[Future/Melodic-Trap] Kimbra – Settle Down (P A T H Remix)

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Kimbra
Settle Down (P A T H Remix)

Sometimes it seems the most forward thinking talent within the electronic and dance communities keeps getting younger every year. Such is the case with our latest find teetering on infancy, 16 year old beatsmith P A T H, who has taken Kimbra’s pop hit “Settle Down”, and completely flipped the tune on its backside. P A T H plays with sound kits and structures most teenagers wouldn’t dream of going near, which makes his take on electronic music all the more intriguing. A metallurgic synth lays most of the framework for the young maestro’s revision, while a pitched down take on Kimbra’s sweetly drawn vocals, splice about P A T H’s soundscape creating an impressively intoxicating atmosphere from the onset. We’re definitely excited to see where the future takes our newest wunderkind, but you can be sure we’ll be staying on top of it here at TMN.

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[Future Trap] Plastician – Safari (AWE Remix)

Plastician - Safari (AWE Remix) [Artwork]
Plastician
Safari (AWE Remix)

Los Angeles is known as a hub for amazing up-and-coming talent, and one of our favorite producers from the City of Angels has just released a new remix. AWE is the 20-year-old wunderkind who has been tearing up the electronic beat scene with a future trap sound reminiscent of the sub genre’s pioneers, Rustie and Hudson Mohawke.

His remix of “Safari” by Plastician packs a punch with powerfully anthemic bass. Paired with futuristic flutes and fiery lasers, “Safari” is teeming with heavy grime and raw energy, making this young producer one to watch for. The remix, which was released via Plastician’s label Terrorhythm, appears on ‘Plasticman Remixed’, which is a collection of releases from his earlier alias, Plasticman.

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[NEW] SBTRKT – New Dorp, New York (feat. Ezra Koenig)

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SBTRKT
New Dorp, New York feat. Ezra Koenig

Since the release of his self-titled debut album in 2011, SBTRKT‘s follow-up project has consistently been one of the most anticipated records in music. Today, almost exactly three years later, the acclaimed UK producer finally let loose the first single from the long-awaited project. “New Dorp, New York” departs from the lush synths and drum ‘n bass percussion fans have become accustomed to in favor of a far more avant-garde feel. With some help from Ezra Koenig, of Vampire Weekend, SBTRKT creates a sort of tribal groove continuing his experimentation and combination of sounds. Give this one a spin above and rejoice that SBTRKT’s sophomore effort, Wonder Where We Land, is on the way.

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[Ambient] Komodo – Orange Ocean (Loscil Remix)

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Orange Ocean
(Loscil Remix)

If you’re anything like us, you’ve been slowly sifting through an endless sea of minutia and manure today. Whatever industry you’re in, we’re sure you have you slow, building frustrations, and those frustrations need to be addressed properly.

Rather than going on a regretful twitter rant, we suggest you calmly press play, and get lost, if only for seven minutes. Taking a crack at Brooklyn based Komodo’s tune “Orange Ocean,” Loscil has dialed up an interpretation worthy of your deepest dreamscapes. Taking a piano-centric approach to the melody, this Vancouver-based musician will easily take you out of whatever stresses have been ailing you today.

This tune is off of the upcoming Pattern and Light LP, due out July 22nd.

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[Beauty] ODESZA – Memories That You Call (feat. Monsoonsiren)

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ODESZA
Memories That You Call (feat. Monsoonsiren)

Over eighteen months, Odesza has exploded, and we aren’t complaining one bit. When they came through Orlando, I had an opportunity to catch Odesza, and it was one of my best show experiences. The show sold out, and the room was packed with happy people swaying to their music. Their performance style is amazing! Odesza switches from both jamming on their Ableton controllers, to their synthesizers, and they even do some live drumming! Completely unique performance style, and their music shares that trait. Very beautiful, and inspiration music from these two. Odesza’s new album “In Return” will be coming out September 9th on Counter Records, which you can preorder here. If “Memories That You Call” is a teaser for “In Return“, then we are beyond excited!

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Get to know Denver’s UMS – 7/24-7/27 [Interview and Showcase Playlist]

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We’ve been proponents of underground artists for as long as we’ve been in existence. In all honesty, we get more of a thrill from reading a submission with a subject line like, “Debut song from indie/folk artist from the UK,” than we do from something like, “Mega superstar announces 1,000,000 city tour.” There’s a certain excitement in showcasing an up-and-coming artist that simply can’t be obtained from any other type of music review.

The Underground Music Showcase (better known as The UMS) shares this affinity for what most call “Hipster One-Upping” by continually bringing in top-notch, lesser-known, independent acts for nearly a decade and a half. Starting out in a single venue, this showcase has grown tremendously, to the point where it now aggressively takes over a stretch of Denver’s most coveted neighborhoods, turning it  into a four-day music festival.

We had a chance to catch up with one of the organizers, Kendall Smith of The Denver Post, who dropped some knowledge on how this thing started, whom he’s excited to see personally, and what this musical frenzy goes to benefit.

TMN: Thank you for taking some time to speak with us today. We’re less than two weeks out from The UMS, how are things coming along so far?
You bet. The clock seems to have sped up, but things are shaping up nicely. We keep improving every year. This year looks to be no exception.

TMN: Talk to us about the origins of this festival. It’s going into it’s 14th year, correct?

That is correct. The UMS was started by John Moore, formerly of The Denver Post. He wanted to showcase a few local bands he thought weren’t getting the attention they deserved. It started as a one night, one venue event. Eventually, the pop music critic for The Denver Post, Ricardo Baca, took it over, moved it to South Broadway and created the multi day, multi venue model it currently operates under. John and Ricardo are brilliant, passionate and talented men. I am a fortunate person to have worked with them both.

TMN: You’re bringing in artists from all over the world, including one of our current favorites, The Griswolds. How do you go about selecting your worldwide and national underground talent?

We have an awesome talent acquisition team led by James Irvine. James is the founder of Holy Underground and also books Larimer Lounge. We met The Griswolds through our efforts down in Austin during SXSW. The UMS produces a day party for our pals at Reverb every year. The Griswolds played this past year and turned in a burner of a set.

TMN: Some people may not know this, but this festival benefits the Denver Post Community Foundation. How did this partnership come to be and what types of causes does it support in the metro area?

When the festival was brought in house at The Denver Post, the decision was made to add it to the portfolio of Signature Events offered by The Denver Post Community Foundation. Net proceeds of the event are distributed to local non-profits to support of programs that benefit children, the arts, literacy and education and the provision of basic human services.

This year, we have two charitable partners. The first, a youth facing organization, Youth on Record, is a long time partner of The UMS. Our second, and a new partner this year, is an artist facing organization, MusiCares, a nonprofit arm of The Recording Academy.

TMN: Most festivals/showcases try to bring in those marquis artists that will sell tickets. You guys do exactly the opposite of that, providing music lovers with a glimpse into some lesser known bands. What are some of the struggles with putting on a show like this?

How much time do you have? Kidding aside, the core mission of The UMS is to showcase the vast talent we have in this region while also growing the audience for the local scene. We hope through our efforts, we continue to build trust. Trust with fans that the quality of the bands is going to be great. Trust with national booking managers that The UMS will a great look for them in Denver.

TMN: Denver seems to be a hotbed for all different types of music, filling up a sizable number of venues week to week. Aside from the obvious notable venues (Red Rocks, Fillmore, Beta Nightclub) what are some of your favorite spots to catch a show?

We are so lucky in this town. There are so many great rooms. I love the Gothic, hi-dive and Larimer Lounge. I recently saw a pretty rad Devo show at Summitt Music Hall and Colorado Springs has a pretty terrific new room at Ivywild.

TMN: What’s the one venue at UMS that everyone should check out, if they haven’t already?

All of them! Four days is plenty of time. I encourage everyone to check out the Main Stage this year. We have moved next door to Security Service Federal Credit Union and have made some upgrades to the stage and infrastructure. It’s going to be great!

TMN: What artist are you most looking forward to checking out this year?

I love and hate this question. I love the lineup this year, but we get so busy running things I just don’t ever plan on being able to see anybody in particular. My best bets are usually to see some of the main stage acts. Should a happy accident occur whereby I am in the right place at the right time and get to see any one of Ark Life, A Tom Collins, Eros and the Eschaton, Dragondeer or Roadkill Ghost Choir, I will be way pleased.

TMN: If you had to describe this event in three words, what would they be?

Music. Community. Goodness.

TMN: Thanks for your time! We can’t wait for the showcase July 24-27.

Thank you! See you on South Broadway!

HEADLINERS

Real Estate
Crime
Blonde Redhead
People Under The Stairs
Acid Raindrops

TMN’S PICKS

The Griswolds
The Beware the Dog
GEMS ≠ Scars
Brother Tiger
This Must Be the Place (Talking Heads Cover)
Miniature Tigers
Used To Be The Shit
Native Daughters
GDS
Speedwolf
Up All Night
Unknown Mortal Orchestra
Ffunny Ffrends
Baths
Miasma Sky
Hillary Hand
Tameless Tongues
American Tomahawk
Do Not
Kyle James Hauser
Maria
Goodnight, Texas
Santa Cruz
Fort Frances
Chicago
Heart Attack
Lions & Lambs EP
Rose Quartz
Scarves
RUMTUM
Alona
Mosis
Where It Was
Keepers
Hello (Original Mix)
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[MP3 Playlist] The Chill Dojo #92

chill dojo

Well ninjas, hopefully all of you survived your 4th of July holiday weekend. We know it can get a little rough after 3 days of raging hard, so it’s understandable if you don’t want to look at another American flag for the next couple of weeks. Luckily for you, we put together the perfect recovery Chill Dojo to sooth your mind – and your liver for that matter. TMN always knows how to give you exactly what your soul needs every Tuesday morning and afternoon because we like to give all of you a small break from the festival life and bring you back to reality. We’ve got a heaping dose of some intense feels for you this week so prepare to fight that dire urge to soulfully move your body and cry the rest of the day. So press that play button and let these delectable sound frequencies give you some peace of mind.

Until next week, yo!

Lemaitre
High Tide (Oliver Nelson & Tobtok Remix)
Foster the People
Best Friend (Jai Wolf X AObeats Remix)
Sam Smith
Stay With Me (EigenARTig Remix)
CRYSTAL FOX & DOLPHIN TEARS
ATLANTIS
bonobo
Duals
Psymbionic
One Thing ft. Cristina Soto
Görkem Han Jr.
Ocean
Wayward
Belize
waiting so long
Pascäal
Drowning In You (Mincha Edit)
Sailor & I
Turn Around (Âme Remix)
Free n Losh
Lost Ft. Cat Lewis
Alicks
Beneath The Surface
misxgi
OCEAN
xxyxx
Zygote
Diversa
i love you for existing
The Weeknd
The Knowing (Aeron Beems Ethnic Vaportrap Bootleg Remix)
Cazzette
Sleepless ft. The High (Prinston Acoustic Edit)
Sam Sm1th
Stay W1th Me (JayKode Remix)
Lana Del Rey
Fucked My Way Up To The Top (Yamill Remix)
Bondax
All I See
StéLouse & Rusty Hook
Space Bar
Brew Brewses
Cracked Stones
Braedon Bailey
Breathe Easy
Sun Ritual
Esta.
Lexo
#33. Haan 808
Black On Green (Free Honey)
Petit Biscuit
Collapse
14AM
Take A Note

 

 

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