[16 To End 2016] Ninja Dom Edition

#1 – “Tangle Formations” by Explosions In The Sky from their seventh studio Album, The Wilderness.

  • The experimental post-rock band has moved past their days of scoring Friday Night Lights and set their sights on even more ambitious goals with a reinvented sound. The Wildnerness is as much of a conceptual and enjoyable journey as the previous projects, but with more structure and direction.
Explosions In The Sky
Tangle Formations

#2 – “Laputa (Taylor McFerrin Remix)” by Hiatus Kaiyote from their remix LP, Recalibrations Vol. 1.

  • After releasing one of my favorite projects from 2015, the Early Riser LP, McFerrin made another splash this past May by reimagining a track from Hiatus Kaiyote’s 2015 album Choose your Weapon.
Hiatus Kaiyote
Laputa (Taylor McFerrin Remix) (feat. Anderson .Paak)

#3 – “It’s A Memory Feat. Elohim and Mansions on the Moon (Amtrac Remix) by Fred Falke from his remix EP, It’s A Memory – the Remixes.

  • In an unsurprising turn of events, Amtrac has put together the most impressive EDM remix of 2016, fusing the elements laid out by Fred Falke with his own brand of wizardry to create a one-of-a-kind track.
Fred Falke
It’s A Memory ft. Elohim, Mansions On The Moon (Amtrac Remix)

#4 – “Earth Girls” by Jesse Boykins III from his mixtape, Bartholomew.

  • While the album has features from the likes of Noname, Little Simz, Willow Smith, Syd, Mick Jenkins and others, his best work is done on a solo piece, Earth Girls. I wrote about this song earlier this year here.
Jesse Boykins III
Earth Girls

#5 – “Nights” by Frank Ocean from his second studio album, Blonde.

  • While it took Frank 4 years to give us another album, he certainly delivered with Blonde. In releasing his 2016-version of “Pyramids”, Frank gives us a growing piece that stands up to any criticism lobbed his way.
Frank Ocean
Nights

#6 – “Ultralight Beam Feat. Kelly Price, Donnie Trumpet, Chance the Rapper, The-Dream and Kirk Franklin” by Kanye West from The Life of Pablo.

  • The introduction track from the most hyped release of 2016 also gave us the best hip hop verse of the year – in addition to the most diverse contributors to a single track. Another instant classic to go in Kanye’s hall of fame catalog.
Kanye West
Ultralight Beat (feat. Chance The Rapper)

#7 – “My True Name” by Bloc Party. from their fifth studio album, Hymns.

  • 4 years after the release of Four, and after a major band member shakeup no less, Bloc Party returned to the studio headed by Kele to deliver one last time with another intimate, topical record.
Bloc Party
My True Name

#8 – “With Me” by Lane 8 from his project, This Never Happened.

  • The Leipzig-based producer started out 2016 with “Midnight” and has been a beacon of consistency for the electronic music world. Each of his releases have been of superb quality, but “With Me” is the best of the bunch. I wrote about it earlier this year here.
Lane 8
With Me

#9 – “All Night Feat. Knox Fortune (Kaytranada Remix)” by Chance the Rapper from Kaytranada’s 0.001% mixtape.

  • In a year where Kaytranada finally got over the hump, graduating from blogospher fame to mainstrem musical fame, he took a victory lap of sorts in the latter months, giving us some of his best material yet. His remix to Chance’s “All Night” will be a mainstay in dance clubs for many months to come.
Chance The Rapper
All Night (feat. Knox Fortune) (Kaytranada Remix)

#10 – “Alaska” by Maggie Rogers.

  • Maggie Roger’s rise based on the strength of Alaska mirrored the same path Ryn Weaver took after her song Octahate became the flavor of the year in 2014. While Roger has not yet amassed the same following, her single is as impressive and minimalistic as one could hope for from a debut.
Maggie Rogers
Alaska

#11 – “Eva” by Punctual.

  • As an eclectic deep house track with samples and influences ranging from Indian pop to 80’s synth, Eva is as groundbreaking and novel today as it was the first few hundred times I listened to it.
Punctual
Eva

#12 – “Clementine Feat. Lex Famous” by Rambo V.

  • Claiming this song as “Soul House”, Rambo V set off the soundtrack to my summer with Clementine. This dreamy, fun-loving track grooves along fusing the line beautifully between future bass and house.
Rambo V
Clementine Ft. Lex Famous

#13 – “All Night Feat. Dornik” by SG Lewis.

  • SG Lewis released one of my early picks for song of the year, dropping All Night with Dornik in February. This track harnesses some of the emotion captured in his previous classic “Warm” while adding a more upbeat, poppy spin to the piece.
SG Lewis
All Night(ft. Dornik)

#14 – “Homemade” by Matthew Chaim.

  • Hailing from Montreal, this Canadian pop producer unleashed a catchy piece along with the help of Noah Barer and Cavewerk earlier this year. I wrote about the track previously here.
Matthew Chaim
Homemade (prod. Noah Barer & Cavewerk)

#15 – “Gettin’ it Done” by Ross From Friends.

  • As perhaps the best named artist from this group of sixteen, Ross from Friends also put together one of the best house tunes to come out in 2016. While injecting elements of 90’s R&B with a persistently building bassline, the song has elements that appeal to a wide range of aficionados.
Ross From Friends
Gettin’ It Done’

#16 – “The Look” by Halpe and Sophie Meiers.

  • My favorite track that maybe 2% of my friends have heard before. This vocalist has a handful of mesmerizing tracks, but pairing with Halpe pushes The Look into another category entirely.
halpe
The Look w/ sophie meiers
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[Album Stream] Mansions On The Moon – Mansions on the Moon

There’s no hiding the fact that we’ve become just a little bit enamored with alt-pop Casanovas Mansions on the Moon. And on that note, we’ve been waiting ever so patiently for their debut long-player like good little ninjas for just slightly over four years now. Yesterday, the So-Cal ensemble finally released their self-titled album and truthfully, some of us have been looping it for just over 24 hours straight. We’ve previously covered a handful of singles –“Radio”, “The Truth”, “Don’t Tell”, “Somewhere Else Tonight”, “Heart Of The Moment”- but our ears have obviously been a bit more glued to the cuts in which we had never previously consumed including “Take A Ride”, “Notice Me” and “All There Is”. We got lead vocalist Ted Wendler to say a few words about each of the ten tracks contained within Mansions On The Moon, and here’s what one of our favorite indie-pop crooners graced us with:

1. “Radio” was written in response to growing pressure for the band to write a breakout radio pop single.  We set out to create a poppy track that ironically spoke of the growing lack of unoriginality in radio pop music today.

2. We wrote “Don’t Tell” while we were stranded in Scranton, Pennsylvania because our northeast coast dates were cancelled due to super storm Sandy.  We set up a studio in the hotel and made lemonade out of lemons.
3. “Somewhere Else Tonight” has been with the band for a very long time.  We’ve been playing it live for two years while we not so patiently waited for the completion of our first full length album.
4. “Where You Are” started with an instrumental foundation laid down by TRAKGIRL. Ted used a TC Helicon processor to achieve the robotic sound of the vocals.  Then we went hambodian in the studio to take it to where it is now.
5.  The lyrics for “Take A Ride” were written in Missoula Montana in 2006, the instrumental was completed with Paper Diamond in Boulder Colorado and the vocals were finally recorded in a closet in Los Feliz.
6. Ted first recorded the vocals for “Notice Me” over an acoustic arrangement.  The band, along with Sunny Norway and David Ott, used the original acapellas and took the song to a completely different space.  Maybe someday we will release the original acoustic version.
7. “The Truth” was the last song we wrote for the album.  Lane was insistent that it needed to be included in the release.  After Baby Jeff laid down the P-Funk the deal was sealed.
8. “Heart Of The Moment”  was written by our bassist Jeff and inspired by a spiritual revelation. We played the track for Zee Avi while hanging out at a friend’s apartment in downtown LA. She graciously accepted our request to sing on the song.  The version appearing on the album is remixed, re-arranged and remastered from its original release.
9. On “All There Is” Ben wrote the instrumental foundation for his mom as a birthday present.  Then Ted used this to write the lyrics.  We hope to inspire people to revisit forgotten dreams and goals they had in their youth, no matter how impossible they may seem.

10. Ted wrote “Time” while house sitting in the mountain town of Roanoke Virginia.  He spent that month prolifically writing and recording while a English bulldog named Oscar snored in the  background.

And there you have it. Now that you’ve got a bit of insight into the psyche of Mansions as they wrote their first album, take just under forty minutes and listen to their worthy entry into the LP format in its entirety below.

’Radio’
’Don’t Tell’
’Somewhere Else Tonight’
’Where You Are’
’Take A Ride’
’Notice Me’
’The Truth’
’Heart Of The Moment (ft. Zee Avi)’
’All There Is’
’Time (ft. Codi Caraco)’
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[Synth-Pop] Mansions on the Moon – The Truth

Mansions On The Moon
The Truth

Consistently churning out some of the most well-composed alt-pop burners has been the modus operandi of Mansions on the Moon since their inception. We’ve been attentive fans in some way, shape or form since their first ever Diplo produced mixtape and on. The So-Cal troupe has been leaking singles from their forthcoming debut self-titled LP since July, most notably “Don’t Tell” and “Somewhere Else Tonight”, and with today’s release of their latest exposed single “The Truth”, we’ve realized Mansions has something very textured and special to release to their fans very soon. Every track thus far has filled a different role, whether it’s an upbeat melodious pop opus, an indie-rock leaning gem or slow searing ballads; and “The Truth” slides into its own place nicely. With an airy, atmospheric 80’s soul, “The Truth” reveals yet another ripple of production psyche and we’re beyond excited for the album to drop. Happy Friday Ninjas, you made it. Now listen to some beautifully arranged indie-pop and let the feel goods wash over you.

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[Synth/Dance-Pop] Mansions on the Moon – Somewhere Else Tonight

Mansions On The Moon
Somewhere Else Tonight

With So-Cal alt-pop troupe Mansions on the Moon‘s debut LP release right around the corner in October, our anticipation has been piquing towards the group like never before. A few weeks back, the tasteful pop purveyors dropped the first single from the album, “Don’t Tell”, and today they’re back with the latest offering from their impending self-titled long player: “Somewhere Else Tonight”. Whereas “Don’t Tell” rode a more subdued dance melody, “Somewhere Else Tonight” feels much more aimed towards the dancehall than almost anything we’ve covered from MotM in the past. Their cadence rides more agile and quick than most anything within their library thus far, feeding on an expansive synth and perhaps our favorite vocalist in the entire indie landscape to bolster the tune’s entire sonic atmosphere. Speaking about “Somewhere Else Tonight”, the crafty ensemble of skilled musicians stated: “We wrote Somewhere Else Tonight during our first few months in Los Angeles.  The chorus was inspired by our move from East to West Coast .  After we wrote the verses, the lyrics became a metaphor, not only for getting out of one’s comfort zone but also for returning to a childlike, imaginative perspective towards mundane everyday life.” That inspirative vibe is absolutely felt with every kick, clap and synth stab contained in this four-minute pop stride, so do yourself a favor and feel it above.

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[Indie/Electro-Pop] Mansions on the Moon – Full Moon EP

One of our many favorite things to come out of the Golden State, Los Angeles’ Mansions on the Moon have been perfecting a gorgeous brand of downtempo, but incredibly inviting pop music since the release of their first mixtape Paradise Falls in 2011; and after 2012’s wonderful Lightyears EP which was produced by Pharrell Williams, we were ready for something ambitious from the continuously impressive four-piece. Thus, one year later, we have been exalted with their latest body of work: Full Moon. Totaling five tracks and only 19 minutes in length, Full Moon again peels back another layer of the band’s psyche while simultaneously setting the ceiling even higher on their ever abundant potential.

The extended play’s title track (a tune we shared last month, in case you missed it)  opens with a clean, popping snare, backed by an echoey choir sample and poppy synth line all wrapped in Ted Wendler’s reverb treated vocals. “Full Moon” serves as a wonderful thesis statement for the album, flaunting a large sampling of their talents and production skill all in one pretty package. Further padding out the EP’s sounds is the anthemic indie tune (if there is such a thing) “It’s Not Too Late”. Again, Wendler’s intonations are center stage but the clever instrumentation from Ben Hazelgrove on keys and Lane Shaw’s honed in drumming add such a unique fullness to not just “It’s Not Too Late”, but to the album as a whole.

As singles “Radio”, “It’s Not Too Late” and “Full Moon” had been teased and released in the past few months leading to Full Moon’s official release, the real treat comes in the form on two previously unheard collaborative tracks, “More Than Nothing” featuring Frank + Derol lead vocalist Codi Caraco and “Heart of the Moment” with Zee Avi. Both tunes provide a departure from the still to be determined “Mansions on the Moon Sound” and lie on different ends of the spectrum. “More Than Nothing” functions as a slow-burning electro-pop ballad featuring that always lovely back-and-forth male-female vocal play with a subdued MIDI hook gently pounding away and a welcome lead piano fusing the entire movement together seamlessly; whereas “Heart of the Moment” takes us into an 80’s discotechque with some bouncy synth work and very pop appropriate vocals.

Playing into the group’s altruistic nature, Full Moon has been self-released as a “pay what you want” download on Bandcamp, so even if you have a dollar to throw down, it would no doubt be amazing to see such a talented and selfless group of artists get a little bit of monetary compensation for their amazing gift to the world. If your listening wades in the waters of indie-pop, alt-rock, hip-hop and even house their is a little something to be consumed within this set of five tracks, so go ahead and grab the full release.

’Full Moon’
’It’s Not Too Late’
’More Than Nothing (ft. Codi)’
’Heart of the Moment (ft. Zee Avi)’
’Radio’
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[Electro Pop] Mansions on the Moon – Full Moon

Mansions on the Moon
Full Moon

There’s nothing quite like vocals over poppy synths and guitar. Through the years this has been a tried and true musical style. Some have tried at this and failed, and others have excelled. Take one listen to this track and you’ll know it’s the latter. While Mansions on the Moon might not be as big as you would expect, they’re certainly developing a sound that would indicate larger venues and crowds are well within their grasp.

We had the pleasure of hanging out with these guys when they came through with our buddies in Carousel. Their live show is just as warm and inviting as their studio production. What you hear in “Full Moon,” with it’s tropical synths and bass line, atmospheric elements, and high pitched howls translate perfectly into their live performance, creating an experience worth paying money for.

This tune is the title track off their new EP. Make sure to like them on facebook to keep up on new releases, tour info and more.

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[Event Review] Mansions on the Moon + Carousel – 4/26/13 in Denver, CO

Last Friday night saw a few of your trusty Music Ninjas catch up with two of our favorite So-Cal groups; Carousel (whom we had the pleasure of interviewing a few months ago; read it here) opening for Mansions on the Moon. Our evening with the laid-back dance-pop gurus was booked at perhaps the most intimate and acoustically appealing live venue in Denver, the Larimer Lounge, and marked the last date as opening tour support for MotM. This was most likely the last time to catch the boys live before they once again lock themselves inside their gorgeous studio for the next few months to record material for another upcoming EP; and let’s just say we were absolutely ecstatic to be a part of such a wonderfully paired show.

Armed with an army of trusty synthesizers, MIDI controllers, Kevin Friedman’s incendiary electric guitar and Jackson Phillips’ angelic but masculine vocals, Carousel took to the stage opening with one of their many viral hits “Know It’s Right”, and a collective crowd feeling began to set in, telling us that we were auspicious witnesses to two extraordinary musicians doing what they love and do best. It was actually a little difficult not to be consumed with a perma-smile from their happy dance sounds as they flitted between their slew of Hype Machine dominating singles including “Let’s Go Home”, “Where Have You Gone”, “Stay Awake” and a few gems from one of 2011’s most noteworthy debuts, the 26 Allston EP, aptly named for their address while attending the coveted Berklee School of Music. While this was our second time catching them live in Denver, we would like to think of this last gig as their real introduction to our music scene as there were almost triple the amount of listeners in attendance this time around, and most of them weren’t  as shy to twerk their proverbial stuff a little more freely either. Throughout such an entrancing, emotionally charged set, it also became easy to forget, when my eyes would drift away from the stage, that only two people were creating these sounds, rather than an entire backing band. But that endowment is part of the reason they remain one of our favorite bands here at TMN. Closing out the set was a toast to the crowd as the boys, who at this point were drenched in performance perspiration, downed a few shots of tequila and then perfectly crafted a brooding cover of Robyn’s anthem “Dancing On My Own” which featured full audience participation in belting out the chorus. There is just something strangely satisfying about seeing a good-looking male pair croon the lyric “I’m not the girl you’re taking home” and we’re pretty sure they have figured that out at this point as well. Carousel once again captured our hearts and imaginations in just over an hour, whilst setting the stage for the down-tempo, ambient pop-rock of fellow Californians Mansions on the Moon.

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