firefly, Electric Daisy Carnival, Goldenvoice, Superfly, The Confluence, Country Music Association, Newport Jazz Festival, Bonnaroo, Life is Beautiful, Coachella, OutsideLands, FYF Festival, Lost Lake Festival, and on, and on.

The Las Vegas-based conference covers numerous different facets across the live music space, covering everything from ticketing, to event tech, to even security. While I’m sure I’ll find myself popping in and out of different presentations, I’m admittedly most excited for the following talks:

Lessons Learned From The Year’s Biggest Failures : Tim Epstein: Partner, Duggan Bertsch

A Show Of Their Own: The Rise Of Artist Championed Festivals – Sam Hunt: Agent, Paradigm Talent Agency / Phil Quist: Agent, CAA

Keep It Local: Including Local Artists And Emerging Talent In Your Lineup – Adam Chernick: Co-Founder & Director Of Operations / Arcartists Craig Asher Nyman: Head Of Music & Live Performances, Life Is Beautiful / Kurt Melien: President, Live Nation Nevada / Trevor Solomon, Boston Calling

Multi-Platform Juggernauts in Your Town: The Explosion of Radio Station Concerts & Events – Gary Krantz: Krantz Media Group

Turn it to Eleven: Elevating the Fan Experience – Emily Cox: AC Entertainment, Lindsay Glatz: LUNA FETE

The Future is Female: How Women are Playing a Crucial Role in the Creation of Extraordinary Live Events – Kate Levenstien: Cannonball Productions, Martha Donato: MAD Event Management, Emily Cox: AC Entertainment

The best part about this conference? You can still pick up tickets and come hang out with your favorite bloggers. Ok, that might not be the best thing, but it is, well, a thing. Click here to buy your pass and let’s hang in Sin City!

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Moncrieff – Symptoms [TMN VIDEO PREMIERE]

Moncrieff
Symptoms

For a debut release, “Symptoms” is one hell of a first look. Soulful, bluesy, and larger than life, it immidiately grabs a hold, refusing to let you go.

This is the first experience I’ve had with Moncrieff, and I’m sure some of you are in the same boat. Yet, it shouldn’t take you more than thirty seconds before you realize that you’ll soon be hearing more and more of this London-based raconteur.

“Symptoms” certainly displays an anthemic nature, one which alludes to sync deals lining up around the block. Set to the backdrop of haunting guitar riffs, big, booming percussion, and rhythmic claps, it’s a genuine thrill ride through-and-through. While the instrumentals are immensely powerful, they wouldn’t be as impactful without the most engaging part of this experience — the god damn vocals. Lyrics, resonance, and vocal tone combined — they’re just so, so good.

Symptoms is essentially a song for people who’s only religion is for making bad decisions”. There is something irresistible about being in a slightly unpredictable relationship. Somehow the highs and good times seem so much more vivid and defined. Not good for your health on many different levels but that doesn’t stop people from choosing it.

Though the track has been out for a month now, we’re bringing you the first look at the accompanying music video. Taking inspiration from Quentin Tarantino and neo-noir films, both of which have influenced Moncreiff’s songwriting, it’s as thrilling as the track itself. Which, says quite a bit.

Before you dive in, though, please note that he has two live shows coming up, which you should really check out, if you can swing it.

October 1st, London, Notting Hill Arts Club (Communion showcase)
October 3rd, New York, Rockwood Music Hall (Communion showcase)

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Malena Zavala – If It Goes [TMN PREMIERE]

Malena Zavala
If It Goes

This is, admittedly, the first time I’ve heard anything from Argentinian-born Malena Zavala, but it only took one spin through “If It Goes” to hook me in for the long haul.

Following up on her last single, “Should I Try,” this alluring songstress is offering up her newest single via your favorite neighborhood music blogger. “If It Goes” is a positively enchanting number, complete with soft, Latin guitar work, and subtle, humming basslines. Malena’s verses call on associations of early Lana Del Rey, showcasing a seductive style from the get go. Yet, as dreamy as those words are, paired up with luscious guitar notes, it’s her falsetto in the chorus that really gets me. I’m pretty sure you’ll agree.

Aside from a bevy on influences, including one of my all-time favorites, Devendra Banhart, this song was inspired mainly by her mother.

The song connects me to my South American roots through my mothers’ Latino feminine character which she passed down to me. That fire is one of my only perceptions of my roots and I had a definite fear of losing that growing up in a different country/ in a different culture. It wouldn’t be me if I lost it.

If you’re enjoying this tune as much as I am, I highly recommend heading out and supporting her live show.

September 22nd , London, St Pancras Old Church *
October 24th, Cologne, Artheatre **
October 25th , Hamburg, Mojo Jazz Café **
October 29th , Amsterdam, Sugarfactory **
October 30th , Utrecht, Club Nine **
December 8th , Manchester, The Castle **
December 11th , Bristol, Louisiana **
December 12th , London, Hoxton Square Bar & Kitchen **

* Supporting Westerman
** Supporting Blanco White

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White Room – Cable-Built Dreamland [TMN PREMIERE]

White Room
Cable-Built Dreamland

“Cable-Built Dreamland” is a trippy walk back, past a couple of decades, landing squarely on the corner of Haight and Ashbury sometime in the late 60s. Crunchy guitar riffs are paired perfectly with soaring basslines, and radio-friendly choruses, making whoever is enjoying this audible trip through the space-time continuum want to sprawl out on the floor with a tasty joint, a hoppy IPA, and some top-notch speakers. In fact, when I’m done writing this, I might do just that.

Until then, I will let you know that this peach of a track is coming to you via fresh, new indie rockers, White Room and the fine people at Deltasonic Records (The Coral, Vryll Society). It’s the latest offering from their upcoming EP, Eight, which I’m eagerly waiting to dig into further after hearing this gem.

As I mentioned before, it definitely bubbles up with influences from well beyond these cats’ times. Yet, as much as it beckons on an entirely different era of music, it maintains plenty of modern pop sensibility that could very well swing some youngsters into exploring their grandparent’s vinyl collection in the basement. And, for that, I’d like to offer up a profuse message of gratitude. It’s not every day an act can pull off a decade-transcending feat like “Cable Built Dreamland” does.

If you’re digging this tune, I’m guessing you’ll dig their live show. Find a date below and go pick up some tickets.

Live Dates:
Oct 22 – The Loft, Southampton (w/The Vryll Society)
Oct 23 – Hoxton Square Bar & Kitchen, London (w/The Vryll Society)
Nov 25 – Live At Leeds Big In 2018 Showcase

Debut Headline Tour
Nov 27 – The Hope & Ruin, Brighton
Nov 28 – The Shacklewell Arms, London
Nov 29 – Actress & Bishop, Birmingham
Nov 30 – The Magnet, Liverpool
Dec 02 – The Eagle Inn, Manchester

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Sleep Millennium – Machines [TMN VIDEO PREMIERE]

After a long, arduous week, I often find myself slipping into a neat glass of whiskey, winding down with a choice selection of tunes. Sometimes the atmosphere lends itself to the dreary nature of the preceding days, which, coincidentally, seems to bring me up and out of my work-induced haze.

Among the usual cast — Nick Drake, Pink Floyd, Elliot Smith — there are always a spattering of up and coming acts, and Sleep Millennium is one of them. If you’re not quite up to speed with this Portland-based five-piece, don’t panic. You’ll be well acquainted after today.

“Machines” is the latest offering from Josh Schroeder (vocals, guitar), Miranda Vettrus (synth, guitar, vocals), Ronan Baker (guitar, vocals), Jarred Venti (bass, vocals) and Joshua Hawkins (drums, vocals). As expected, this offering is absolutely gorgeous; a well-thought out and well-produced gem through and through.

With crackling atmospheric noise and dancing keys setting the tone at the get-go, “Machine” subtly comes out of a deep slumber. Soft, acoustic strumming and Josh’s enveloping vocals are warm and familiar, however, the addition of sparingly-used, piercing, electric guitar riffs particularly grabbed a hold of me. In fact, I couldn’t help but notice the nod to Pink Floyd here, whether it was intentional or subconscious.

If you’re digging “Machines,” make sure to tune in for the rest of the debut full album, which officially releases in April of 2018.

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Vilde – Just Visiting [TMN VIDEO PREMIERE]

Vilde
Just Visiting

I’ve been enamored with the quirky, unpredictable, and off-the-beaten path Vilde since April, when I had the opportunity to premiere “Maintain.” Today, I find myself in another dreamy trance, completely encompassed by unconventional, yet rather irresistible offerings from this Melbourne-born, Stockholm-based artist.

The combination of distortion-rich basslines, fluttering synths, and clean guitar work set the perfect backdrop for Vilde’s inventive vocals, welcoming listeners into another piece of his debut collection, Study Dance. As much as it is calming, “Just Visiting” is equally engaging, presenting a weird set of emotions throughout the ride. My advice? Just sit back and succomb. It’s an otherworldly experience.

This track wraps up the collection, which you can check out here. If you happen to be in either London or Stockholm next month, make sure to head out and catch his live show. You can find all the important details right here.

Video produced & edited by Elin Ghersinich.

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Martin Luke Brown – Opalite [TMN PREMIERE]

In all honesty, it’s been a while since I’ve reviewed something. I’ve been in a weird spot musically, combing back through albums from my youth, unimpressed with a lot of recently released work. While I’m sure you give a proper shit about what I’ve been listening to, you should know that Martin Luke Brown broke me out of that spell.

“Opalite,” his second single on Manchester indie label LAB Records, is a slightly more pop-forward track than his last release, “Into Yellow.” However, as much as it delves into something you might catch on the radio or a commercial for a trendy brand, it still maintains a rugged, real, and intrepid personality. That’s mostly thanks in part to MLB’s gritty, yet still wonderfully, soulful voice which immidiately grabs you.

‘Opalite’ as a song began with this hypnotic little drum loop and the words just came out. I write placeholder lyrics all the time and then chip away at them until they’re complete but I pretty much stuck with what rolled on ‘Opalite’. It just felt right. It’s about finding hope in something and not wanting to let it go. Whether you find that hope in superstition or religion or love. Whatever really

Gorgeous vocals aside, there is plenty of instrumental intrigue that will have you nodding in approval. I can personally attest to this and would like to offer a wholesome thank you. MLB, you’re talents have broken this old musical curmudgeon out of gridlock. I’m now flying down the highway, jamming to “Opalite,” grinning ear-to-ear.

Make sure to check out Martin Luke Brown’s work beyond “Opalite,” as it’s simply brilliant. I’ve included “Into Yellow” below, because I just couldn’t help myself. It’s that good.

’Opalite’
’Into Yellow’

Artwork Credit: Bjorn Franklin

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