[Techno/Indie-Dance] Tiger Tooth – Clementine [TMN Premiere]

Tiger Tooth
Clementine

Tiger Tooth -the East Village, NYC based electronic trio comprised of Johnny Siera, Will Broussard and Sofia Szamosi- came to us like the sweetest of gifts when they asked for our hand in premiering bouncy analog-techno instrumental single “Clementine”. Immediately, a muted synth that sounds like it was pulled straight off of an old 909 is underpinned by a buoyant kick-clap, setting the stage for the rest of “Clementine” to blossom into what sounds like a mid-2000’s electro romper lingered around a techno warehouse just long enough to embrace the weird while manging to escape with all of its accessibly cool points. This one fills us with the kind of gritty electronic joy that powered the blog-house era with so much fun, yet tasteful dance sounds. “Clementine” is one of the lead singles from Tiger Tooth’s self-titled LP on the fledgling imprint Baby Tooth Records, and with the amount of detailed craftsmanship found on just their first LP, it’s safe to say we will be waiting patiently as Tiger Tooth’s catalog continues to evolve and expand.

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[Denver Event Preview] Project Pabst – RiNo Arts District – 5/21

Already an established and highly praised festival in Portland, Project Pabst is set to touch down for its first ever stop in Denver, and we’re chomping at the bit for their all-day lineup featuring the likes of TMN Favorites Best Coast, Small Black (who headlined one of our TMN Showcase parties back on Halloween), K. Flay, and local Denverites turned national darlings Nathaniel Rateliff & The Night Sweats; along with classic staples including the Violent Femmes, Charles Bradley & His Extraordinaires and loads more across seven stages on Saturday, May 21st in Denver’s booming and eclectic RiNo Arts District. We’ve been watching Project Pabst pick up steam as it nears closer and closer, and with the announcement yesterday that all tickets have now been sold out, it’s shaping up to be a beast of a day for music in the Mile High City.

In anticipation of this weekend’s Denver debut of Project Pabst, check out our playlist below featuring some of our favorite tunes from each headliner, start hydrating, and put aside your beer snobbery before loading your system with cheap domestic beer in the greatest craft-brew city in the U.S. We’ll be out in full force all day tomorrow, so keep your eyes peeled for our post-event review, and get in the spirit a little early with our official Project Pabst Preview Playlist (say that five times fast) below.

’Best Coast – The Only Place’
’Small Black – No Stranger’
’Best Coast – Do You Love Me Like You Used To’
’Nathaniel Rateliff & The Night Sweats
S.O.B.’
’Violent Femmes – Blister In The Sun’
’FIDLAR – No Waves’
’Big KRIT ft Trinidad James – My Trunk’
’Lights – Same Sea (K.Flay Remix)’
’Metz – Can’t Understand’
’Baroness – Shock Me’
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[TMN Exclusive Interview] Brooklyn’s The Golden Pony Sit Down With TMN To Riff On Favorite Drinks, Records and More

The Golden Pony
TMN Exclusive Interview + Don't Make Me Wait (Original Mix)

If you’ve been following our dance related posts over the years, we’re certain that you’ve come across house & disco benders, The Golden Pony, more than a few times. One of the most consistent production teams in dance music, TGP’s rise in the past year has been nothing short of meteoric, and after we’ve gotten the chance to get to know them over the past three years, it was high time we got to sit down with our favorite couple of Afro-Thunders and shoot the proverbial… well you know. Read our entire transcript below, and be sure to check out The Golden Pony’s latest original “Don’t Make Me Wait” out now on Enormous Tunes sub-label Enormous Chills on the player above.

The Music Ninja (TMN): First off, thanks so much Tim & Tom for taking the time out of your busy schedules to answer a few questions for The Music Ninja! We’ve been following you guys for YEARS since one of your first remixes, the Daft Punk “Doin’ It Right’ remix to be exact, first careened through our monitors. In the roughly three years since, The Golden Pony has evolved its sound constantly with every passing release including a handful of addictive originals. I know it’s a bit cliché, but could you guys give us theabbreviated story of how you went from a couple of lone-wolf afro-wielders to the formidable and nationally touring duo that you are today? Did you both have a background in music and have solo projects before TGP? Was there a serendipitous event that led to you guys deciding to go forward as a team?

TGP (Tom): Honestly by banging our head against every wall and wrong direction possible until something clicked! I have a background in classical music and was playing piano and writing (somewhat) intellectually interesting but unlistenable electronic music when I started going out to see acts like Gigamesh and Goldroom, and just got totally sucked into the culture and sound of the dance music world.

(TMN): How about we get into the actual music side of things. Clearly, The Golden Pony has come light years in terms of sonic nuance and building heavy grooves. What have been some of your tunes or remixes that you could mark as a step in the direction of you guys becoming one of the most sought after acts in the U.S. underground scene?Do you both ever go back and listen to some of your older stuff and maybe laugh or say, “what the hell were we doing there?”

TGP (Tom): I think that our remix for the Chainsmokers was a real turning point for us. It was the first time that I felt our sound really crystalized both in terms of being dancefloor-ready and musically interesting. That said, there’s absolutely some moments in our older tracks that I have no idea where we were coming from!

What are the three TGP tunes that you would play to someone who had never before heard you guys to try and capture your essence the best?

TGP (Tom): Snoop Dogg – “Drop It Like It’s Hot” (The Golden Pony Remix), “Die Inside Your Dance” Feat. Savior Adore and Simon & Garfunkel – “Sound Of Silence” (The Golden Pony Remix)

Continue reading

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David Bowie – Let’s Dance (Crush Effect Remix) [TMN Premiere]

David Bowie
Let's Dance (Crush Effect Remix)

David Bowie’s passing at the beginning of this year prompted an outpouring of genuine appreciation from artists across genres. The legendary English musician traversed the ever-changing landscape of rock / pop effortlessly for half a century helping shape the trajectory of musical history along the way. His various musical and narrative experimentations directly inspired countless artists but his fearlessness in creativity has had an even broader impact. In the world of electronic dance music, Bowie’s legacy paved the way for new sounds in the mainstream and his constant reinvention mirrors the genre’s need to continually push the boundaries.

Today, we’re excited to bring you the premiere of a particularly fun Bowie tribute courtesy of SoCal’s Crush Effect. The production duo have proved versatile with a style that incorporates elements of future funk, dubstep, house and disco. Their rendition of “Let’s Dance” is a proper Nu-Disco jam accompanying the iconic vocals with plucking synths, funky guitar riffs and a healthy horn section. Get your groove on above and check out what Crush Effect had to say about Bowie’s influence below. The duo have an EP due this year so also make sure to keep an eye out.

Musically David Bowie was always on the cutting edge and was such a big influence throughout the years. Around the same time that he passed away, we were preparing our set for the Gem & Jam Festival and wanted to write a couple new dance tracks. ‘Let’s Dance’ is just such a great song and worked perfectly into the Nu Disco context. It seemed like the right time to pay homage to Bowie.
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[Funk] Goldwash – Need To Hear

Goldwash
Need To Hear [NESTHQ Premiere]

Born Gabe Acheson, Goldwash is a 21-year old composer, singer-songwriter, and producer out of Baltimore.  A classical and jazz-trained pianist, he brings his own unique concoction of existential funk.  Having already caught the eye of Jamz Supernova (“Malady” was premiered on BBCR1 on her show) and Roche Musique, he is now poised to introduce his dynamic and cohesive sound to a worldwide audience in 2016.

“Need To Hear” is already his third single this year. Drawing from a multitude of influences, and premiered on BBCR1 by Australia’s finest tastemaker Anna Lunoe, the record is strong and will definitely receive heavy rotation in my playlists. Don’t sleep and enjoy his latest offering.

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[Chill/Disco] Tundran – Last Drive

Tundran
Last Drive

Back in December we had the chance to premiere the incredibly smooth, disco-leaning pop single “Kimono” from Swedish duo Tundran, and it stopped us dead in our tracks.  Even with its December release, “Kimono” managed to sneak its way into this writer’s “Honorable Mentions” section for best singles of 2015, and we’d been patiently waiting in the months since for their follow up. Luckily for us, that day has finally graced our ears, as Tundran returns with another expertly crafted slice of laid-back groove, “Last Drive”.  A subdued electric piano leads into another buttery, legato melody which dominates most of the tune before a lush and balanced vocal steals the rest of Tundran’s latest record.  “Last Drive” comes as part of a Double A-Side release through heavyweight tastemakers PRMD Music, and will see an official February 12th release. Until then, enjoy “Last Drive” above.

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[Deep-Disco] Bon Volta – Higher (Original Mix)

Bon Volta
Higher (Original Mix)

Upstart independent house & disco label French Press Records have demanded our listening attention through their brief, but deeply groovy output. We first heard label founder Allen French’s “Rosie”, the imprint’s debut release, back in November and after following up with a few more choice dance cuts, French Press are back again with a raucous deep-disco burner from L.A. based newcomer Bon Volta. “Higher”, Bon Volta’s debut release, wraps heavy synth lines, groovily swung analog bass progressions, and a pitched down vocal sample from queen Diana Ross inside a foundation of classic house sensibility. With its thumping club groove, it’s hard not to draw up comparisons to some of the earlier Nora En Pure & Croatia Squad records which rapidly swept through the underground, and we think that’s quite a good thing. Bon Volta’s already received early support from one of the most consistently tasteful artists in any corner of house music, Vanilla Ace, and he’s certainly received our full Ninja stamp of approval as well, marking what looks to be a pretty big 2016 for both Bon Volta and French Press. Stream “Higher” above.

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