Livin In The 90s (prod. T_T) (feat. Jhabit$)
West coast hip-hop duo Ninety know how to translate good vibes into music drawing influence from their Bay Area predecessors and the classics of the genre more broadly. Gearing up to release their second project, Tyler Hawkins and MikeyCtheMan dropped off one of their best songs yet a few days ago demonstrating immense growth in the short time since their debut project.
“Livin in the 90s” brings an unprecedented level of energy with a bouncy, layered piano and synth driven instrumental courtesy fellow Bay native, T_Thrust, who actually has quite the following himself as the frontman for a metal band called Nekrogoblikon. Hawkins matches the production opening the song with a quick-hitting flow setting the tone for MCM who provides an equally animated delivery. The soulful hook from JHabit$ ties everything together adding the catchiness that will have you listening on repeat. This jam is perfect for a warm weekend outing. Peep above and look out for their forthcoming project at the end of this month.
Mexican Coke (prod. Knox Fortune)
Chicago’s Leather Corduroys, comprised of Kami de Chukwu and Joey Purp, are back at it. The hip-hop duo’s most recent project, Porno Music Vol. II, was one of our favorites this year and they’ve certainly hit the ground running with their latest offering. On “Mexican Coke,” both emcees spit some casually boastful lines about their extensive travels over playful production courtesy Knox Fortune. As much of the music that comes from their SaveMoney collective, this one’s a bouncy listen that could work equally well in a casual or party setting. Check it above.
VOICES IN MY HEAD ft. A$AP Ferg
Given the releases thus far, it is pretty safe to say that SBTRKT‘s upcoming album is going to be one of the best of the year. Each song has pushed genre boundaries in original ways and the A$AP Ferg-featuring “Voices In My Head” is, unsurprisingly, no exception. With an airy, yet ominous backdrop, Ferg diverges from his usual trapped-out style delivering a powerful, introspective verse with a versatile flow that adjusts to fit SBTRKT’s brooding, evolving instrumental. Wonder Where We Land is out on October 7th.
Our Love (Daphni Mix)
Caribou‘s return has been absolutely magnificent. Earlier today, on Annie Mac’s BBC Radio One mix, Daphni, the alter-ego of Caribou’s Dan Snaith, made his first return remixing the title track from the forthcoming album. While the original version of “Our Love” already holds a distinct dance feel, Daphni rearranges the bass-line and vocal sample to give it more of an underground, UK garage feel. Spanning over 7-minutes, this remix captivates the listener with its steady progression. Give this one a spin above–Our Love is out digitally on September 15h and can be pre-ordered via iTunes now.
LA-based rapper Sahtyre first surfaced last April with his debut mixtape, LSD (Prelude), which featured electronic production largely courtesy ninja-favorites Hippie Sabotage accompanied by gritty, yet thoughtful, rhymes. After being relatively quite for the last few months, the talented emcee dropped off an an enormous new song a couple days ago.
“Prince Thunder” employs a haunting sample of Prince‘s “Thunder” in tandem with a heavy, hypnotizing backdrop. Sahtyre showcases his quick flow, and insightful lyricism, leaving the listener ready for another project, which we hope is on the way. This will do just fine, though, to hold us over in the meantime.
Lana Del Rey
Ultraviolence (Datsik Remix)
It’s no secret that Lana Del Rey‘s film noir-esque voice lends itself wonderfully to the electronic remix. Dubstep veteran, Datsik, is the latest producer to reimagine Lana with his take on the title track from her latest album, Ultraviolence. Rather than completely change the vibe, Datsik adds a layer of heavy bass amplifying the somber feel and creating a wobbly masterpiece in the process. This one’s the perfect catalyst to kick off your Friday shenanigans.
Higher (ft. Raury)
Atlanta’s Raury has been seemingly omnipresent in the last couple months culminating in his excellent debut project, Indigo Child, and subsequent signing with Columbia Records. The young artist has an extremely versatile repertoire of styles, which although classified by many as hip-hop, incorporates a strong folk influence as well as impressive vocal melodies. More important than his genre-classification, though, is the evident passion portrayed in his music that has already earned him a loyal fan base and, in some ways, sparked a movement of its own. Although Raury tends to lean more towards singing, he has an incredible flow as evidenced in his recent freestyle on Sway in the Morning.
The latest Raury sighting comes in the form of his feature on SBTRKT‘s upcoming project, a song we’ve been waiting for since the tracklist was released a few weeks ago. “Higher” is the fourth glimpse into SBTRKT’s much-anticipated album Wonder Where We Land and might be our favorite yet. Over a minimal, electronic soundscape, Raury employs a quick-hitting stream-of-consciousness flow reminiscent of his ATL predecessor Andre 3000 with two particularly personal, and powerful, verses. Enjoy this one above and head over to iTunes to grab a pre-order of SBTRKT’s upcoming project, which drops on October 7th.