Tag Archives: Griz

[Get Crunk] Friday Party Playlist (Vol 274)

We’re kicking December off with a whole lot of bass. Keep warm with the hottest free downloads that we’ve collected over the past seven days. As usual, we warm things up with some pre-game records and then move on to the harder tracks to keep you going all night long. This week we have records from the likes of Savoy, ARIUS, GRiZ, sfam and many more. As we stated earlier, there’s a whole lot of bass, so get yourself ready to rage this weekend. These twelve records are no joke.

’Savoy – Up All Night (feat. Laura Reed)’
’ShiShi –
Damelo’

’Siouxsie and the Banshees – Cities In Dust (Nazariff X Rosé Throne Remix)’
’Jameston Thieves – Ghost (DIV/IDE Remix)’
’VÉRITÉ – Saint (tofû remix)’
’ARIUS – Bring Back My Wobbles’
’Franky Nuts – Pass That feat. Azzeration’
’Freddy Todd – Audible Edibles (GRiZ Remix)’
’sfam – 2 piece w/ KTRL’
’Yeah Right (TOP $HELF Flip)’
’Nato Feelz & INF1N1TE – Manifest (feat. Born I Music)’
’Jynxx – Rocket Start’
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[Electro] GRiZ – My Friends & I Ft. ProbCause (Dusty Bits Remix)

GRiZ
My Friends & I Ft. ProbCause (Dusty Bits Remix)

Our favorite breakbeaters Dusty Bits just came through with something super hot, as usual. The special thing this time around is that they’ve released an official remix for the one and only GRiZ. The duo took on “My Friends & I” featuring ProbCause and flipped it into an electro beast.

Dusty Bits keeps things funky in their own unique way. “My Friends & I” in its new form has a bubbly, bouncy quality that just calls for one to dance. It’s nearly inescapable. Dusty Bits have put out incredible remixes before, but in being commissioned for something this big in official capacity, they didn’t waver in delivering something that stands above the rest of their own work, as well as much of the remix LP, which is saying a lot given the high quality remixes throughout the entire project. Have a listen today and get yourself a copy on digital platforms.

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[Festival Review] Outside Lands IX : Revisiting the Most Memorable Acts of the Weekend

OSL7In continuing to build on the foundation laid nine years ago, Another Planet Entertainment has once again outdone themselves; the final product being yet another successfully executed Outside Lands Music & Arts Festival. The 2016 version – keen on replicating the successes of previous iterations – was calculated in its approach, careful not to break the trends and quirks that have made it such a mainstay to the community.

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Instead, APE kept what has worked and improved upon it; meaning deeper lineups, aesthetically more impressive sound and lighting productions, finally allowing payment via RFID-enabled festival wristbands, and a fair amount of side stages to keep all wandering pseudo-bohemians well occupied. Unfortunately, along with the quality improvements also came a pretty substantial price adjustment – putting on a nationally recognized festival is big business, after all.

Those willing to stomach the uptick were treated to an especially diverse lineup ranging from saxophone playing acts like Kamasi Washington and GRiZ, nostalgia-inducing pop rock outfit Third Eye Blind, platinum (and featureless) hip hop artist J.Cole, EDM prodigy Zedd, the Jack-of-all-trades Garratt, and rags to riches rapper Anderson .Paak.

Continue reading

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[Electronic] GRiZ – Stop Trippin’ (Louie Lastic Remix)

Griz
Stop Trippin (Louie Lastic Remix)

All Good Records CEO and musical pioneer GRiZ has become a true 21st Century ambassador for funk–not only in sound but also in his approach to collaborations. One of the attributes of the OG funk movement that made it so successful was its inclusive nature–Parliament / Funkadelic constantly cycled new young musicians into their band while cycling others out as established solo artists. GRiZ has kept that inclusion alive by signing a diverse set of artists such as The Floozies, SunSquabi and Muzzy Bearr to All Good and working with seemingly all artists who cross his path irregardless of genre. It comes as little surprise that his approach has led to collabs with some of funk’s legends as well–most recently The Floozies collaborated with George Brown of Kool & The Gang on a remix of “She Ain’t Yo Girlfriend.”

Just in the past few months we’ve seen GRiZ commission official remixes from up n comers Big WildChill HarrisAutograf and more–giving exposure to budding producers and creating some fantastic music along the way. Today, we get the latest remix of “Stop Trippin” from DMV-based producer Louie Lastic, who opened for GRiZ at a few recent shows and is most well known for cultivating Goldlink‘s ‘future bounce’ sound. His rendition transforms the original implementing the bouncy, house-leaning vibe that has become signature Lastic. The result is a fantastic collision of forward-thinking, genre-bending styles–kick off your weekend right above.

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[Future Funk] GRiZ – Summer ’97 (feat. Muzzy Bearr)

GRiZ
Summer '97 ft. Muzzy Bearr

When GRiZ blew our minds at Mezzanine a couple months back, he was at one point joined by All Good Records label mate Muzzy Bearr on the guitar adding an awesome solo to the already enormous set. Just a couple hours ago, GRiZ dropped an absolute gem of a freebie featuring Muzzy Bearr, who put out a stellar debut album a couple months back.

“Summer ’97,” as its name suggests, has been architected specifically for sunny cookouts, block parties and days at the beach. After introducing a backbone of a groovy piano chord progression, fitting vocal sample and signature All Good future funk percussion, the summer tune showcases Muzzy’s skills on the guitar as he solos over the sublime backdrop. Following that guitar solo, GRiZ steps in on the sax offering a jam of his own making for an awesome back and forth between the two talented artists.

Enjoy above and grab a free download–this one’s an absolute must for your summer playlist.

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[Event Review] GRiZ and The Floozies Tear the Roof off Mezzanine with Future Funk, SF 5/2

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Article by Ash, Photos by Dom Powell

’GRiZ – The Anthem (ft. Mike Avery)’

Since Funk’s inception in the mid-60s, it’s been reborn countless times particularly in hip-hop and, most recently, electronic music. Although it certainly possesses distinct composition elements, funk’s cross-genre transcendence also stems largely from its showmanship, quirkiness and the underlying attitude which it catalyzed. In some genres, this sort of evolution, or appropriation, is looked down upon, but funk is quite the opposite. George Clinton’s Parliament/Funkadelic, for example, was constantly changing adding young members to keep its sound fresh. Even now, Clinton, widely considered one of funk’s founding fathers, continues supporting and working with a diverse set of artists who keep funk alive and well. 

In the realm of electronic music, few artists have done a better job of carrying on the funk tradition than the sax-wielding GRiZ, whose “future funk” combines the enormity of electronic bass music with big-band funk of the 60s and 70s. The Detroit producer is in the midst of his most ambitious year yet releasing a stellar album with Say it Loud and launching All Good Records to give like-minded artists an opportunity to expand on the movement. We were lucky to catch GRiZ along with label mates The Floozies at their jam-packed show at Mezzanine in San Francisco over the weekend and it was a perfect reflection of an exciting moment in their respective careers. Continue reading

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[Album Review] GRiZ – Say It Loud

Generally when sites or magazines write positive reviews on albums, they’ll (try) to come up with a nice, catchy title for the article. Even for good singles the same can be said; but in our opinion, GRiZ and his album title of Say It Loud, is all that needs to be said. Of course, that’s not really all that needs to be said, because we’re diving headfirst into a full song-by-song album review of the eleven part project.

On January 13th of this year, GRiZ announced All Good Records, his new full service label. That entity has already had some sweet releases, and now the mastermind has added his inaugural All Good album onto that list. It’s legendary, and it’s the culmination of not only the efforts of Grant, but also a lengthy list of comrades. You can pick up GRiZ’s album in a variety of formats here.

’GRiZ – The Anthem (ft. Mike Avery)’

The first of those comrades is Mike Avery, who starred in “The Anthem,” which was premiered by Billboard back in February. In starting off with GRiZ’s own vocal, “Let’s get loose; you guys feeling good?,” with the children’s ecstatic response, the whole album starts off with instant good vibes. As far as anthems go, this sets out to be “The Anthem” of all anthems. It arguably could be so, and it’s not even the my favorite track on the project. How do you get better than a 10? You’ll hear soon.

’GRiZ – Funk Party’

Everyone loves a nice “Funk Party” right? Right. Especially when it’s GRiZ somewhat surprisingly going off on some dirty glitch meets twerky moombah madness. For those who like it a little grimier, this gem should please your ears extensively. Don’t be misled by my verbiage though, because things still get pretty saxy on this single.

’GRiZ – Get Down (ft. Sunsquabi And Manic Focus)’

“Get Down” brings with it two collaborators, being Colorado’s Sunsquabi and the beat machine Manic Focus. With guitar and saxophone solos, “Get Down” has a whole lot going on in it. The ending phrase alone is genius. The journey up to it is both exciting and groovy beyond what is necessary, but surely we all can agree there can never be too much funk.

’GRiZ – Need This (ft. The Floozies)’

GRiZ enlists label family members The Floozies onto a track that some fans have been waiting over a year for. “Need This” has the sort of thuggish groove that makes pimp daddies like Andre Nickatina quiver at the knees. It’s dirty, but man is it also classy as hell. Around the last minute we get sonically blessed by a cleansing conclusion which is too tasteful to describe in words. Continue reading

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