Thomston – Float (Anden Remix) [TMN Premiere]

Thomston
Float (Anden Remix)

NYC duo Anden are known to push boundaries and experiment with music outside of the norm. We’ve heard bouncy up beat dance tracks to dark and emotional ballads and the direction that it’s taken them has proven to be successful. “Float” is another prime example of how unafraid the duo is to think outside the box. The original track by Thomston boasts emotionally driven lyrics and a deep melody, but Anden digs even deeper adding their personal experiences and history into the track.

Anden does a great job of keeping their remixes close to the original while still giving it a personal flair for those who want a taste of both artistic touches. The lead synth brightens Thomston’s original yet doesn’t hinder the darker side of the track and while this song proves to be a bit different, it’s a good different and we’re excited to see what else these two have in store. I got the chance to ask the duo a few questions about the remix; check it out below and make sure to listen to the track which is also a free download.

TMN: How did doing this remix come about?

A: We first heard the original song at the beginning of the summer and immediately reached out to Thomston’s management about doing the remix. We connected very strongly with the vocal and the songwriting and are really excited we were able to do the remix. We actually finished it back in August, so we’re happy it’s finally out now!

TMN: What was the hardest part about it?

A: Our first ideas for the remix were to expand on the writing in the original and build out a longer arrangement. The initial sketches for the remix were around eight minutes in length (much like the final version), and so it was tough at first to commit to something that was already a bit unconventional. With a song this long, we wanted it to evolve and progress in order to stay interesting, so that was a really fun challenge we took on in our approach to the remix.

TMN: Favorite part about creating this remix?

A: Writing the lead synth part in the main breakdown of the song. We were hoping to have something more hopeful and elevating to contrast the darker feel of the chords and bass, and we’re really happy with how that section of the song came together. Technically speaking, we made that instrument with our Korg MS20 (a hardware synth), so the whole process had a very natural and organic feel to it.

TMN: You guys have been experimenting with darker and more emotional music, why is that?

We had a collection of experiences earlier on in the year that inspired this new sound – many were music specific experiences (parties we went to, etc), but others were more personal ones. One important personal experience was quitting a day job to do music full time. Along with the happiness and excitement of doing music for a living came an increased amount of anxiety and stress. Experiencing such an intense range of emotions definitely played a part in wanting to create music that captured that same feeling – something that is dark and melancholic, but also uplifting and beautiful.

TMN: Can you give a little insight on your production process for this remix? Did you try anything you may not have tried before?

A: Most of the writing actually happened very quickly, we wrote pretty much all the instrumentation in just about a day. There was still quite a bit of tweaking and fine-tuning after the fact, but we find that the songs where the ideas flow out quickly and naturally are often our favorite ones in the end. In terms of new things, not using a normal 4×4 kick drum pattern was a first for us!

TMN: When will we see another original track from you guys? and what does 2017 look like?

A: We actually are in the process of signing our first original record (more details to follow soon!) and are working with a few artists on a remix pack for it. That should be out early next year, along with a number of other remixes and originals we’ve been writing. We also recently started a monthly radio show called Sound Room, which you can check out on iTunes and Soundcloud. For performances, we are wrapping up the year with a show at Hammerstein Ballroom for NYE, and we will be hosting our 3rd popup party in NYC early next year. These popups have been an awesome way to showcase our recent work and take a unique space in the city and convert it into a house party for one night only.

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[Get Crunk] Friday Party Playlist (Vol 226)

Christmas is right around the corner. In true holiday spirit, we brought some extra music for you today in this edition of our Friday Party Playlist. You get your twelve tracks as usual, as well as a whole bunch more thanks to a celebratory Star Wars mix from Black Tiger Sex Machine. While you’re out partying after you see Rogue One, enjoy music from LUUDE, AGLORY, LOUD LUXURY, IMLAY, as well as artists who don’t fully capitalize their names including, but not limited to, Jayceeoh and Monsters on the Horizon, who close things out for us before the mix. Everything, including the mix, is downloadable for free, so make sure to run through and grab all the ones you want. Plenty of great tunes in here. You shouldn’t have a problem doing what we make you do best… that is, #danceirresponsibly.

’Steve James – In My Head (ft. RKCB) ~Kwon Flip~’
’Phiilo – Higher Places’
’LUUDE – Sooo’
’AGLORY – Kerosene’
’LOUD LUXURY – see it again’
’IMLAY & MYLK – Flower Flower’
’SHONSL Feat. Beka – “Nobody (Original Mix)” (Out Now!)’
’Vlien Boy & Montrose – Booty Sweat’
’Jayceeoh & Holly – Every Night (feat. Brewski)’
’TODIEFOR & Holly – Getting There’
’Pluto x ye. — Feel the Fire (Kids Want Techno Remix)’
’Moth (Dead Stare Remix)’
’Black Tiger Sex Machine – Futuristic Thriller Mix Part XIV’
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Helena Legend Talks New Direction, No Explanations Series & 2017 [TMN Interview]

It’s not easy for artists to master a new sound. It’s even harder for them to commit to trying something new, especially when they’ve had so much success with a signature style. However, that didn’t stop Helena Legend from putting together her strongest project yet, appropriately named No Explanations.

Helena’s EP marks a new chapter for the UK born, Australian bred DJ/producer. She’s conquered the world with her powerful house sounds, but now she’s diving down a different path, bringing fresh bass sounds to new BPM territories and even providing her own vocals. We previously covered her excellent EP, but we wanted to catch up with her and talk about this new direction and what comes with it. Moreover, we recap 2016 and find out, perhaps most importantly, where Helena thinks the best food in the world is. Enjoy our chat with Helena Legend, as well as some songs off No Explanations Pt. 1.

’Helena Legend – Illusion’

TMN: What prompted this change in direction for your music?

HL: Personal tastes change, I wasn’t vibed anymore on what I was making and I needed to do something fresh, I have found my new direction to be way more inspiring for me and more fulfilling than anything I have ever done.

TMN: How have fans reacted to these new sounds, both in a live atmosphere and online?

HL: The reaction has been incredible, I have had better feedback and more interaction on this EP than any of my previous work. the tracks are still fairly new to the world to get a really good reaction live, though it still has been good, but the more they know the tracks the bigger the reaction will be, so I just need to get the awareness of the EP out and get people listening to the new sounds.

TMN: When did you decide you wanted to hop on “Illusion” and make your vocal debut?

I wrote “Illusion” with me in mind to sing it, it was something I always wanted to do, I just needed the guts to actually push myself to do it. I was pretty nervous about putting myself out there singing on the track, but the reaction has been amazing, so maybe i’ll do more in the future.

TMN: Are you planning on getting any remixers for No Explanations?

HL: It’s still being decided, I think we’ll just push this EP and see how it goes. Maybe I’ll follow it with remixes.

TMN: No Explanations is listed as being Part 1, is Part 2 already in the works?

HL: Part 2 is already finished, set to be released Feb 10th, another 3 tracks this EP changes it up a bit more.

’Helena Legend – RU Feeling It (feat LYRE)’

TMN: As I was digging through some of your past interviews and work, it seemed to me that you have been always evolving as a creator. What drives you to keep advancing/evolving as a creative human being?

HL: I am certainly not the same person as I was 10 years ago or even 5 or 2 years ago, people change, life changes, tastes changes, hair color changes haha.. you need to move with life and roll with it, being stuck and not evolving creatively will give you a very limited career.

TMN: How would you sum up 2016 for yourself?

2016 for me was good but it was a bit of a weird year to be honest.. I was lost for half of it trying to figure out what direction I wanted to go in and spent the other half creating a new direction. I have kept my head down and worked hard in preparation for 2017 and I’ve never been more excited than I am right now.

TMN: What can we expect to see from Helena Legend in 2017?

HL: A ton of music, I feel now I have my new path set, there is nothing in my way, I will be going hard. I just make a kick ass music video for “RU Feeling it” featuring Lyre, in Shanghai I can’t wait to see final version, this is out in Jan, a tour with my homeboy Kennedy Jones of North America Jan-March plus so much more. I feel my best is still yet to come.

TMN: I think New Year’s resolutions are ridiculous, but what’s one goal you have for yourself, creatively or personally, for 2017?

HL: Don’t let up. This is my time I feel to show what I can really do.

TMN: One last question: You’ve traveled the world playing shows, so I must ask, who has the best food?

HL: AUSTRALIA OF COURSE!

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[Electronic] Dimond Saints – Stay feat. Yaarrohs

Dimond Saints
Stay Feat. Yaarrohs

Today we share with you the final single before the full release of Prism In The Dark. Dimond Saints have been pushing a few tracks out before their album release and now they’re back again with another one featuring Yaarrohs.

“Stay” comes in to hold fans over until the album’s release date on January 3rd. The album is currently available for pre-order, which you can take care of at the artist’s Bandcamp page. We’ve loved every single they put out so far and that doesn’t change with this new one. Together Dimond Saints and Yaarrohs put together a genre-bending single with a deep aesthetic. We don’t want to have to wait any longer for Prism In The Dark, but luckily “Stay” is amazing enough to hold us over the next few weeks.

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[Event Preview] BUKU Music & Arts Project March 10-11

buku2017-4x6

Every city in America has its own music scene, but in New Orleans, music is a way of life – a cultural infrastructure as essential to the city as its freeways and French Quarter. Jazzfest attracts the best in rock, folk and jazz to NOLA each year, but for those of us who want more youthful, visceral music and a more colorful, fluid experience, BUKU Music and Arts Project goes down on March 10-11, 2016 for the sixth year straight.

BUKU stands out in a saturated music festival market both for its timing (arguably the first big event of “festival season”) and it’s consistently nuanced lineup. No one is reinventing the wheel by stacking their lineup with hip-hop, indie, and dance music, but whom are you booking specifically? It takes balls and creativity to craft a card of eclectic, forward-thinking and often experimental artists like what BUKU has assembled. Where else can you see Deadmau5 and Travis Scott? Clams Casino and Troyboi? Shiba San and Thundercat? If you’ve answered, “I can see them at Festival XYZ,” it doesn’t matter, because that’s not in New Orleans.

BUKU is set just outside the city’s French Quarter on a sprawling riverside esplanade. The Power Plant stage is adjacent to the river and sits in the shadow of an abandoned industrial colossus. Two indoor stages diversify the vibe with The Ballroom offering an intimate aesthetic, and the Float Den serving as a massive gathering spot lined with Mardi Gras floats and craft vendors. A fourth stage, the Back Alley, is tucked beneath the Crescent City Connection bridge and offers an unbroken stream of dance music all day and into the night.
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Quinn XCII Speaks On New Track Straightjacket [TMN Interview]

Quinn XCII
Straightjacket

You wouldn’t think the temperature is starting to drop when listening to Quinn XCII’s music, including his recent single “Straightjacket.” This vocalist/songwriter has seamlessly melded electronic, hip-hop, soul, and pop and brought heat to everything he’s touched this year. His singles and EP’s have landed him a tour with Louis the Child, #1 spots on HypeMachine, over 40 million plays on Spotify, and regular spins at Top 40 radios around the country.

The single, produced by The Wiild, is a buoyant tune that floats just in between hip-hop and electronic, a skill that Quinn has mastered. The simplified melody keeps focus on the lyrics and the story behind them telling a relatable story that some, if not all, of us may have experienced when dealing with love. We were excited to catch up with Quinn and ask him more about his year and the single.

TMN: What got you into music? Have you always been a singer?

Q: I can remember being a fan of music since I could walk and hearing my parents play it around the house. That, and I was always into creative writing. It wasn’t until my freshmen year of college, though, that I really put the two together and started writing my own content and sharing it with friends. At the time it was actually more indie-rap stuff, but then I started focusing on singing and things started to evolve into my current sound.

TMN: Detroit is a huge hub for music and art in general, has growing up in Michigan influenced your music in any way?

Q: Definitely. The older Detroit music I feel has strongly shaped my writing in terms of melodies. Motown, du-wop style melodies that have that ear-candy quality about them has always attracted me, and I think have definitely crossed over into my own music.

TMN: A lot of your work is in collaboration with ayokay, did he help with “Straightjacket” or did you work with someone new?

Straightjacket was actually produced by The Wiild, a very talented producer from Australia who works with a lot of the pop acts out there. ayokay and I are still working very closely on my new music though, he’ll be producing majority of my next project again. We live together and have a studio in our house so we’re constantly writing new things together – it’s a really creative environment.

TMN: Almost a year ago you released the Bloom EP – Is “Straightjacket” just a single or can we expect something more after this? Another EP or LP?

Q: Straightjacket is the first song from my upcoming debut album. We’ll be releasing a few more singles from the project in the coming months and then we’re expecting to have the full album out by Spring/Summer of 2017!

TMN: Any specific inspiration behind Straightjacket?

Q: The idea behind Straightjacket was really about shedding light on the girl that has secrets, more bad ones than good. She acts a certain way in public and in front of your friends, but behind closed doors is a bit of psycho and can’t be contained. The two-faced mentality was very appealing to me to try to put into words and narrate.

TMN: You were on tour with Louis The Child, what was that like? What would you say was your favorite stop?

Touring with LTC was amazing. They’re both super talented guys and it’s really inspiring to see them at such a young age connect with people the way they have been. I’d say my favorite stop on the tour was in Minneapolis.. All the stops were amazing but that show has stuck out to me since getting off the road.

TMN: How would you sum up your 2016? Any specific moments stick out in particular?

Q: I signed with Columbia Records over the summer, which has definitely been one of the most memorable moments of the year. I’d say 2016 as a whole can be summed up as a big stepping stone for both ayokay and myself. I think we really made a big stride in our careers and are finally beginning to get placed on the platform we’ve been striving for. Now it’s just a matter of how much we want this to continue, and putting in the work is what will dictate that. I’m ready for it.

TMN: What’s 2017 looking like for you?

Q: 2017 will include the release of my debut album, a lot more touring, festivals, some really cool collaborations, and hopefully a lot more.

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8Er$ – Smoke Shop [TMN Premiere]

8Er$
Smoke Shop

If you’re not already a fan of 8Er$, you’re late to the party. Even if you’re not on board, better late than never. The trap lord just released “Smoke Shop” today as a free download. It’s coming fresh and hot out the oven for this premiere, so prepare yourself.

“Smoke Shop” is a bit of a different style than what we usually get from 8Er$, however it is still within his signature ballpark. The hybrid sound echoes some of 8Er$ past works, but he takes things next level with new structures and sound designs. The entire Block Society crew are extremely talented, but 8Er$ is one of the producers leading the charge with notable creations, this included. Stream it today, and don’t sleep on the download. 2017 is going to be a big year for 8Er$, so stay tuned.

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