[Remix Package] HELENA – Levity

HELENA Remixes EP

Rewind a couple of months and rising star HELENA released the highly infectious ‘Levity’ ft. Shawnee Taylor on Ultra. It certainly hit the spot for fans and DJs alike and remains a staple on the electro house circuit to this day. Now, to be released on July 28th via the label, a four-track remix EP lands – manipulating the original’s vocal hook and pulsating rhythm to new territory.

Stepping up first is young New York producer Fareoh, who delivers a gently building remix based around the soft use of piano in the intro. For those wanting a deeper and slightly darker sound, Maarcos is your man. Going for a more tech-inspired rework, he uses the ricocheting pulse with intense detailing. None of the energy is lost, but it’s a chanced to delve beyond the obvious core of the tune. Italian duo Merk & Kremont provide the third addition, pouring in their trademark groove and bounce, and making their edit full of fun. The fourth and final remix is yet to be revealed, and HELENA will have selected a winner from a recent TalentHouse competition.

HELENA feat. Shawnee Taylor (Fareoh Remix)
HELENA feat Shawnee Taylor
Levity (Merk & Kremont Remix)
HELENA feat. Shawnee Taylor
Levity (Maarcos Remix)

This EP is a delicious collection of new sounds, taking an already classic sun-soaked anthem to new heights. Pre order a copy here.

 

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[Folk] Jeremy Loops – Skinny Blues

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Jeremy Loops
Skinny Blues

In our eyes, the mark of a truly impressive folk song is the ability to completely submerge the listener in the artist’s story, making them feel an intimate connection with what’s being verbally illustrated.

Hailing from Cape Town, South Africa, Jeremy Loops has captured Americana effortlessly, combining engrossing story telling with upbeat percussion worthy of the dustiest of dive bars. Set with the backdrop of waves clashing against the shoreline, this tune is brought to life with intricate guitar work, delicate banjo picking, and stunning vocal harmonies. Most impressively though, we can’t seem to over the flawless switch between gritty southern rock vocals and falsetto howls which Loops nails with eye-opening ease.

If you’re in a shit-kickin’, boot-wearin’, beer-drinkin’ mood, look no further. “Skinny Blues” has all of that wrapped up to perfection in just over three minutes.

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[Indie Folk] The Travelling Band – Passing Ships

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The Travelling Band
Passing Ships

Here’s a feel-good track for you. It has been a while since they last released something, but like many other British folk groups, The Travelling Band never disappoints. This recent single features a smooth and beautiful instrumental consisted of various instruments without overshadowing the vocals. This new sound in recent folk music is driving the indie scene and is used by front runners of the genre like Edward Sharpe and the Magnetic Zeros, Of Monster and Men, etc.

For those who’ve always been a sucker for songs that have a good buildup, this track delivers all that and more. The harmonization of the vocals, and the upbeat, yet subtle climb towards the end of the song just all come together magically. It reminds us of the famous one-hit wonder “Welcome Home” by Radical Face. In all honesty, it’s so good that you could imagine a snippet of this song being featured in a commercial, being listened to on the way to school or work in hopes of it brightening up your day.

With their new album releasing on Aug 25, the band is currently getting ready to go on tour in the UK starting August. Needless to say, we are really excited to see what new music this group has to offer.

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[Folk] Ánders – I Wish (You Were Mine)

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Ánders
I Wish (You Were Mine)

Let’s face it, there’s not a single one of you who can’t relate to this song. Through the years, we’ve all experienced a wistful longing for a member of the opposite, or same sex. There’s been that certain someone that just won’t leave your mind, no matter how hard you try, how much you drink, or how much you cry. Even if that person might not be the best thing for you, in your mind, they’re all that matters.

Swiss-Australian folk vocalist Ánders seems to capture the aforementioned situation perfectly, flawlessly tugging on listener’s heartstrings. Comprised of clean guitar work, subdued synths luscious vocals, “I Wish (You Were Mine)” carries a self-reflective message that hits close to home.

As a debut release, we can say that we’re overwhelmingly impressed, instantly expecting great things from this budding young artist. On top of a stellar first song, he also put together an impressive video featuring twelve strangers calling that one person they wish were theirs. Check it out below.

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[Trap] Bastille & Audien & Party Thieves – Pompeii (Slander Heaven Trap Edit)

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Pompeii (Slander Heaven Trap Edit)
Bastille & Audien & Party Thieves

Tuesday seems to be an all-around disaster and we really need a good pick-me-up to turn that frown upside down. We think you all need a little dose of sunshine after SoundCloud decided to give up on us earlier this morning and afternoon. Now that SoundCloud got their crap together we can finally give you something to smile about all thanks to a TMN favorite, Slander.

The deep house, heaven trap producers have proved to us all that there really is no limitations when it comes to production. A few weeks ago the duo snagged the #1 spot on Hypem with their stunning deep house remix of Gorgon City’s, “Here For You” and we had some nice things to say about that remix in particular. Well ninjas, Slander is back at it again and this time with a melodic trap edit of Audien and Party Thieves remixes of Bastille’s famous song, “Pompeii”. From the very beginning, we are introduced with a synth-heavy lead, a wicked clap, and that oh so familiar Audien piano touch and uplifting progressive build. As soon as you reach the break you instantly feel as if you have been lifted up into the cosmos to float amidst an ocean full of beauty. We know that this tune will give you a much needed boost to get you through the rest of your day so press play and take off in your little spaceship to heaven.

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[Melodic House] Bebe Rexha – Drinking About You (The Chainsmokers Remix)

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Bebe Rexha
Drinking About You (The Chainsmokers Remix)

The Chainsmokers are so much more than their big room house hit “#Selfie,” and this is proven to be true with their latest remix release, “Drinking About You.” Singer Bebe Rexha gets her dub tune reworked by the New York duo, who layer lush piano chords atop angelic vocals, resulting in a slowed down melodic anthem that’s upbeat, yet serene.

The boys, who just finished wrapping up their world tour, are now settling back in the studio to prepare for the drop of their second original track entitled “Kanye.” We have no idea what to expect, but The Chainsmokers assure us that “Kanye” is the perfect follow up to “#Selfie”, without any bullshit.

“Drinking About You” will be available for purchase in September via Warner. Check back here next Tuesday, Aug 5 for the release of “Kanye.”

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Enzo Bennet – Interview and Mini-mix [TMN EXCLUSIVE]

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Enzo Bennet
The Colours Mix (mau5trap)

We recently had a chance to catch up with mau5trap Records up-and-coming artist, Enzo Bennet, asking a few choice questions regarding his signing to Deadmau5′s legendary label, and his newly released EP. To accompany this quick Q&A session, this youngster threw in a sweet little mini-mix to give you a soundtrack to read to.

TRACKLIST:
1 – Marek Hemmann – Zunder
2 – Jamie Woon – Shoulda (Fabich & Ferdinand Weber Remix)
3 – Worakls – Good Night My Love
4 – Go Freek – We Can Ride (Dom Dolla Remix)
5 – Monomotion – Coma
6 – Fehrplay – Everywhere You Go
7 – Enzo Bennet – Zen
8 – Pryda & Empire Of The Sun – We Are The Mirage (Roman Kay Intro Bootleg)
9 – Mord Fustang – Something Right Meow

TMN: Hey Enzo, thank you so much for taking a minute to chat with us. First up, let’s talk about this upcoming EP, The Colours. What was the inspiration behind this EP?

Enzo: When it comes to music, for me, it’s not about seeing something or hearing something, and feeling inspired to create something because of it. My brain doesn’t work like that. It’s more of a subliminal, unconscious build up of experiences and feelings that manifest themselves without me even realizing. My ideas come in bursts and at strange times. I could be sitting eating my breakfast when a melody will just pop into my head, so I rush to the computer and get it down in a really simple format. Once I have that, I will just flesh it out as it comes to me. Sometimes I’m walking around all day with just that original melody playing in my head and my brain will just add in something out of the blue. I spend the rest of the day replaying it in my mind so that as soon as I get home, I can add it to the track. Sometimes I even call myself and leave a message on my voicemail, singing the melody so I don’t forget, haha. But it’s taken me a long time to get my skill level up to this point. The production for Zen & Colours started 3 years ago, but it’s taken me this long to bring them up to the standard you hear now.

TMN: The first song, “Colours,” is an incredibly melodic and progressive body of work, focusing highly on a drawn out journey. On the other hand, “Zen” has a much dancier feel, sporting a driving bassline and some club friendly kicks. Walk us through how you approached the production for each song.

Enzo: Production is pretty similar to what I mentioned above, but essentially the melody will come to me at random times. Or sometimes I sit myself down and literally just play around with notes on FruityLoop, and the pieces kind of just fall into place. You would not believe how many demos I have. I get inspired by new melodies so easily that it’s almost like an addiction. I can’t leave my chair until I get the track to where I want it to be. There’s a track that I’ve been working on for a while now that I practically did just in one night. I was just on the computer, and this melody came to me. From that moment on, I couldn’t stop. I was up until 10am the next morning. I think my mum thinks I’m crazy, haha. She’ll be getting up to go to work and find me still awake working.

TMN: In listening to your music, we can definitely pick up on why you’re signed to mau5trap! What has that experience been like for you so far?

Enzo: The experience has definitely been insane, in this industry its so hard to get noticed and get your stuff out there, let alone to find a record label who’s willing to give you a chance. I still remember the message I got from Mau5trap on Soundcloud. It was surreal. To be honest, I still can’t believe this is all happening. My friends find it weird cuz I’m not going crazy with excitement, but to be honest, it’s because I feel like it’s too good to be true! I don’t want to jinx it!

TMN: Are their any inter-label collaborations you’re working on that we can be privy to?

Enzo: At the moment, most of the focus is just on the EP and all the work that goes into that, but in the near future I think anything is possible!

TMN: Back to your music, it seems like there’s layer upon layer which creates an incredibly atmospheric listening for the experience. While there are plenty of EDM associations we can call on, we can’t help but think you listen to a lot of Tycho and Bonobo. Are we on point there?

Enzo: To be honest, I literally listen to everything. Bonobo and Tycho and definitely in there, but so is a lot of other stuff. I actually have a Soundcloud page where I post all the amazing tracks I find. I know a lot of blogs and sites, that I search on regularly to look for new tracks. I love great rap and hip hop, especially when there is a great instrumental accompanying it. I listen to alot of deep house, progressive house and electro, pretty much everything. As a producer, you can tell when the artist has put alot of work and thought into the track, you pick up the little things. So, if the track is good, and it’s got good workmanship, it’s hard for me not to like it. Does that make sense? haha

TMN: You’re from France originally, but now living in the UK. What brought you to the decision to make the jump?

Well I got accepted into the Point Blank music college, which is an amazing music school. It was tough though, because everyone at the school had a really strong command of the language, but my English was quiet weak compared to my peers. So, it was a pretty steep learning curve for me, but I learned a lot. Living away from home and having to be self-sufficient and all that helped me grow up a lot. I learned a lot about the importance of self-motivation and how to stay focused.

TMN: How do you feel your studies at top notch music schools have helped your career?

Enzo: Funnily enough, I actually dropped out half way through my course. Don’t get me wrong, the school is incredible; best equipment, best teachers, amazing people, everything. The difference with me was that I had already taught myself a lot of the stuff they were teaching us. I’d watched a ridiculous amount of YouTube tutorials about mixing & mastering techniques, so when I started going to classes, I already knew a lot of stuff they were teaching us. I like to do things myself, so I like being my own teacher because you can learn exactly what you want to learn. It’s great. It’s like a tailored education, haha. By the time i dropped out, I’d had all of my computer stuff shipped to my flat in London so I was already producing like crazy (which is around the time I finished producing Colours), and school meant that I had to give up valuable production time. So, I decided to go it on my own, and it was the best decision i ever made. It feels great taking a decision like that and having it pay off. But I still speak to my friends from Point Blank, a lot of them are popular artists right now like Felix Jaehn and Gunes Ergun, and are based all over the world now. I made some amazing contacts and some amazing friends.

TMN: Is this something you suggest up and coming artists to look at if they want to further themselves as musicians?

Enzo: I think everyone is different, and you have to do what works for you as an artist. What I definitely do suggest, music school or no music school, is educate yourself independently. YouTube tutorials, like I mentioned, taught me an insurmountable amount of stuff, from mixing techniques, sound engineering, mastering, ect. All the information you need is out there, you just have to be willing to sit down for hours at a time, absorb as much information as you can, and apply it straight away. So that it sticks in your mind. Practical learning is the best learning, in my opinion.

TMN: Alright, let’s wrap this up by talking about what’s on deck for you, aside from this EP. Any shows coming up? Tour dates? More music? Thank you so much for your time.

Enzo: No shows or tour dates for the moment, but like I said, the whole process is still only in it’s early stages, so anything is possible. And music… there’s always more music. Theres a few at the moment that I’m about to finish, just putting on the final touches on. One in particular I’m really excited about. I think it’s gonna go down really nicely, just in time for the end of summer. Will keep you posted!

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