TMN Exclusive Interview + A Woman's WIsdom (Official SIngle)
Few people are able to conjure up such a visceral response through their artistic medium as multi-instrumentalist, songwriter and chief architect behind one of the most lauded music projects over the last decade as has the L.A. via Blacksburg, VA (and a few cities in between) Wild Nothing frontman Jack Tatum. Clearly a pensive and grounded artiste, Tatum’s abundant knowledge of music pours throug Wild Nothing’s pop-structured, but genre-eschewing catalog. Tatum and Wild Nothing’s sound has always toyed between abstract and direct, which has resulted in some of the most velvety, lush indie-pop tunes we’ve ever exposed our cochlear cavities to.
Last week, jut ahead of the start of Wild Nothing’s current international tour, we had the chance to catch up with Jack and see what’s been going on since the release of Life of Pause and ahead of yet another hefty jaunt across the world. Check out our show preview for Wild Nothing’s upcoming Red Bull Sound Select Showcase in Denver this Saturday with Inner Oceans & Flaural at the Bluebird Theater, and be sure to read our entire transcript below.
The Music Ninja (TMN): First off, let’s just take a second to thank you for taking the time to let us pick your brain and answer a couple of questions.
TMN: I’ve been a very vocal Wild Nothing consumer since your excellent 2010 debut, Gemini, and this past February you added another worthy addition to the Wild Nothing long-player catalog with Life of Pause which was the follow-up to perhaps my favorite album in the last 5 years, Nocturne. So, another thanks is in order for consistently creating some of the most tasteful sounds we’ve consumed in the past decade. So let’s get into it.
Jack Tatum (JT): Wow, yeah, thank you, for those very kind words.
TMN: Obviously an artist can undergo quite a sea-change as far as personal tastes and aesthetic go in a 7-year period; and with every passing release it seems like another piece of your psyche gets revealed both aurally and stylistically. We know you’ve probably answered this more than a few times on this latest round of press obligations, but were there any significant events going on in your life that sparked this burst of creativity and some of the material on Life of Pause, or was the writing and recording process pretty similar compared to your other EP’s & LP’s?
JT: Ummm… I don’t know. Not necessarily. I don’t know, for the sake of not making myself sound too boring…
TMN: Hahaha not at all.
JT: I’ve never really been someone that wrote kind of in response to any one sort of scenario or event in my life. I guess you could kind of say with the first record (Gemini) it definitely was very much a response to the relationship I was in at the time. And it’s, you know, a very mood based record… A very sort… of I don’t know how exactly I would describe it. But, as I’ve continued to write, I’ve found that I don’t necessarily need a spark to start writing. I think especially as I’ve gotten older I have been equally writing from experience as I am just to write and out of interest, or just purely composition, or trying to achieve a certain kind of sound, or something like that. But, yeah, I put out Nocturne in 2012 and then had the Empty Estate EP in 2013. And that EP in a way was kind of a response to Nocturne, just because we had been touring on Nocturne for so long…