James Vincent McMorrow Discusses “How to Waste a Moment,” Remixers, and Breakfast in America [EXCLUSIVE INTERVIEW]

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There shouldn’t be any doubt in any of our reader’s minds with regards to our unwavering affinity for Mr. James Vincent McMorrow, or JVM, as so many of you lovingly call him. Dating all the way back to April of 2011, we’ve been enamored with his unique, intoxicating, and highly addictive vocal tone and style, continually waiting for each and every new release.

After seeing JVM a few times in different cities across the states, we were finally able to catch up with him and have a quick chat about his marathon of touring, the upcoming album, and, of course, breakfast food in America.

TMN: Hey James. Thanks for sitting down with us tonight. Is this your first time in the Mile High City?

JVM: Yeah. Is that what you call it? Mile High City?

TMN: Yep. We’re 5,280 feet above sea level. You just performed at Mishawaka, which we’ve somehow never been to. How was your experience up there?

JVM: Yeah. Saw a Bear. Played by a roaring river. It was cool…it’s a strange little V. It’s a narrow strip of land because you have the river here, and the road here (gesturing with his hands), and you have this little bar there. Beautiful bar, actually – really good food and nice people. It felt a little bit like playing in Austin, at Stubbs…if you’ve ever been there. Outdoor. Dirt floor. Rickety stage. It was really atmospheric. Once it got dark, it was real cool.

This is the fun period. We’ve done 150 shows since the last record came out. This is the end of the cycle. It wasn’t ever on my bucket list, to play the Mishawaka, but it really cool. It was a co-bill with a band called Dawes, which we don’t overlap crowds a whole lot. My crowd is very different from their crowd. So, that means there’s a lot of people there that are like – “impress me.” Which, I love. It’s cool.

TMN: Over the past few years, you’ve done quite a bit of touring through the states. We’ve had the pleasure of catching you at Coachella and in New York. What have some of your highlights been?

JVM: My highlights are like – in the last two years – playing two nights in the Sydney Opera House. That’s just not something I ever expected to happen. It’s such an iconic place. Selling out two nights there was a real moment for me – a real marker – to a level we had never been before. We had done shows in Australia in January for like 700 people, and we were like “we’ll be back.” Then we came back and sell it (Sydney Opera House) out in super quick time.

Coachella was cool, even though it was a stressful tour to me. That tour was amazing because we sold everything out. Even though crazy stuff was was happening to us logistically, every show was amazing. It was so much fun. It felt like the 70’s or something – shit would go wrong and we couldn’t fix it, so we would just have to roll with it. That whole tour was a whole moment.

There’s a festival in Ireland called Electric Picnic, and we headlined on Saturday night. That was really special for me, because that’s a big festival for an Irish person.

Those are the ones that jump out to me.

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[Chill-out] James Vincent McMorrow – Glacier (Atu Remix)

James Vincent McMorrow
Glacier (Atu Remix)

Another super talented artist under Soulection Atu recently released this remix of a James Vincent McMorrow song titled “Glacier”, and as it came to no surprise to us, it became another instant classic. Moving away from the usual indie folk elements, the original is more of a soulful vocal magnum opus. Atu changes the scene of the tune by creating R&B ticks and chillwave beats ad putting them with the vocals of Mr. McMorrow. It takes you on a journey through Atu’s dream filled with chill-out vibes. This here is one of those songs that leave you pondering life and whatnot.

With such high production value, this tune is the epitome of Atu’s work. He always manages to pick the most suitable tracks to remix with. While we would love to see more of his musical diversity, there is no doubt he is one of the best in doing what he’s doing.

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